100 Books Like The Illustrated Longitude

In this beautiful book, Maier guides her readers through the parallel development of Rome (imperial city, Holy See, thriving center of art and intellectualism) with the evolution of mapmaking.

I like the clear way that she shows how the changing city helped inform transitions in how and why maps are made. For example, medieval maps of Rome forefront of the city’s five churches, while downplaying other features, and give the cloistered monk (and modern reader) the opportunity to trace an imagined pilgrimage (I spent many childhood hours with the family atlas imagining my own journeys to faraway lands).

Only in the 19th century, when travel for pleasure becomes widespread, do maps of Rome (and elsewhere), advertising their sponsors, become more utilitarian, enabling tourists to find their own ways, and supplying cheap souvenirs. 

Maps lie. In the standard visualization you have on Google Maps, for instance, Greenland is shown as bigger than the whole South American continent, while it is, in fact, smaller than Argentina.

Monmonier did an incredible job unpacking the many surprising ways in which maps lie. My favorite case is the sneaky introduction, by publishing houses, of fake towns in US road maps to track plagiarists (as plagiarists just copy, they do not care about checking). There are so many fun examples in this profound book. 

To my mind, the British Ordnance Survey Maps are the gold standard: these super-detailed maps are my most highly treasured souvenirs of a research trip in my graduate school days.

From the map I recognized every hillock and bend in the road I passed on my Hadrian’s Wall hike. With an Ordnance Survey Map, you know exactly where you are in the UK. Hewitt nimbly relates that story, weaving together history and science, nationalism, and cartography.

Besides this being an important and underappreciated slice of cartographic history, the book is simply a joy to read. When I look at my Ordnance Survey Maps now, I don’t just see marks on a two-dimensional surface, I see the faces of those creative and visionary men and recognize their Herculean efforts. 

Finally, you can’t talk about maps and not talk about sea monsters.

Want to buy a sea monster? Van Duzer tells you how! Given my professional (and personal) interest in cartography, water, sailing, and animals, this book absolutely had to appear on my “Best Books” list. It is very richly illustrated (115 color images), but is not simply a picture book.

Van Duzer’s narrative is engaging and informative. He explores terrifying and whimsical marine creatures that peopled Medieval and Renaissance waters (many are imaginary; some are more or less based on actual sea animals). And he situates them within the broader context of the individual maps, their impact, and marine biology.

Van Duzer thus helps his audience read European Medieval and Renaissance Maps more fully and richly. 

This slim volume, first published in 1995, possibly jump-started the current genre of science narratives–I was certainly well aware of it when World on Fire was published in 2005. The tale begins in 1707 when the English fleet crashed into the Scilly Isles twenty miles southwest of England; two thousand men drowned, all because navigators had misgauged longitude.

The desperate quest for a solution becomes a well-funded race to make sure this never happens again. Sobel chronicles how it was solved by a simple clockmaker, and the obstacles thrown in his path by the more respected members of the era’s scientific establishment. It helps to read Kuhn’s work first, or in tandem: for all the accolades heaped upon success, both works make clear the hard road and lonely life traveled by the outsider.

When I was asked to review this book, my first instinct was to decline. Newton (1642-1727) was a towering genius but a dull fellow, with no interest in other human beings. He often published anonymously for fear that, he explained: "Public esteem, were I able to acquire and maintain it … would perhaps increase my acquaintance, the thing which I chiefly study to decline." How can a biographer make such a person interesting?

The author dodges very nimbly around this problem, giving us an account, not so much of the man as of his reputation and influence. Perhaps this means that her book is not a true biography, but it is done with such skill and wit, I include it anyway.

Don’t let the length (over 900 pages) of this biography put you off. Instead, immerse yourself in the slow and powerful current of author Richard Westfall’s superbly written and richly detailed portrait of the skills, achievements, and obsessions of the singular genius that was Isaac Newton. Westfall explains in a masterful way Newton’s mathematics, his physics, his heretical theology, his fixation with alchemy, his activities running the Royal Mint, and his disputes with other scientists. These features, and Westfall’s evocative description of the intellectual and social milieu of Newton’s 17th-century world, make Never at Rest a compelling read.   

Ever since I was a small boy obsessed with the stars, I’d read about how Newton deciphered the secrets of the universe. Yet he himself remained a cipher. So when I was given Christianson’s book as a present, I was enchanted. I place this book in the top three or four best all-time biographies I’ve ever read (and I’ve read plenty!).

Others—I recycle; this one—never. Christianson presents a vivid picture of the life, work, and relationships of this most brilliant of men. Some science biographies suffer from awkward writing, but for me, Christianson has seamlessly woven the complexities of Newton’s life and science together in rich, colorful prose. And what an interesting life it was! You will find other Newton biographies; I treasure this one.

Yes, yes, history is an unbroken river of themes, but it’s also a chain of pivotal dramatic episodes. Dolnick gives us one such moment. In 17th century Europe, within two generations, a collection of brilliant oddballs invented science. They’re people, so they’re doing the sorts of things people do, elbowing and shoving one another to find the ultimate truth before the other guy. I appreciate that in the course of reading such a wonderfully enjoyable story, I somehow learn a great deal about the truth they were seeking, the underlying mathematical order of the universe in which they believed.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.