Books like The History of Hentai Manga — picked by fans

I am a big fan of Japanese art, with Japanese woodblock prints in the form of ukiyo-e and hanga at the top of the list. While James Michener might be best known for his novels, he was a very serious collector of woodblock prints and did deep research into the art form. I have in my collection this textbook on the subject, as well as his fine art limited edition books.

What best list would be complete without at least one volume centered on art? Going beyond a focus on single-sheet woodblock prints, this fascinating study takes a broad approach to the so-called “floating world” or demi-monde to consider printed books, including those of an erotic nature. As the title indicates, the book reveals that the collaborative process went well beyond the illustrator to include publishers, brothel owners, and other commercial interests. The author’s reflections on the status of art, the contemporary definition of beauty, and the physicality of the body as perceived by the Japanese will draw the reader in.

Trede’s book reproduces the woodblock prints from Hiroshige’s One Hundred Famous Views of Edo. When I first visited Tōkyō I felt overwhelmed by the city’s enormous size and complexity. Where to go and what to see? This collection of prints provided me with a way to begin exploring the many districts and neighborhoods of the city. While some of the places featured in the prints are well-known and recognizable today, others aren’t. Visiting the sites depicted, I could see how different modern Tōkyō was from nineteenth-century Edo, which led me to research the history of Tōkyō and how and why it has changed so much in the two centuries since Hiroshige produced his prints.

This is another of the early gekiga greats coming out in a big English edition for the first time. Matsumoto worked alongside Tsuge and Tatsumi in the late 50s, to push manga into more mature territory of what I’m calling literary manga. This book is from early 70s strips which show how people relate to each other in a big city in a simple, understated style. Again, it’s a balance to the image of manga being all about exaggeration. He considers alienation, longing, aimlessness, but with humour and a lightness of touch. It also shows various onomatopoeia which Matsumoto was careful to create, and he made many originals ones.   

Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.

Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.

Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.

This book came out only a few years after my first encounter with anime and just blew me away, introducing me to a completely different world – a world that at the time was mostly out of reach because Western translations were still rare. 

Having been published in 1983, it may be considered outdated, but manga translator and historian Frederick Schodt is a master narrator and does a great job of explaining how Japanese comics evolved during manga’s golden age. Now we can find any kind of information on the internet, but Schodt’s thorough analysis and engaging prose are second to none. 

If you are into cultural history and like to go beyond simple manga talk, this is still a must-read.

This is one of the first books on Japan that I read when I moved to the country in 1997, and it still resonates with me. While still a college student, Alex Kerr buys a rundown farmhouse in the Iya Valley of Shikoku, re-thatches it, and maintains the traditional Japanese architecture of pre-WWII Japanese wooden houses.

Kerr went on to write many more books on Japan, most of which have become classics. He is the foundation of the akiya movement, lectures widely around the archipelago, and is responsible for revitalizing country villages around Japan.

The actual story as told by an actual geisha (rather than the male author of Memoirs of a Geisha), I was absolutely obsessed with this book when I began studying Japanese.

I loved the depictions of Kyoto pre-war and all the festivals, ceremonies, and intricacies that go into the life of a geisha. The post-retirement part of the story is also so real and human, and while it is a much quieter book compared to the sturm and drang of Memoirs of a Geisha, it has a delicate beauty that stuck with me. 

Britain, America, and France collectively adopted deflationary policies after 1920 to reestablish the gold standard at the pre-World-War-I parity. Japan's government joined in. The ensuing Japanese deflation retarded growth, produced widespread economic hardship, precipitated a banking crisis in 1927, and ultimately contributed to the sharp swing in Japan's politics towards fascistic, right-wing reactionaries, punctuated with an exclamation mark by the “Manchuria incident” of 1931. Metzler describes in granular detail this historical arc, with special attention to the key persons—including Innoue Junnosuke, Takahashi Korekiyo, and Thomas W. Lamont—and their own written justifications or critiques for the policies they or others implemented. It is not an economic analysis (like much of my book is) but a historical narrative, and a gripping one.

If you already know the economics of the gold standard, it’s even more gripping, because those behind the return to the gold standard in Japan, particularly including Innoue Junnosuke, were… show more.

Shame and the Captives is by the award-winning Tom Keneally.

I have had the pleasure of meeting Tom, and the edition that I have is signed by him. The novel is set in World War Two and based on the escape of Japanese prisoners of war at Cowra, Australia. The story moves between the camp itself and residents of the town, which gives the narrative a strong base for dramatic tension.

Throughout the novel, Keneally displays his ability to convey the subtleties of each character, which adds depth to the story and feeds questions about the choices made under situations of stress and uncertainty.