100 Books Like The Great Terror

This is a non-fiction book but it reads like a novel and explores one of the great mysteries of the spy world: how on earth did Kim Philby manage to betray not only his country but also his friends over so many years? 

A former spy I had the privilege of interviewing described Philby as a shit, so maybe there’s the answer. I think this is a terrific read, and although Macintyre probably isn’t a spy, like Deighton, he knows them. 

I studied under the distinguished sociologist, Immanuel Wallerstein. One day in class he said, if you read only one book, it should be this one. So I read it. 

Koestler was a Hungarian Jew who joined the German Communist Party. He became disillusioned with communism, in part because of the Stalin trials of the 1930s, in which many of Stalin’s own former allies were tortured and executed. 

The protagonist of the novel is Rubashov, a dedicated Communist who is accused of treason, tortured, and eventually executed despite confessing to his supposed crimes. The novel is a great way to learn not only about the Stalinist Soviet Union, but about any society that brain-washes its victims. 

I doubt there has ever been a more controversial book written about an espionage case than Perjury! For decades, Professor Weinstein’s 1978 book on the Alger Hiss case generated heated arguments between Hiss’s supporters and detractors. I was a participant in that battle and I tell you, it was brutal. Both sides took no prisoners when arguing over the legitimacy of the author’s interpretation of evidence and conclusions. For over 25 years, Hiss cheered his supporters on and went to his grave, still proclaiming his innocence. 

The historian’s task is to separate historical fact from fantasy. I recommend Weinstein’s expanded second edition version because in its pages, he does just that, plus he integrated the provocative evidence from Russian archives that emerged after the first edition was published. 

Bottom line, this book provides the most objective and convincing account of the drama that led to Hiss’s conviction.  

It is rare for a KGB spy to reveal so many secrets about the Soviet Union and Russian intelligence operations in the West and so this book is a revelation. 

Kalugin was a KGB officer based in the USA in the 1970s and he describes all their dirty tricks - fake letters, disinformation, honey trapping, and even attempts to bug the US Congress.

Karl Schlögel’s masterpiece, Moscow,1937, is a gripping study of Moscow at the peak of the Stalinist Great Terror. With short chapters and a multitude of illustrations, the book leads the reader on a panoptic tour of every aspect of the city’s life in this year of mass arrests and waves of executions. Step by step, Schlögel builds a convincing case that as the Communist regime struggled to get a grip on the chaos unleashed by the regime’s own collectivization and industrialization drives, its reflexive response was to resort to political violence. The murderous frenzy that resulted changed the society beyond recognition.

This is the other book I kept by my bedside during my three years as head of an academic department.

Every year (until 1937), Stalin took a long working holiday by the Black Sea. His secret line of communication with his subordinates in Moscow relied on daily handwritten letters and couriers. The letters were preserved and are translated and edited in this book. The collection taught me how a suspicious boss micromanages his subordinates and keeps close those he trusts least.

Stalin habitually complained that they overloaded him with trivia, but then complained and corrected them if they showed the smallest initiative. I learned a lot about how Stalin saw his enemies, and I was introduced to the concept of the “unconscious” enemy. For myself, I learned that trust is essential to effective delegation.

Stalin’s secret police was responsible for both foreign espionage and domestic repression. Until recently its domestic operations were a black box. This book unlocks the box.

It shows how and why quotas for executions arose, how the “productivity” (arrests and executions in a period of time) of secret police officers could rise and fall by an order of magnitude over a year or so, and why it made sense to detain or kill people in very large numbers “just in case.” The book’s patient investigations and logical deductions provide a contrast to the miserable fates of the human victims.

This book showed me in a way I’d never seen before what life was like for an imprisoned bureaucrat in Stalin-era Russia. The author proved to me that through undeniable detail and unflinching sincerity, you can show an unsettling reality that powerful authorities have worked tirelessly to conceal.

Found within the book’s pages are poignant anecdotes, lessons, and reflective moments that made me question the very concepts of what a person is capable of doing and enduring under extreme circumstances. I could not get the chapter “The Buddha’s Smile” out of my head, and I don’t think I ever will.

I loved this three-book series because it is a cold, academic study of one of the world’s greatest psychopaths in action. Understanding how a psychopath would behave when in charge forms a large part of not only Diathesis but also Dissonace, the fourth book in my series, and this does exactly that.

It’s a difficult read emotionally, but that’s more than offset by the examination of how a psychopath, and one recognized as such and as being unfit for any position, manages to rise to the top.

Soviet satire is often overlooked or dismissed as purely propaganda. John Etty offers a refreshingly updated look at a key Soviet publication and provides the casual reader with an introduction to the colorful and humorous content in the USSR’s premier satirical journal. He explores how content was created, revealing a collaborative process that could involve everyone from the head of the party to everyday readers. While there was oversight and interference from state censors and political authorities, and self-censorship in the 1930s due to repression, Etty reveals that editors and creators had a great deal of creative freedom.

Etty also explores the Krokodil “Extended Universe”. In the 1920s, when there was a severe shortage of paper and many citizens were illiterate, Live Krokodil, a repertory company was organized in theatres, workers’ and Red Army clubs. Additionally, Krokodil published the Krokodil Library (Biblioteka Krokodila) which included cartoon compendiums and… show more.