Here are 100 books that The Heart of the Matter fans have personally recommended if you like
The Heart of the Matter.
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I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
Journey to an unnamed mountainous country in central Europe at the end of the Great War. Enter Citizen Orlov, a simple fishmonger and an honest, upright citizen, who answers a phone call meant for a secret agent and stumbles into a hidden…
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
Okay, this brilliant book doesn’t quite fit with the others. But I had to include it because; 1) I couldn’t write this list without including a Canadian book; and 2) it’s one of my favourite books. Richler’s Barney is every bit as compelling a tragic character as the others I mention here, but he’s written with Richler’s sly, caustic wit.
He’s the lovable rogue who fritters away all three of his wives, including love-of-his-life Miriam, while being accused of killing his best friend. Amidst Richler’s sly critique of the modern world, we witness Barney’s slow descent into dementia and desolation. The ending, however, fits this sardonic novel like a glove and left me with a big smile on my face.
Before his brain began to shrink, Barney Panofsky clung to two cher-ished beliefs. Life was absurd, and nobody ever truly understood any-body else. Even his friends tend to agree that Barney is 'a wife-abuser, an intellectual fraud, a purveyor of pap, a drunk with a pen-chant for violence and probably a murderer'. But when his sworn enemy threatens to publish this calumny, Barney is driven to write his own memoirs, rewinding the spool of his life, editing, selecting and plagiarising, as his memory plays tricks on him - and on the reader. Ebullient and perverse, he has seen off 3…
Requesting that I justify my credentials as a misfit, eh? Okay, then. I personally differ from almost everyone around me in many ways, but most notably with respect to faith, sexual arousal, and use of the intellect. I’ve always sought to cultivate and nourish my spiritual side, but faith-based Western religions never resonated with me—I instead cobbled together a discipline encompassing yoga, meditation, vegetarianism, and Ahimsa—which has served me for over half a century. From the earliest age, sexual arousal has involved scenarios where one person cedes power and the other wields it. And I have always obsessed about any bit of minutia my brain happened to seize upon.
In this classic, heart-wrenching novella, the misfit character is Lenny—a gigantic, strong, but intellectually challenged migrant worker in California in the 1930s. Despite being faithfully chaperoned by his lifelong friend George, who tries his best to keep Lenny out of trouble, it seems fated that trouble will inevitably find Lenny. And when it does, Lenny—who is in truth a huge, confused child in a world of rough, unforgiving men—pays the ultimate price.
This story resonates especially strongly with me because I had a younger brother, now deceased, who was severely intellectually challenged.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Drifters in search of work, George and his childlike friend Lennie have nothing in the world except…
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
There’s so much to love in this book. Desai’s characters come to life, as does Kalimpong's setting on the Himalayan foothills. You can feel the frustrations and humiliations of Sai, her grandfather, their cook, and his son Biju in New York City as the cruelty and callousness of life crush them.
As the book lurched toward its painful conclusion, I desperately warned the characters to avoid a catastrophe, but alas, to no avail. This is one of the best books I have ever read.
The Inheritance of Loss is Kiran Desai's extraordinary Man Booker Prize winning novel.
High in the Himalayas sits a dilapidated mansion, home to three people, each dreaming of another time.
The judge, broken by a world too messy for justice, is haunted by his past. His orphan granddaughter has fallen in love with her handsome tutor, despite their different backgrounds and ideals. The cook's heart is with his son, who is working in a New York restaurant, mingling with an underclass from all over the globe as he seeks somewhere to call home.
For more than half a century, I have been writing books and articles about America’s past, with most of my work focusing on 20th-century political history. I believe that, except in the 1850s, which led to a bloody civil war, Americans have never been more divided. Although I have always believed in objectivity in my work, I share Leo Tolstoy’s belief that history is ultimately a form of moral reflection, that a conversation with the past might do more than inform us about what people have said and done; it might help make decisions about how we should live.
In 2004 I gave a presentation to a University of Adelaide faculty seminar on the need for historians to reclaim the “narrative” as a way of reaching a larger reading audience without resorting to “flourishes of the imagination.” Several sociologists and historians strongly disagreed, but a soft-spoken participant eloquently came to my defense.
At the reception that followed, my defender introduced himself as “John Coetzee.” Awestruck, I realized this was the 2003 Nobel Prize Winner, J.M. Coetzee, and I felt a bit like a starstruck fan of a rockstar as I told him that, for years, I had assigned this book to my class in African American history.
Set in an unnamed colonial outpost, the story is an allegory narrated by an unnamed “magistrate” who task is to control the darker skinned “barbarians” beyond the gates. Its very mythical nature allows Coetzee to explore the universal: the way in which…
A modern classic by Nobel Laureate J. M. Coetzee, now a major motion picture starring Robert Pattinson and Johnny Depp
For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire whose servant he is. When interrogation experts arrive, however, he finds himself jolted into sympathy with their victims—until their barbarous treatment of prisoners of war finally pushes him into a quixotic act of rebellion, and thus into imprisonment as an enemy of the state.
Waiting for the Barbarians, J. M. Coetzee’s third novel, which won the James…
I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.
It is a novel out of Africa and one that anticipated the end of the empire with relish. Although raised on a farm in Southern Rhodesia, Lessing was always a rebel, and her debut work took an astonishingly bold line in exploring the doomed relationship between a white farmer's wife and a black servant.
The employer is vindictive and racist yet also a hapless dependent and, ultimately, a victim.
The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid.
Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.
Paris 1886. Two restless souls move toward the same horizon—unaware that their meeting will ignite a love as luminous and fleeting as the stars themselves.
Vincent van Gogh arrives in Paris with little more than paint-stained hands and an aching determination to create something worthy of the world. Across the…
I am an academic and development practitioner with decades of experience in the classroom and research and development practice. My research niche is in issues of development in the global South, ranging from social conflict/natural resources conflict, political sociology of African development, decolonization of knowledge, to political economy, and globalization studies. In the above capacity, I have, over the years, taught, researched, and ruminated on the development challenges of the global South, especially Africa. I have consulted for many multi-lateral development agencies working in Africa and focused on different dimensions of development. I have a passion for development and a good knowledge of the high volume of literature on the subject.
I read this book in hard copy first as part of my undergraduate readings at the University of Nigeria, and later on in my graduate studies programme. I have also found it useful for my students in my classes on political economy and decolonization of knowledge.
The book, even though written a long time ago, is a fine and thorough critique of colonialism and its apprehension as the roots of Africa’s development problems. It details how colonialism is one more step in a long history of the appropriation of the resources of the global South for the development of the global North. And how colonialism in its different ramifications is a strategic and emphatic tool of underdeveloping Africa.
I find the book very enjoyable since it was not written in any real esoteric style. It often reads like a fictional account, but is laced with realities and historical facts of…
The classic work of political, economic, and historical analysis, powerfully introduced by Angela Davis In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's Alliance…
As an animal advocate and part-time pet sitter, I wanted to instill the love of animals to babies with a fun board book. I’ve always enjoyed the surprise factor of lift-the-flaps so I was thrilled when Squeak-a-boo! was published. These types of books make for wonderful interactive bonding moments between reader and baby. I hope you enjoy the books on this list, not only for their fun concepts and text, but also for their colorful illustrations.
The information in this lift-the-flap goes deeper in describing the animals and birds that live on the savanna.
Under the flaps are nature facts such as “The song of the hoopoe bird goes ‘oop-oop-oop,” This book has more flaps per page and tinier shapes to lift, and is geared toward 2-5-year-olds. I think the information skews a little older, but this is a good introduction to the savanna.
There are lots of animals on the savanna. Where are they hiding and what are they doing? In this innovative lift-the-flap book, little ones can pore over the beautiful collaged pages and explore under leaves and behind trees and rocks to find out interesting facts about wildlife on an African savanna.
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
As a public health worker, I was moved by this beautiful novel, an homage to the courageous people who prevented Ebola from becoming a worldwide pandemic. Set in an unnamed country, most likely Guinea, it uses lyrical language and multiple points of view of those affected and infected by the virus—patients, health care providers, gravediggers, the bats who transmitted the virus to humans, and even an old baobab tree that observes the humans with detached wisdom. Using language both poetic and empathetic, Tadjo reminds us in this cautionary tale that Mother Nature is very much in charge.
Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer's potions nor the medical team's treatments could cure. Compounding the family's grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys' father is barely able to send his eldest daughter away for a chance at survival.
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I have loved reading since I was very young, and would bring home an armful of books from the library. I first discovered the dystopian genre while in junior high, and it quickly became my favorite genre. My favorite aspect of dystopias is the new world created within each book. When I began writing my own stories, I spent several hours building the world within my book. Even today, nearly 20 years after I first began writing, I spend hours drawing and designing everything within each book, whether or not it’s dystopian. My hope is that my readers find my worlds as fascinating as I found the worlds of the stories on my list!
Who Fears Death was a book assigned to me in a college course, and it was the most enjoyable piece of course work I ever had to read. Centered in post-apocalyptic Africa, Who Fears Death follows a biracial girl living in a segregated society that rejects “mixed blood.” I was endlessly cheering for the main character—Onyesonwu—and her stubborn pursuit of her own magical path. I pushed off reading most of my other coursework in order to finish this story and discover where Onye’s path would take her. Okorafor’s society-building was not only convincing, but also heartbreaking, and contained mirrors to present-day society. This book had me excited to do my homework, and is one I would recommend to anyone—in school or not.
An award-winning literary author enters the world of magical realism with her World Fantasy Award-winning novel of a remarkable woman in post-apocalyptic Africa.
Now optioned as a TV series for HBO, with executive producer George R.R. Martin!
In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the colour of…
