Books like The Illuminated Alphabet — picked by fans

Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?

This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color… show more.

One cannot dismiss the importance of religion during the Middle Ages. It was intertwined with nearly every aspect of people’s lives, so it was natural that medieval illuminators like my heroine and her father would spend a tremendous amount of their time and talent on creating artwork for religious books. The Book of Hours was one of the most important sources of religious teaching and inspiration during the Middle Ages and indispensable to that inspiration and teaching were the exquisite illuminations that filled their pages.

Time Sanctified places the Book of Hours in its medieval social and religious context and demonstrates through countless visual examples the way illuminated paintings helped bring these religious lessons to life for their medieval owners.

It’s hard to express the depths of my excitement when I discovered this book. This title allowed me to take research for my novel’s heroine to a whole new level. Should she use parchment or vellum, what was the difference, and when should she use one over the other? (Did you know the most sumptuous parchments were died purple? I didn’t until I read this book!) What was the difference between natural and artificial pigments as understood by medieval artists? And how did they create all those brilliant reds, blues, greens, yellows, purples, and more in their paintings? How did they make paint out of gold or apply gold leaf to their art? All these details and much, much more are laid out here. Everything a medieval artist, in life or in fiction, could possibly need to know! (This book also touches on other forms of medieval painting, like painting… show more.

I added this book simply because I think it’s charming. Although written for children, grownups will love it, too! In 15th century Paris, Marguerite, the young daughter of a manuscript illuminator, has to help her aging father illuminate a Book of Hours for a very important lady or her father will lose both his commission and his reputation. This beautifully illustrated book joins Marguerite through each step of her illuminated book’s creation. You will be transported to medieval Paris and Marguerite’s workshop as you read and gaze at the pictures! This book was inspired by a rare collection of illuminated manuscripts held by the J. Paul Getty Museum.

One of the great thrills of researching medieval history is getting the chance to handle original documents up close, as I have had the good fortune to do a few times. Christophe de Hamel is a palaeographer, a manuscripts expert who has travelled the world to examine some of the most precious handwritten works that still survive. As his title hints, De Hamel treats these artefacts as personalities, and his no-nonsense decipherment of priceless treasures is like listening in on a wise and witty conversation.

One of the great works of historical recreation, which reads like a novel but is based on a voluminous study of texts, art, and history. Huizinga recreates the violent tenor and pervasive Christian spirituality of late medieval life, as well as a corresponding chivalric secular side, lived out by French and Burgundian nobility.

This lavishly illustrated book focuses on the crusades’ material objects: sculptures, paintings, manuscripts, architecture, coinage, and even jewelry. As historical evidence, artifacts are as important as documents, and these carefully chosen items provide privileged insights into the largely-shared crusader worldview and sense of mission. They further illuminate the complex relationships that developed between crusaders and the many foreign cultures with which they came into contact.  

If you want to be pleasingly perplexed for the rest of your life, start looking closely at Romanesque sculpture from the middle ages (preceding the more famous Gothic style). This doorstopper of a book covering all of Romanesque art and architecture is one place to begin. It’s a collection of essays by experts in the field but even if you don't read the text you can just enjoy the lavish photos that point to the most interesting churches to visit in Germany, Italy, France, Spain, Portugal, Britain, Scandinavia, and central Europe. There is also an excellent pictorial feature explaining the basics of Romanesque building and decoration. 

If you want to understand why everything you think you know about the Middle Ages is (probably) wrong, go pick up a copy of The Devil’s Historians, which chronicles how everyone from the Brothers Grimm and George R. R. Martin to ISIS and Donald Trump have invented a medieval past that reflects their own ideological preoccupations rather than historical reality. With chapters on nationalism, gender, race, and religion, Amy Kaufman and Paul Sturtevant’s book sharply contrasts the one-dimensional Middle Ages found in pop culture and political propaganda with the more complicated, even contradictory, medieval world revealed by contemporary scholarship. 

I have always loved the lais of Marie de France and have taught them for years, introducing students to her proto-feminism and sly humor (check out Lanval for a send-up of the conventional medieval romance).

So when I came across this novel, I snapped it up, and it didn’t disappoint. I was captivated by Groff’s depiction of Marie: a rebel against religion and conventional gender roles, an exile in a convent who becomes the hero and hones her craft of writing.

Groff swept me into the book with her luminous descriptions of atmospheres and landscapes. I loved the gawky and ungainly Marie’s lonely fascination with Queen Eleanor of Aquitaine and the way she turns heartbreak into art.