Here are 100 books that The Golden Goblet fans have personally recommended if you like
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Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
I love the way Miller treats mythic figures as sharing reality with humans.
Who can forget blue-green Thetis coming out dripping from the sea to meet her son, the hero Achilles? This is how the ancients wrote about the gods, and it's terrific to see it making a comeback after a hundred years or so when myth was treated as a source for psychoanalysis.
I was not so much inspired by this book (it came late) as encouraged and confirmed in my own treatment of otherworldly figures. They are there, for those with the eyes or imagination to see.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
The first time I read this book I couldn't put it down. I read it in a single day. Every time I've read it since it's been the same. I'm just sucked into the voice and the story and I never want it to end. I've loved Egypt almost all my life and The Heretic Queen is one of the best Egyptian Historical Fiction novels I have ever read. To me, storytelling is about the journey, about the change in the voice as the character ages, about overcoming the hardships of life, and hoping for the future when the story ends. This book covers all of those and more.
In ancient Egypt, a forgotten princess must overcome her family's past, and remake history. The winds of change are blowing through Thebes. A devastating palace fire has killed the 18th dynasty's royal family - all with the exception of Nefertari, niece of the reviled former queen Nefertiti. The girl's deceased family has been branded as heretical, and no one in Egypt will speak their names. A relic of a previous reign, Nefertari is pushed aside, an unimportant princess left to run wild in the palace. But all of this changes when she is taken under the wing of pharaoh's aunt,…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
As with most of my books, I came across these entirely by accident. I don't remember how or where, but I picked one up and then I was on the hunt for the other two. These books are fun, historical with a twist of the fantastic, with secrets, intrigue, and some very interesting and subtle romantic plotlines woven in. I've read these a couple of times now and whenever I glance at my shelf I remember that I want to read them again, to see if I can find something new once more.
When Tudor explorers returned from the New World, they brought back a name out of half-forgotten Viking legend: skraylings. Red-sailed ships followed in the explorers' wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I's capital?
Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul.
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
I read this trilogy out of order but I’ll go ahead and recommend the first book. I found these on my hunt for things to do with the Borgias, and this is an absolutely brilliant set of books for it. Centered on a smart, strong woman in late 15th century Rome, it shows us a side usually left to male characters as she is embroiled in politics, plotting, and murder at the behest of the Borgias during the Papacy of Alexander VI. For anyone who loves to see every possible angle to a period of history, this is certainly one to add to their list. The only sad note is the series is, and seems likely to remain, incomplete, without a satisfactory resolution.
In the simmering hot summer of 1492, a monstrous evil is stirring within the Eternal City of Rome. The brutal murder of an alchemist sets off a desperate race to uncover the plot that threatens to extinguish the light of the Renaissance and plunge Europe back into medieval darkness.
Determined to avenge the killing of her father, Francesca Giordano defies all convention to claim for herself the position of poisoner serving Cardinal Rodrigo Borgia, head of the most notorious and dangerous family in Italy. She becomes the confidante of Lucrezia Borgia and the lover of Cesare Borgia. At the same…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
This book is not about learning to read hieroglyphs so much as about understanding the relationship between hieroglyphs and Egyptian art. As hieroglyphs are pictures, the same pictures can be used in an artwork, as opposed to a written text. The author takes 100 of the over 700 hieroglyphs used in Egyptian writing, and shows how they are used in Egyptian art. He dedicates 2 pages to each symbol, with a written description and illustrations.
I have been fascinated by Cleopatra ever since I learned that she used science to outwit one of Rome's most powerful men by inventing the world's most expensive cocktail (a pearl disintegrated in vinegar). As a professor of Classics at Montclair State University, I have the opportunity to study ancient historical and literary texts about Cleopatra, as well as monuments, inscriptions, and papyri. I use these primary sources in teaching an advanced ancient history course on Cleopatra to undergraduate students.
Ashton's Cleopatra and Egyptconsiders Cleopatra from an Egyptian perspective.
Her detailed examination of the Egyptian sources for Cleopatra's life and reign distinguishes her work from most other books, which tend to place Cleopatra into a framework of Greek and Roman history. A large number of images center the Egyptian monuments and works of art associated with Cleopatra.
The text provides ample background on the Egyptian political and religious traditions onto which the Ptolemies imposed their rule.
This beautifully illustrated new biography of Cleopatra draws on literary, archaeological, and art historical evidence to paint an intimate and compelling portrait of the most famous Queen of Egypt. * Deconstructs the image of Cleopatra to uncover the complex historical figure behind the myth * Examines Greek, Roman, and Egyptian representations of Cleopatra * Considers how she was viewed by her contemporaries and how she presented herself * Incorporates the author's recent field work at a temple of Cleopatra in Alexandria * Beautifully illustrated with over 40 images
A hair-raising, side-splitting supernatural adventure!
In the idyllic town of Pine Port, Kelsey was on the cusp of realizing her dreams. In weeks, she'd clasp her high school diploma and beauty license. Or so she thought, until her life took a supernatural detour, far removed from the ordinary path she'd…
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
I bought this catalogue many years ago in the crowded, chaotic store that used to sell books just inside the front door of the Egyptian Museum in Cairo.
It remains one of the best sources for descriptions of artifacts displayed in the museum for many decades—everything from King Tut’s gold mask to lifelike statues of scribes, detailed models of boats, and illustrated passages from the Book of the Dead on sheets of papyrus.
Many of these artifacts have recently been transferred to the new Grand Egyptian Museum (GEM) and other state-of-the-art facilities. I’m going to have to start noting in this book where my favorite things have ended up.
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
I remember being a kid in a museum, staring at the figurines making up a strange judgment scene. Gods weighing a man’s heart against a feather – what was that all about? If you want to understand the ancient Egyptians, you need a good Book of the Dead. This translation of the goldsmith Sobekmose’s burial copy won’t bring any cursed mummies back to life, but it gives you a road map to ancient Egyptian paradise... and some neat spells to control demons, if they happen to turn up along the way.
The Book of the Dead of Sobekmose, in the collection of the Brooklyn Museum, New York, is one of the most important surviving examples of the ancient Egyptian Book of the Dead genre. Such `books' - papyrus scrolls - were composed of traditional funerary texts, including magic spells, that were thought to assist a dead person on their journey into the afterlife. The ancient Egyptians believed in an underworld fraught with dangers that needed to be carefully navigated, from the familiar, such as snakes and scorpions, to the extraordinary: lakes of fire to cross, animal-headed demons to pass and, of…
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.
Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.
This successful and highly-esteemed British Museum reference work is now republished in a new pocket-sized edition. This authoritative illustrated dictionary provides clear explanations and descriptions of the important ideas, events and personalities throughout four thousand years of Egyptian civilization. More than 600 extensively cross-referenced and comprehensively-indexed A-Z entries provide detailed information on all aspects of ancient Egypt and Nubia during the pharaonic and Graeco-Roman periods. Each entry is followed by a bibliography. The dictionary is lavishly illustrated throughout with photographs, line drawings, site plans and maps.
Over the past 50 years, scientists have made incredible progress in the application of genetic research to human health care and disease treatment. Innovative tools and techniques, including gene therapy and CRISPR-Cas9 editing, can treat inherited disorders that were previously untreatable, or prevent them from happening in the first place.…
I’ve been fascinated by ancient Egypt since I was ten. I started my first project in Luxor, Egypt, when I was 21, and for the last 35+ years, these projects have uncovered the stories of Theban tomb owners and the times in which they lived. For this reason, I’ve chosen some of the most accessible books on ancient Egyptian tombs and their decoration. I hope that these books will excite you about the humanity of those who lived thousands of years ago in ancient Egypt.
This overlooked coffee table book is a tour-de-force survey of the decorated mastabas, pyramids, and tombs of the Old and Middle Kingdoms. Written by international experts and edited by the world-famous Zahi Hawass, Treasures of the Pyramids offers something for everyone. I assign many chapters in my undergraduate classes because they are concise, well-written in English by French and German experts, and profusely illustrated in color.
