Here are 100 books that The Internet Is Not the Answer fans have personally recommended if you like
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I’ve curated a list of music memoirs that resonate deeply with me, particularly because they strip away the polished veneer of fame and expose the raw, imperfect humanity of their subjects. My book, Asshole, explores similar territory, delving into the complexities and contradictions that make us who we are.
These memoirs, much like my book, aren't about celebrating flawless heroes. Instead, they offer unflinching accounts of individuals—whether artists, managers, or those behind the scenes—navigating the extraordinary and often turbulent landscape of the music industry. These stories delve into the imperfections, challenges, and moments of accountability— sometimes even outright acts that might be considered, well, asshole-ish—that shape these fascinating lives, leaving a lasting impression.
Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.
Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.
The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Photography has always been more than just images for me. I love capturing the moments that define a movement. I started out photographing punk bands, drawn to their raw creativity. Later, I shot Hollywood legends, but at the core, it was always about the same thing: artists fighting to make something that lasts. These stories feel like snapshots of a life I know well, and they bring me back to the packed punk club where everything started.
Viv Albertine’s memoir is raw and completely unfiltered, just like punk itself. I was hooked from the first page because it lives and breathes punk while also documenting its history.
Having photographed the New York and Boston punk scene firsthand, I connected deeply with her storytelling. It reminded me of the energy I felt photographing the bands back in the late 1970s.
SUNDAY TIMES MUSIC BOOK OF THE YEAR ROUGH TRADE BOOK OF THE YEAR MOJO BOOK OF THE YEAR
A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century.
In 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar.
A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the…
Photography has always been more than just images for me. I love capturing the moments that define a movement. I started out photographing punk bands, drawn to their raw creativity. Later, I shot Hollywood legends, but at the core, it was always about the same thing: artists fighting to make something that lasts. These stories feel like snapshots of a life I know well, and they bring me back to the packed punk club where everything started.
I’ve always been really into crime fiction, and when you throw in a gritty concert setting, I’m all in. This book nailed that feeling, the sound, and the unspoken tension between past and present. It’s very cool how the concert setting wasn’t just the background noise but part of the mystery itself.
It felt like being backstage at a show where something’s just a little off. It kept me flipping pages way too late, and honestly, that’s when you know a crime novel really delivers.
A riveting work of dark suspense from acclaimed author Clea Simon
Gal, a middle-aged musician, is back in Boston to play a memorial for her late drummer/best friend, when she finds herself freezing on stage at the sight of a face in the crowd. The next day, she learns that the man she saw has been killed - beaten to death behind the venue - and her friend's widower is being charged in connection with his death. When the friend refuses to defend himself, Gal wonders why and, as the memories of begin to flood back, she starts her own…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Photography has always been more than just images for me. I love capturing the moments that define a movement. I started out photographing punk bands, drawn to their raw creativity. Later, I shot Hollywood legends, but at the core, it was always about the same thing: artists fighting to make something that lasts. These stories feel like snapshots of a life I know well, and they bring me back to the packed punk club where everything started.
I love a good story about artists who refuse to play by the rules, and Kiki Man Ray was exactly that. Her story hit me because it’s all about pushing boundaries, no matter who tries to shut the door.
What I loved most was how alive this book made that era feel. It’s like I could almost hear the jazz, feel the cigarette smoke in the air, and get lost in the chaos of Montparnasse. It’s the kind of energy that makes you want to create and exist loudly and I love it!
In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir-featuring an introduction by Ernest Hemingway-made front-page news in France and was immediately banned in America. All before she turned thirty.
Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy…
I’ve experienced good organisations and less so in my working life. Likewise, I've experienced the good and less so of leadership. In leading teams and organisations during my career, I, too, have been an example of both, so I’m passionate about helping leaders grow their capability to ‘avoid the less so’ and lead well, with humanity and greater consciousness, to create workplaces where people flourish and organisations that contribute positively to the future of our world.
We can spend our time hiding behind the sofa as a volatile and uncertain world emerges around us. I chose Scharmer’s book and vision to ensure my sofa is for sitting, not hiding. For me, Scharmer is a revolutionary for a better world, inviting us to develop and lean into awareness, consciousness, presence, system thinking, and the recognition that all is connected to resolve the crises facing our world.
I like the scale of the shared vision and the practical guidance to shift from short-termism to leading in a way that secures a more positive future for the planet. Among the gems of this book for me are the hope-giving real-world examples of Scharmer’s Theory U in action—no more hiding.
We have entered an age of disruption. Financial collapse, climate change, resource depletion, and a growing gap between rich and poor are but a few of the signs. Otto Scharmer and Katrin Kaufer ask, why do we collectively create results nobody wants? Meeting the challenges of this century requires updating our economic logic and operating system from an obsolete “ego-system” focused entirely on the well-being of oneself to an eco-system awareness that emphasizes the well-being of the whole. Filled with real-world examples, this thought-provoking guide presents proven practices for building a new economy that is more resilient, intentional, inclusive, and…
I am fascinated by the big picture—never mind what street corner I’m on, where am I on the map of the world? In fact, where am I in the plane of the solar system? (Gazing at the setting moon, I’ve worked this out!) As an engineering manager, I helped engineers debug systems with diverse technology, and found (and wrote about) principles that apply as much today as they did in 1975, using examples drawn from 30 years of my life and career. I developed a love for other timeless, classic books that helped me see the forest beyond the trees.
I like to look at the big picture. This book’s picture is huge: it explains three waves of human civilization, from agriculture and land ownership, to centralization and mass manufacturing, to distributed and custom everything—the wave we are in now. It was originally published in 1980 and predicted our current culture and technology with astonishing accuracy. I, and many entrepreneurs of the time, tried to use those predictions to guide our businesses, and many, like Amazon, succeeded as a result. Are there still more third wave things to invent? Yes—think of how streaming video channels are just now taking over from cable and broadcast, not to mention movie theatres. Will this help you invent the next big thing? Maybe. And what will the fourth wave be?
From the author of Future Shock, a striking way out of today’s despair . . . a bracing, optimistic look at our new potentials.
The Third Wave makes startling sense of the violent changes now battering our world. Its sweeping synthesis casts fresh light on our new forms of marriage and family, on today's dramatic changes in business and economics. It explains the role of cults, the new definitions of work, play, love, and success. It points toward new forms of twenty-first-century democracy.
Praise for The Third Wave
“Magnificent . . . an astonishing array of information.”—The Washington Post
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
AO: I have been intrigued by the Adam and smith (a play on Adam Smith’s name due to K. Boulding) of social sciences ever since, as a graduate student, I was given the privilege to teach a history-of-thought course. I found a lot of wisdom in Smith’s works and continue to find it with every new read. BW: I first met Adam Smith when I was studying for my master’s degree in economics almost twenty years ago. Since then, I have enjoyed rereading him, always finding new sources of fascination and insights. For me, Smith's work is endlessly rich and remains astonishingly topical, three centuries after his birth.
Smith is generally considered as the father of economics, laying its foundations in the eighteenth century.
But he can also be an inspiration for rethinking economics (providing more realistic assumptions about human conduct) and laboratory experiments in the twenty-first century, helping us to build a new “Humanomics” (see also McCloskey’s two books on this subject). That’s what Vernon Smith (Nobel Prize in Economics in 2002) and Bart Wilson convincingly argue for in their uncommon and innovative book. Smith is still alive (and well alive) today.
While neo-classical analysis works well for studying impersonal exchange in markets, it fails to explain why people conduct themselves the way they do in their personal relationships with family, neighbors, and friends. In Humanomics, Nobel Prize-winning economist Vernon L. Smith and his long-time co-author Bart J. Wilson bring their study of economics full circle by returning to the founder of modern economics, Adam Smith. Sometime in the last 250 years, economists lost sight of the full range of human feeling, thinking, and knowing in everyday life. Smith and Wilson show how Adam Smith's model of sociality can re-humanize twenty-first century…
Ian Worthington, FSA, FRHistS, is a Professor of Ancient History at Macquarie University, and has written and edited 21 books and over 100 articles on Greek history, oratory, and epigraphy. He also has a Great Courses DVD and CD course titled The Long Shadow of the Ancient Greek World. Away from academic work, he is addicted to reality TV and is an unpaid taxi driver for his two children.
Rome appropriated many aspects of Athenian (and Greek) culture for its political and cultural needs – so much so that the poet Horace spoke of ‘captured Greece capturing the rude conqueror’. This book discusses the ‘Romanization’ of Greece and the impact that Greek culture or Hellenism had on the Romans, and by extension, how the Romans (or at least educated ones) came to view the Greeks. In this cultural interaction, Athens played a key role, as the author shows. This book is an important balance to the ‘usual’ political and military approach to the period, and shows the importance of Athens beyond the terminating Hellenistic era date of 30 BC.
This book examines the impact of the Roman cultural revolution under Augustus on the Roman province of Greece. It argues that the transformation of Roman Greece into a classicizing 'museum' was a specific response of the provincial Greek elites to the cultural politics of the Roman imperial monarchy. Against a background of Roman debates about Greek culture and Roman decadence, Augustus promoted the ideal of a Roman debt to a 'classical' Greece rooted in Europe and morally opposed to a stereotyped Asia. In Greece the regime signalled its admiration for Athens, Sparta, Olympia and Plataea as symbols of these past…
The slander and abuse of current political discourse does not even rise to the level of disagreement. After all, disagreement is an opposition between opinions, not a fight between opinionators. I do not express my disagreement with your views by threatening to kill you. In my book, The Art of Disagreement, I offer a guide to a better political rhetoric by showing that storytelling can create the social trust necessary for political arguments to be productive. I am now Professor of Government at Dartmouth College, where I teach political philosophy.
Robert Putnam is a Harvard political scientist who studies social trust, which he calls “social capital,” because once we earn trust, we can spend it for a long time.
Putnam argues that Americans in the mid-twentieth century had much higher levels of social trust than we do today, and this made for a much more stable and decent politics. That greater social trust, he argues, was the product of people joining clubs, fraternities, and other associations in huge numbers. Whereas people used to bowl in bowling leagues, now they generally bowl alone.
In case you are wondering about what has happened to our politics, Putnam offers a compelling diagnosis and a prescription for a better way forward.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Alex Counts founded Grameen Foundation and became its President and CEO in 1997. A Cornell University graduate, Counts’s commitment to poverty eradication deepened as a Fulbright scholar in Bangladesh, where he trained under Professor Muhammad Yunus, the founder and managing director of Grameen Bank, and co-recipient of the 2006 Nobel Peace Prize. Since its modest beginnings, Grameen Foundation has grown to become a leading international humanitarian organization. Today he is an independent consultant to mission-driven organizations, a prolific writer, and an adjunct faculty member at the University of Maryland who loves to teach nonprofit leadership and related subjects.
This short book hits the nail on the head over and over about what social entrepreneurship is, what it isn’t, why it matters, and how it differs from other approaches to causing social change. I have given it to countless people over the years, especially those seeking their own place in the “do good” ecosystem. On virtually every page, I found multiple insights about the realities of leading social change that I found not only true but also extremely helpful to me as I reflected on my own journey and its highs and lows as well as its more mundane elements and its many absurdities.
In development circles, there is now widespread consensus that social entrepreneurs represent a far better mechanism to respond to needs than we have ever had before-a decentralized and emergent force that remains our best hope for solutions that can keep pace with our problems and create a more peaceful world. David Bornstein's previous book on social entrepreneurship, How to Change the World, was hailed by Nicholas Kristof in The New York Times as "a bible in the field" and published in more than twenty countries. Now, Bornstein shifts the focus from the profiles of successful social innovators in that book-and…
