Books like The Great Level — picked by fans

His earlier and best-known book, The Embarrassment of Riches, may offer a more comprehensive synopsis of the culture of the Dutch Republic’s Golden Age, including everything from the fashions, drinking and dice games that paradoxically thrived amid the strictures of Calvinism to the interpretations placed on passing natural events such as comets in the sky or the appearance of a whale on the beach. But Schama here gives us a loving and humane portrait of its greatest artist, doing in words what Rembrandt did in paint for his subjects, presenting his humanity with truth and dignity enlivened by inimitable splashes of colour and brilliant strokes of the pen. Using the paintings themselves as his window, Schama allows us not only to see back in time to this astonishing period, but to view it as those who lived through it must have seen it.

The Dutch Golden Age produced some of the world’s greatest art, but – less known – it was also a period of astonishing scientific and technical innovation. Snyder gets to the heart of the intrinsic connection between the worlds of art and science when she examines the lives of two of the greatest innovators who were born in the same month of 1632 and lived and worked in the same tiny city of Delft, and yet who may never have known each other or even met: the painter Vermeer and the pioneer of the microscope, Antoni van Leeuwenhoek.

Although it is frustrating that there is no record of the two men having met – we can only conjecture the kind of conversation they might have had, with their common interest in the use of light and the understanding of optical phenomena – this in a way is the point of… show more.

Perhaps no one object was more demonstrative of the Dutch thirst for beauty, novelty and showing-off-but-not-showing-off riches than the tulip. The famous mania for these exotic bulbs, bred to produce ever more exotic flowers and to command ever higher prices, supposedly produced the world’s first economic bubble, which burst spectacularly in February 1637.

The truth is less spectacular (few people were involved in the trade and even fewer were ruined) but, in Goldgar’s skilful telling, much richer and more nuanced than the myth. The episode tells us about the growth of maritime trade and the emergence of the modern financial industry (including the important concept of risk) as well as the cultural interests of Dutch people at this exciting time in their history when the accumulation and subtle display of wealth vied in importance with the quest for aesthetic novelty and genuine curiosity about the natural world. One fashion-conscious doctor… show more.

Baruch Spinoza was the philosophical flower of the Dutch Golden Age. Bertrand Russell called him the "noblest and most lovable of the great philosophers", and I am certainly not going to disagree. Like many of the innovators of the Golden Age, his ideas still seem fresh. Expelled from his Jewish community in Amsterdam for his ‘heresies’, we now find his conception of God as nature highly congenial. We probably share his dislike of ritual and perhaps aspire to his renunciation of materialism. His advice neither to fear nor to hope when it concerns things we can do nothing about is as good now as it was when it appeared in his most famous work, Ethics, in 1677.

Spinoza’s philosophy is hard to approach in the original – his arguments are rigorously constructed in the style of ancient Greek mathematics proofs. But Steven Nadler, as well as producing a towering biography… show more.

The history of colonial and antebellum New York, in Harris’s hands, becomes a map of Black activism. This book moves beyond a history of slavery and abolition to offer a sweeping historical narrative of Black life in New York City, starting with the arrival of the first enslaved people in 1626 and culminating in the brutally violent draft riots of 1863. Harris works creatively with little-studied sources to chronicle how, even in the direst of circumstances, Black New Yorkers created vibrant communities. While Harris certainly depicts the obstacles that Black New Yorkers faced in the seventeenth, eighteenth, and nineteenth centuries, she also showcases individual lives, marked by sharp ambition and myriad achievements. In this narrative, talented political operatives create national movements, argue with white abolitionists, and create institutions and traditions that influence racial politics to the present day. 

This fascinating and very detailed history of early Manhattan shows how the Dutch with their policy based on individual liberty and free trade impacted not only New York City but even the shaping of America. 

I sensed this when I was an inhabitant of New York, but now I understand why.

A Place Called Freedom attracted me instantly because of its multiple settings (Scotland, London, and Virginia) and the theme of ordinary people struggling against adversity. 

The novel provides vivid insight into governmental repression of religion and the denial of basic human rights. As a historian, I enjoy reading historical fiction. Follett is a master of his craft, blending human interest stories with accurate history. Through his characters, he shows how people lived and reacted to historical events.

A Place Called Freedom transports the reader into the years prior to the American Revolution, and his vivid geographical descriptions made me feel like “I was there!”  

How did the Virginia slaveholders somehow become the most celebrated spokesmen for “liberty” and “equality” in the Revolutionary Era even though they all owned hundreds of slaves? Morgan contends that to understand this paradox one has to go back to 17th-century colonial Virginia where American slavery and American freedom emerged together. Moreover, argues Morgan, those days not only had a profound effect on the American Revolution and the Early Republic, but on everything that has happened since.

I’ve read this at least twenty times and still love it, and it still makes me cry.

It’s the first of Thane’s Williamsburg series but easily stands alone. I was about eleven when my mother recommended it and my sister and I began reading it aloud to each other. I loved the characters, led by young Tibby Mawes and Julian Day, the schoolmaster she adores.

I also love the wealth of rich historical detail, including lavish descriptions of clothing and food, and of course, the romantic complications amidst the American Revolution. When I visit Williamsburg, instead of thinking about colonial history, I find myself saying, “Here’s the apothecary shop where Tibby went to buy medicine for Kit,” and “Here’s where Julian picked Tibby up after her arm was broken.”

This is based on an actual captive woman in the early Colonial years. Since the topic was the subject of my thesis (Captive Or Captivated) I was enthralled in the way that the author brought the true story to life as fiction. Great historical accuracy and detail as well as a story sure to be remembered for a very long time.