97 Books Like The Geranium on the Windowsill Just Died, but Teacher You Went Right On

Human creativity is on full peacock feathers out display with this one.

The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids. 

For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.

I grew up in an Italian family where the wisdom of my elders poured from ocean voyages. At family gatherings my relatives spoke of chaperoned romances, ice trucks, and cinematic stories that went on and on.

Peggy Freydberg’s image, the lined flesh conveying time’s signature, is what first drew me in. When I learned she began writing poetry at 90, I was curious and immediately humbled after diving into her work. Here was a woman in fierce-writing shape and in physical command of a powerful voice. She was brutally honest about life, aging, and death.

Her poems remain gritty, defiant, elegant, and sad. She passed at 107, and I still imagine the words she’d yet to write. I keep Ms. Freydberg’s memory and her brave words close to my heart.

I’ve never been one to read a writer because of their accomplishments. But there are confessional voices (with stellar accolades), I can’t avoid. Louise Glück’s poetic voice evaluates experiences in ways that remind me that we’re all a bit messed up, but beauty sometimes lingers under rocks if you’re willing to dig. And dig I must to improve my work.

My poetry sometimes hides behind soft language, while my word-wolf remains hidden. Poems like Ms. Glück’s “Purple Bathing Suit” force me to evaluate if I’m artfully deceiving or striving to rise to her level of genuine gut-wrenching prose.

“I like watching you garden / with your back to me in your purple bathing suit: your back is my favorite part of you, the part furthest away from your mouth”

Four-legged girl begins with a powerful cover image and ends with the equally evocative “four-legged girl.” Captivating and curious.

I own several Diane Seuss collections, but this one (her third) is my favorite. Seuss bares the train wrecks in a way I admire and strive to emulate. Her lines crash, her images explode – I’m reading but can’t stop the comet crashing to earth, or sometimes earth is crashing into the comet – either way, Ms. Seuss, a former therapist, doesn’t do faux redemption like I so often do out of guilt for happy endings. Her frank language catapults. She confesses, critiques, includes me in her world and excludes pity of any kind.

Her poetry pushes me, in the best way possible, to smash every crayon in my secret box. 

I absolutely love Flannery O’Connor’s short stories; they are like shining gems of literary perfection. She sees through all the meaningless masks and artifices that people put up to mislead and distract, and she describes the motivations at the heart of the conflict. 

No two of her characters are the same, and she brings a clarity of thought and vision like few other authors can. Often, the characters within her short stories make jaw-dropping pronouncements about either themselves or issues of faith or morality. For example, in A Good Man is Hard to Find, the sudden turn of events can be shocking, but there is always a great value to every word she painstakingly wrote in her short life.

This book gets to the DNA of what young children need: the time and the ability to think freely away from the electronic screens that try to dominate their lives.

I was constantly reminded of the herculean efforts of my children in getting their kids, my grandkids, outside to play and away from their iPads, video games, and TVs.

This book underscored how important it is to allow children to play early—right from the cradle. I believe in a more unstructured approach than Einon, but we both try to get to the same place by different paths.  

Freedom engenders play, and play engenders creative thought. Every society, no matter how primitive or tribal, has recognized how important this is.  

This story is told in bouncy rhyme and teaches children an important message of self-love and acceptance of others. Most importantly, the message of the book is genuinely charming and heartwarming. The rich and engaging illustrations in this book are a joy to look at and perfectly fit with the theme of this book. I especially appreciate the variety of characters shown in the book: every gender, ethnicity, and body type is showcased beautifully. 

This is the sweetest little book. It’s super short with only 15 pages and only a simple sentence on every other page but the illustrations are adorable!! It’s about a snail and the narrator loves the snail. Each page reiterates their love and the illustrated snail is full of movement and character. I love the art style. It’s brushy and rushed but accurate and full of energy. I love the rhythm of the simple sentences. It’s fun and cute and perfect for reading aloud to a little. You can read it over and over and it never gets old.

When my daughter was afraid to go to kindergarten I would read it to her every day and tell her that I loved her like snaily snail. The last page says, “I love you when I work. I love you snaily snail!” and that really hit home for me because I… show more.

I recommended this book first because as a public school Library Media Specialist for over thirty years it was my perfect go-to read-a-loud. 

It is funny and filled with human interest and emotion. But what I like best about it is the timing. I like to write funny books and I know timing in humor is one of the most important attributes. This book hits it dead-on.

Adding to the wonderful timing is the pagination. Having published a few funny picture books myself I know how important the page-turner is for children.

The author Banard Weber will open a situation and then, as a pagination cliffhanger, place the resolution on the following page. Then he ends the story with a sweet repose.