30 Books Like The Guns Above

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.

I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”

There are actually two undeniably kickass women in this book: one is the perfect hybrid of humanity and technology created to pilot gargantuan killing machines, while the other is a foul-mouthed outlaw who routinely climbs inside these machines and blows them the heck up. You can imagine the chaos that ensues when these women finally join forces and set their sights on destroying the oppressive supercity of Godolia—along with its vast army of terrifying mecha gods. I was delighted by this book for a number of reasons, not the least of which being its many bloody battle scenes and its cast of endearing characters. The tenuous relationship between Sona the Pilot and Eris the Gearbreaker kept me on edge until the very end. This is an impressive debut novel from a talented young writer, and I am looking forward to the next installment.  

Another 90’s throwback, The Witches of Eileanan is the first in a six-book series featuring a slew of warrior women. Our heroine, Isabeau, is a young witch who has spent most of her life in seclusion—honing her skills while trying to remain hidden in a world where witchcraft is outlawed. Shortly after her sixteenth birthday, Isabeau is forced to abandon the safety of her home and embark on a quest to save her kingdom from dark forces. She meets many fellow warrior women along the way, all of whom are rendered in glorious, unabashed badassness that was truly revolutionary in its day. While this series is undeniably a trailblazer in the realm of heroine-centric fantasy, and certainly an excellent read for anyone on the hunt for fierce warrior women, I do want to warn potential readers that there are a few instances where female characters suffer sexual abuse. The casualness… show more.

This is an academic book, one that’s engaging, fluidly written, and immensely interesting for anyone intrigued by the longtime German fascination with airships. Rather than the technical details, Syon’s broader focus is on what the wondrous technology meant to Germans and how it shaped their culture and history over the decades. His approach, in other words, puts Zeppelins into context. Put it this way, in 1938 a large-scale survey discovered that Count von Zeppelin, the inventor of the airship and dead for twenty years, ranked among the best recognized of German luminaries. His score was higher than even that of the immortal Beethoven at a time when the Luftwaffe-obsessed Nazis were trying to scrub any memory of their airships. Such a finding is impossible to explain unless you understand the cultural importance of the Zeppelin, making this book critically important. 

Described by the author as a ‘steampunk opera’, I utterly adore Jim Butcher’s ongoing series, currently two books in and beginning with this one. It’s got airships, magic crystals, talking cats, a multi-POV cast of quirky characters, and a post-apocalyptic world of which the surface is covered in monsters–wait, this is as close as I’ve found to Final Fantasy in novel form!

Set in a world where humanity now lives in cities built on platforms at the top of huge spires, in the first book of the series we meet Captain Grimm, commander of the airship Predator, and Gwendolyn Lancaster, a young heiress and recent military academy graduate, and go on a breathtaking adventure with them as they uncover an existential threat to their home of Spire Albion.

I read this book to my wife, and we are both now huge fans. I love the whole aesthetic, style, pacing… show more.

This is not your parents’ steampunk! It’s an oh-so-different take on the genre with an edgy, improbable, and yet somehow entirely believable motley band of revolutionaries. Delightfully,  it was born in a wisecrack! Maurice complained online about the lily-whiteness typical of steampunk mythology (tru dat!) and quipped that he might well have to write “Pimp my Airship” in retaliation. More than one editor told him that if he wrote it, they’d buy it. Well, what’s an author to do? So, he did. 

And yes, there ARE airships, and yes, they ARE tricked out.

This is a collection of ten essays about airship history, mostly concentrating on the business, political, and diplomatic angles. Zeppelins didn’t simply “exist” as objective bits of hardware, but were inextricably enmeshed in the controversies of their era, as Meyer ably and amply demonstrates. If you’re interested in the story-behind-the-story of Zeppelins, this is the book for you, though I’d perhaps wait to dive in until you’ve gotten your feet wet with some basic background reading. Particularly fascinating are Meyer’s investigations into the Zeppeliners’ visits to Detroit to see Henry Ford in the early 1920s, his comparative assessment of French and British airship engineering, and the sad fate of the very last German airship—no, the Hindenburg was not it—before they vanished forever in the age of the airplane.

Robinson was among the finest of airship historians and his work is based on a firm research footing and deep personal knowledge (he also helped edit Harold Dick’s book and traveled round Germany in the 30s). This volume includes chapters on American and British airships, but the real meat is the material on their German counterparts. Sometimes, I’ll be honest, Robinson’s fondness for detail can be a little overwhelming, but there’s no doubt that he knows his stuff, especially on wartime Zeppelins and the bombing campaign. Warning: Giants in the Sky is long out-of-print, unfortunately, but copies are available (for a price).

When most people think of dirigibles, they’re reminded of either the Goodyear Blimp or (if they’re old enough) the crash of the Hindenburg. However, there’s a small band of fanatics who are dedicated to the quest for lighter-than-air flying. For these folks, the subject is more compelling than the Holy Grail, and they devote decades of their lives and the bulk of their resources to prove to the public that dirigibles should come back and replace jet aviation. A true story, and a fascinating read.