Here are 99 books that The Great Level fans have personally recommended if you like
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In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
His earlier and best-known book, The Embarrassment of Riches, may offer a more comprehensive synopsis of the culture of the Dutch Republic’s Golden Age, including everything from the fashions, drinking and dice games that paradoxically thrived amid the strictures of Calvinism to the interpretations placed on passing natural events such as comets in the sky or the appearance of a whale on the beach. But Schama here gives us a loving and humane portrait of its greatest artist, doing in words what Rembrandt did in paint for his subjects, presenting his humanity with truth and dignity enlivened by inimitable splashes of colour and brilliant strokes of the pen. Using the paintings themselves as his window, Schama allows us not only to see back in time to this astonishing period, but to view it as those who lived through it must have seen it.
This dazzling, unconventional biography shows us why, more than three centuries after his death, Rembrandt continues to exert such a hold on our imagination. Deeply familiar to us through his enigmatic self-portraits, few facts are known about the Leiden miller's son who tasted brief fame before facing financial ruin (he was even forced to sell his beloved wife Saskia's grave). The true biography of Rembrandt, as Simon Schama demonstrates, is to be discovered in his pictures. Interweaving of seventeenth-century Holland, Schama allows us to see Rembrandt in a completely fresh and original way.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
The Dutch Golden Age produced some of the world’s greatest art, but – less known – it was also a period of astonishing scientific and technical innovation. Snyder gets to the heart of the intrinsic connection between the worlds of art and science when she examines the lives of two of the greatest innovators who were born in the same month of 1632 and lived and worked in the same tiny city of Delft, and yet who may never have known each other or even met: the painter Vermeer and the pioneer of the microscope, Antoni van Leeuwenhoek.
Although it is frustrating that there is no record of the two men having met – we can only conjecture the kind of conversation they might have had, with their common interest in the use of light and the understanding of optical phenomena – this in a way is the point of…
On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek-a cloth salesman, local bureaucrat, and self-taught natural philosopher-gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld.
"See for yourself!" was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry,…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
Perhaps no one object was more demonstrative of the Dutch thirst for beauty, novelty and showing-off-but-not-showing-off riches than the tulip. The famous mania for these exotic bulbs, bred to produce ever more exotic flowers and to command ever higher prices, supposedly produced the world’s first economic bubble, which burst spectacularly in February 1637.
The truth is less spectacular (few people were involved in the trade and even fewer were ruined) but, in Goldgar’s skilful telling, much richer and more nuanced than the myth. The episode tells us about the growth of maritime trade and the emergence of the modern financial industry (including the important concept of risk) as well as the cultural interests of Dutch people at this exciting time in their history when the accumulation and subtle display of wealth vied in importance with the quest for aesthetic novelty and genuine curiosity about the natural world. One fashion-conscious doctor…
In the 1630s, the Netherlands was gripped by tulipmania: a speculative fever unprecedented in scale and, as popular history would have it, folly. We all know the outline of the story - how otherwise sensible merchants, nobles, and artisans spent all they had (and much that they didn't) on tulip bulbs. We have heard how these bulbs changed hands hundreds of times in a single day, and how some bulbs, sold and resold for thousands of guilders, never even existed. Tulipmania is seen as an example of the gullibility of crowds and the dangers of financial speculation.But it wasn't like…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
Baruch Spinoza was the philosophical flower of the Dutch Golden Age. Bertrand Russell called him the "noblest and most lovable of the great philosophers", and I am certainly not going to disagree. Like many of the innovators of the Golden Age, his ideas still seem fresh. Expelled from his Jewish community in Amsterdam for his ‘heresies’, we now find his conception of God as nature highly congenial. We probably share his dislike of ritual and perhaps aspire to his renunciation of materialism. His advice neither to fear nor to hope when it concerns things we can do nothing about is as good now as it was when it appeared in his most famous work, Ethics, in 1677.
Spinoza’s philosophy is hard to approach in the original – his arguments are rigorously constructed in the style of ancient Greek mathematics proofs. But Steven Nadler, as well as producing a towering biography…
From Pulitzer Prize-finalist Steven Nadler, an engaging guide to what Spinoza can teach us about life's big questions
In 1656, after being excommunicated from Amsterdam's Portuguese-Jewish community for "abominable heresies" and "monstrous deeds," the young Baruch Spinoza abandoned his family's import business to dedicate his life to philosophy. He quickly became notorious across Europe for his views on God, the Bible, and miracles, as well as for his uncompromising defense of free thought. Yet the radicalism of Spinoza's views has long obscured that his primary reason for turning to philosophy was to answer one of humanity's most urgent questions: How…
I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.
The history of colonial and antebellum New York, in Harris’s hands, becomes a map of Black activism. This book moves beyond a history of slavery and abolition to offer a sweeping historical narrative of Black life in New York City,starting with the arrival of the first enslaved people in 1626 and culminating in the brutally violent draft riots of 1863. Harris works creatively with little-studied sources to chronicle how, even in the direst of circumstances, Black New Yorkers created vibrant communities. While Harris certainly depicts the obstacles that Black New Yorkers faced in the seventeenth, eighteenth, and nineteenth centuries, she also showcases individual lives, marked by sharp ambition and myriad achievements. In this narrative, talented political operatives create national movements, argue with white abolitionists, and create institutions and traditions that influence racial politics to the present day.
"The black experience in the antebellum South has been thoroughly documented. But histories set in the North are few. In the Shadow of Slavery, then, is a big and ambitious book, one in which insights about race and class in New York City abound. Leslie Harris has masterfully brought more than two centuries of African American history back to life in this illuminating new work."-David Roediger, author of The Wages of Whiteness
In 1991 in lower Manhattan, a team of construction workers made an astonishing discovery. Just two blocks from City Hall, under twenty feet of asphalt, concrete, and rubble,…
Microeconomics is a turnoff to most readers. Not without reason. Many books in this field are dull rewrites of other books and opaque. In particular, it is not clear how the behavior of individual consumers and producers adds to the performance—good or bad—of an economy. The books listed here helped me to sharpen my own mind and to make my writing lucid.
This fascinating and very detailed history of early Manhattan shows how the Dutch with their policy based on individual liberty and free trade impacted not only New York City but even the shaping of America.
I sensed this when I was an inhabitant of New York, but now I understand why.
In a riveting, groundbreaking narrative, Russell Shorto tells the story of New Netherland, the Dutch colony which pre-dated the Pilgrims and established ideals of tolerance and individual rights that shaped American history.
"Astonishing . . . A book that will permanently alter the way we regard our collective past." --The New York Times
When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Jenny Hale Pulsipher is a professor of history at Brigham Young University and the author of numerous articles and two award-winning books, Subjects unto theSame King: Indians, English, and the Contest of Authority in Early New England and Swindler Sachem: The American Indian Who Sold His Birthright, Dropped Out of Harvard, and Conned the King of England.
Hall's biography of one of the most influential Puritans in colonial New England offers a rich reading experience. Mather had a finger in everything, and seeing New England through his eyes helps the reader make sense of the political and religious factions, doctrinal struggles, the relationship between lay people and ministers (always less conservative than their followers), and the sweetness and suffering inherent in family life.
Powerful preacher, political negotiator for New England in the halls of Parliament, president of Harvard, father of Cotton Mather, Increase Mather was the epitome of the American Puritan. He was the most important spokesman of his generation for Congregationalism and became the last American Puritan of consequence as the seventeenth century ended. The story begins in 1639 when Mather was born in the Massachusetts village of Dorchester. He left home for Harvard College when he was twelve and at twenty-two began to stir the city of Boston from the pulpit of North Church. He had written four books by the…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Set in a community obsessed with the evils of Satan, Mary travels across the Atlantic to the newly settled Americas, hoping to escape her family connection with witchcraft. I hated this story as much as I loved it. Not because it was badly written (It wasn’t) but because of its irrationality and superstition, led and facilitated by the dominance of men.
Celia Rees very cleverly conveys the feelings of the times and the hopelessness of women trying to defend themselves against false accusations. I felt for them and read the story quickly in order to satisfy my quest for a happy ending.
Although ostensibly written for a young adult readership (it was shortlisted for the Guardian Children’s Fiction Prize), this is a mature story that is suitable for adults, too. And whilst it is set in the seventeenth century, it is also a cautionary tale of other injustices that still…
'Historical fiction at its very best' - Waterstones' Guide to Kids' Books 'Prolific, erudite and consistently brilliant ... breathtaking' - Guardian 'Powerful, absorbing and unusual' - The Bookseller _______________
An updated edition of this outstanding historical novel, in a stunning new package to celebrate the 20th anniversary of its publication.
When Mary sees her grandmother accused of witchcraft and hanged for the crime, she is silently hurried to safety by an unknown woman. The woman gives her tools to keep the record of her days - paper and ink. Mary is taken to a boat in Plymouth and from…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
A fascinating exploration of the Salem witch trials that illustrates how the New England girls whose accusations lead to the wrongful execution of thirteen innocent women and imprisonment of some two hundred more were victims of war trauma in the Maine woods. During the so-called King Phillip’s War, Puritan immigrants who seized land as part of their Massachusetts Bay Colony Charter waged horrific, brutal battles with Native Americans defending their land from coveters and invaders. Their wives and children were there to witness and suffer it. This book was a key to my greater understanding of the land seizure and other events that led to and fueled the Salem Witch trials.
Award-winning historian Mary Beth Norton reexamines the Salem witch trials in thisstartlingly original, meticulously researched, and utterly riveting study.
In 1692 the people of Massachusetts were living in fear, and not solely of satanic afflictions. Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
Reading Slewfoot felt like being trapped in a suffocating room where every voice insists you are the problem.
It chillingly reminded me of awkward Sunday lunches with conservative relatives, those moments when you realize following the rules is a failing shield against a community built like a fortress. I felt a deep kinship with the desperation of trying to do everything right, only to be cast aside anyway.
What moved me most was the shift from endurance to a fierce, wild defiance because an alliance with the "monstrous" felt less like a descent and more like a homecoming. It reinforced my belief that embracing your own shadow isn’t an act of evil, but the only way to stay whole in a world that wants to erase you.
An ancient spirit awakens in a dark wood. The wildfolk call him Father, slayer, protector.
The colonists call him Slewfoot, demon, devil.
To Abitha, a recently widowed outcast, alone and vulnerable in her pious village, he is the only one she can turn to for help.
Together, they ignite a battle between pagan and Puritan - one that threatens to destroy the entire village, leaving nothing but ashes and bloodshed in their wake.
"If it is a devil you seek, then it is a devil you shall have!"
This terrifying tale of bewitchery features more than two dozen…
