Here are 100 books that The Gift of a Cow fans have personally recommended if you like
The Gift of a Cow.
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I have spent close to thirty years researching and teaching about questions of inequality and change. Most of my focus has been on the Global South, with a particular focus on India. I've written about intersecting class, gender, and caste inequalities. I've pursued this research agenda through extensive field research on labor politics, democratization, and the politics of economic reform in India. My interest stems from my background. I am originally from India and have lived and travelled extensively in the Middle East and Southeast Asia. I'm an author, public speaker, and consultant and have been a professor for three decades at the University of Michigan, Rutgers University, The University of Washington, and Oberlin College.
It is often hard to get our minds around poverty and the scarcity of resources that affect people’s lives. This is especially true of rural life in the Global South. This is a highly accessible book written by an eminent journalist in India and is considered to be a classic text on rural poverty. It also illuminates the failures of governance including the programs and policies that seek to help poor and marginalized communities in countries like India.
Acclaimed across the world, prescribed in over 100 universities and colleges, and included in part in The Century's Greatest Reportage (Ordfront, 2000), alongside the works of Gabriel Garcia Marquez, Studs Terkel and John Reed, Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them.
An illuminating introduction accompanying this twentieth-anniversary edition reveals, alarmingly, how a large section of India continues to suffer…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
The White Tigeris a witty and searing portrayal of a “self-made” man who has risen from the depths of abject poverty to a position of wealth and influence.
The India portrayed is far from the glitz and romantic notions of Bollywood. It is a desperately poor place where the “haves” live like kings and the “have-nots" live like slaves.
In addition to shedding light on some of the harsh realities of class, economics, and corruption in India, The White Tigersomehow manages to subvert expectations and coax the reader into rooting for a murderer and thief who justifies his actions, not entirely convincingly, by describing himself as a sort of working-class hero.
Balram Halwai is the White Tiger - the smartest boy in his village. His family is too poor for him to afford for him to finish school and he has to work in a teashop, breaking coals and wiping tables. But Balram gets his break when a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. As he drives his master to shopping malls and call centres, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he…
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This story of an orphan, brought up by an uncle and aunt and sent out to work as a house servant, moved me so much because, although written in the early years of the Independence struggle, nevertheless prefigures the fate of countless young Indians, little more than children who, beaten and mistreated, run away to the closest city and later, to the unforgiving metropolis of Mumbai or Delhi. His life of innocence destroyed and youth blighted, ends at the age of sixteen when he dies of TB. It is harrowing but uplifting.
Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bomboy and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India. Together with Untouchable, Coolie places Mulk Raj Anand among the twentieth century's finest Indian novelists writing in English.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This book, part polemic, part reportage, is an account of Arundhati Roy’s journey into the forests of Chattisgarh, where groups of ‘Naxalites’ or Maoists have taken up arms against the Indian state, in defence of Adivasis, the indigenous inhabitants of India, for whom the forests, rivers, and hills are sacred. Unhappily these are cover vast deposits of minerals and precious resources required as ‘raw materials’ by a rapidly industrializing India. As a result, the State, which throughout the colonial period and in the early years of Independence, had, in turn, neglected and cheated the forest-dwellers, has now turned upon them with militaristic intensity to wrest resources from them. I found this narrative so powerful because Arundhati Roy makes us understand the violence of the despairing, without overtly supporting it.
From the award-winning author of The Ministry of Utmost Happiness and The God of Small Things comes a searing frontline exposé of brutal repression in India
In this fiercely reported work of nonfiction, internationally renowned author Arundhati Roy draws on her unprecedented access to a little-known rebel movement in India to pen a work full of earth-shattering revelations. Deep in the forests, under the pretense of battling Maoist guerillas, the Indian government is waging a vicious total war against its own citizens-a war undocumented by a weak domestic press and fostered by corporations eager to exploit the rare minerals buried…
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
I loved this book because it nuanced my understanding of how modern Hindu identity was manufactured through Hindi literature in the literary salons and polemics of nineteenth-century Banaras. Dalmia’s intricate study of the life and writings of Bharatendu Harischandra, a colorful and creative personality and often called the Father of Modern Hindi, impacted me strongly.
Here was a writer, playwright, publisher, and polemicist who played a critical role in the formation of Hindu modernity in North India. I also find the book interesting for its description of social history, rooted in the ancient city of Banaras.
This volume studies how a dominant strand of Hinduism in north India--the tradition which uses and misuses the slogan "Hindi-Hindu-Hindustan"--came into being in the late nineteenth century. It examines the life and writings of one major Hindi writer of the nineteenth century--the playwright, journalist, and polemicist Bharatendu Harishchandra (often called the "Father of Modern Hindi")--as its focal point for an analysis of some of the vital cultural processes through which modern north India came to be formed.
Although two of my nonfiction books—The Dream of Water and Polite Lies—are about traveling from the American Midwest to my native country of Japan, I'm not a traveler by temperament. I long to stay put in one place. Chimney swifts cover the distance between North America and the Amazon basin every fall and spring. I love to stand in the driveway of my brownstone to watch them. That was the last thing Katherine Russell Rich and I did together in what turned out to be the last autumn of her life before the cancer she’d been fighting came back. Her book, Dreaming in Hindi, along with the four other books I’m recommending, expresses an indomitable spirit of adventure.
Katherine Russel Rich, who had spent 20 years as a magazine editor (and just as long as a cancer survivor: recounted brilliantly in her first book, The Red Devil: To Hell with Cancer—and Back), started studying Hindi because she needed a new language to describe her life during the messy process of remaking herself as an artistic rather than commercial writer. Dreaming in Hindi: Coming Awake in Another Language is a memoir of the year she spent in the ancient city of Udaipur, where she lived with a local family and attended a Hindi language school.
This personal story is combined with fascinating information about second-language acquisition, as well as the profiles of various Americans and Europeans who made a home in India as a teacher, aid-worker, scholar, spiritual seeker, or in the case of one memorable character, a fortune/husband seeker. At times hilarious, other times heartbreaking, this is…
An eye-opening and courageous memoir that explores what learning a new language can teach us about distant worlds and, ultimately, ourselves.
After miraculously surviving a serious illness, Katherine Rich found herself at an impasse in her career as a magazine editor. She spontaneously accepted a freelance writing assignment to go to India, where she found herself thunderstruck by the place and the language, and before she knew it she was on her way to Udaipur, a city in the northwestern state of Rajasthan, in order to learn Hindi. Rich documents her experiences—ranging from the bizarre to the frightening to…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
This Kannada classic written by S L Byrappa humanises each character of Mahabharata and turns the ancient epic into a modern novel. The book won the Kendra Sahitya Academy Award and is one of the greatest Indian books written in any Indian language. There is no magic, gods, or superhumans in this novel and this makes it poignant, deep, and moving. This is Mahabharata as raw as it can get and reads like historical fiction. If Bhima is lyrical, Parva is powerful fiction. It grabs you from the first page and shakes up many of our beliefs.
The novel narrates the story of the Hindu epic Mahabharata mostly using monologue as a literary technique. Several principal characters found in the original Mahabharata reminisce almost their entire lives. Both the setting and the context for the reminiscence is the onset of the Kurukshetra War. Parva is acknowledged to be S.L.Bhyrappa's greatest work.Non-Kannadigas who have read it in it's Hindi and Marathi translations consider it one of the masterpieces of modern Indian literature.It is a transformation of an ancient legend into a modern novel.In this process,it has gained rational credibility and a human perspective.The main incident,the Bharata war,symbolic of…
Currently a journalist, author, and adventure traveller, I am a former inner-city educator from Vancouver, BC, Canada with a Masters of Environmental Education degree, a Wilderness Leadership certificate, and a post-graduate certificate in Journalism. Solo and with my husband I have completed several major treks in Europe, Tibet, and Nepal including Mount Kailash kora, Everest Base Camp north (Tibet), The Annapurna Circuit and Base Camp, Everest Base Camp south (Nepal), Upper Mustang, the Manaslu Circuit and Tsum Valley for a total of about 800 km. I am currently training to complete Nepal’s Great Himalayan Trail (low route), 1,500 km from one end of Nepal to the other.
Dervla Murphy truly showed up as a voluntourist before the term even existed. Her 1966 account of volunteering in an orphanage in a Tibetan refugee camp in India inspired me to look for an opportunity to help children in need in a developing country. Her bravery in the face of incredible discomfort and profound sadness at the plight of children suffering from not only a lack of education but more urgently from hunger and disease influenced my future travel decisions. Dervla’s perseverance and tenacity against all odds in this desolate camp and support of Tibetan refugees warmed my heart and strengthened my resolve to make a difference in the lives of others. Her courage helped me overcome my fears of solo travel to remote areas.
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
It takes a lot from a lot of different stakeholders for a democracy to thrive. It requires unbiased institutions that ensure a level playing field for all political parties and candidates, and one of the primary institutions that keep democracy alive is the media. A vote is only an informed decision when voters have accurate information to base their decision on. The responsibility of making this information accessible rests with a nation’s media. For this reason, it is also one of the first institutions that is targeted by any politician wanting to consolidate power. This book, written by one of India’s leading journalists details how media institutions can be transformed from sources of accurate information to drivers of fear, and how that damages democracy.
'This brave and timely book should be required reading for every Indian.'--Nayantara Sahgal
In this revised paperback edition of his best-selling book, Ravish Kumar, one of our bravest and most mature public voices, examines why debate and dialogue have given way to hate and intolerance in India, how elected representatives, the media and other institutions are failing us, and looks at ways to repair the damage to our democracy.
A new introduction and two additional essays examine developments since the election results of May 2019.
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.