Books like The Girl from Everywhere — picked by fans

I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.

I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.

I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.

I fell in love with epic fantasy because of this book's incredible magic system and heist structure.

I was captivated by Kelsier and Vin, two deeply flawed survivors using stealth, strategy, and street smarts to challenge an immortal god king. I loved how Allomancy felt like a physical science, where push-and-pull forces dictated every combat encounter.

The academy of thief crews and rebellion planning kept me hooked on every page. It taught me how powerful a story can be when magic has strict rules and real physical consequences.

I always like reading anything about day-to-day living in China. In this book, I loved the descriptions of what life is like in rural China, eg making their own reed shoes and building their own roofs. On the surface, this book is about the idyllic life in the countryside. However, it is set during the cultural revolution but so subtly described in the back-drop that it is perfect for the target audience. We often read about the people banished to the countryside, and this book tells me what happens to them when they arrive.

I also enjoyed it as it is a translated text, so there is a sense that this is authentic.

I enjoyed The Eye of the World because Robert Jordan makes his world feel vast before the greater story fully reveals itself.

It may not be the most entertaining book in the series, but as the plank-holder novel, it patiently establishes the cultures, magic, history, and conflicts that shape everything to come. I especially value Rand’s beginning. He is not a polished hero, but a frightened, naïve twenty-year-old whose later confidence, arrogance, and acceptance of his destiny feel earned across several books.

I love experiencing that growth through Jordan’s storytelling. For me, the novels and audiobooks remain the truest way to enter this world. I recommend skipping the streaming show because I believe the adaptation fails at every level to capture what Jordan built.

Kestrel’s father is the fierce general who won the Herran War and enslaved its people. When she buys a Herrani house slave named Arin at the market, Kestrel gets more than she bargained for – a challenge to her privileged, sheltered life, an epic love, and a part in the revolution. This is the first in the trilogy, and it is a genuine pleasure to watch Kestrel, from the beginning a character with an independent streak, navigate impossible choices as she grows into the person she wants to be. A lush and detailed world full of intrigue, politics, and gripping romance. 

The second book in The Thief series, The Queen of Attolia is also, IMO, the most romantic.

It starts with a bang, Eugenides of Edis, the thief who can steal anything, is caught spying on the queen of Attolia, the sworn enemy of his own queen. Attolia’s brutal punishment of her rival’s cousin sends Eugenides into a downward spiral of regret and self-loathing.

Yet, when his cunning and skills are the only thing that stands between victory and defeat, Eugenides once more must rise to the call and try to steal the most precious prize of all, the queen’s heart.

An impressive world building, a lovable, if irritating, protagonist, and a most inventive and clever plot make for an unforgettable read.

Asra is a demigod with the gift of dictating the future by writing with her own blood. When her blood magic leads to the mortal girl she loves turning into a vengeful dragon, Asra must embark on a journey across the kingdom to stop her. A big-hearted protagonist grappling with her own power, complex cultural politics, two compelling love interests – who could ask for more? That so many of the primary romantic relationships in the story are same-sex is almost beside the point – except, of course, that queer characters rarely appear so matter-of-factly in epic fantasy. Inkmistress trades in deep, nuanced characters, moral complexity, and a story that often surprises in the best way, keeping the reader hooked until the incredibly satisfying conclusion.

Set in Australia a few decades in the future, this compelling novel presents a world dependent on a food substitute. Our heroine is Piper, who has grown up as an oral deaf person, relying on hearing aids and speechreading. In the midst of economic collapse and food shortages, Piper falls for a handsome CODA (child of a deaf adult) and is introduced to Auslan (Australian Sign Language) for the first time. She meets his Deaf mother and learns about growing food in the earth and growing a sense of identity and language in her soul. She joins the wild food revolution, converting the public space on her street into a thriving community garden and announcing herself to the world as a proud Deaf person.

This book stands out because it delves deeper into popular characters that appear repeatedly in similar books. I have also enjoyed coming across new names and places not previously found. But far from being obscure names, I have encountered these in Chinese fantasy dramas.

Best of all, it includes pictures of relevant artwork and museum artifacts. I get to see these without having to travel to the four corners of the world. Giving us a sense of where we are in place and time, these displays show that throughout the long Chinese history, these legends and myths are integral to the lives of Chinese people.

Winner of the 2004 Smarties Award for fiction 9 – 11, it is a well-deserved award as it describes a difficult topic at an appropriate level for its readers. 

I read Spilled Water as it has a similar theme to my own book. It gives insight into the unseen ugliness of economic success in China. In addition, this story informs our target audience of the existence of child labour and misogynism in this part of the world, where poverty forces family to treat their daughters like ‘spilled water’ and employers regard them as property.