100 Books Like The Gangster We Are All Looking For

I “discovered” historical fiction when a teen and have devoured it ever since. When my parents took me to the Cowpens National Battlefield in South Carolina in 9th grade, I realized just how much I enjoyed learning about history in real life. I found that reading historical fiction breathed life into what can be a very dull read, so I wanted to bring history to life with my own words. Visiting historical properties has become a big passion of mine! Every trip I take includes a visit to some historical site or another. I’ve been writing historical fiction/romance/fantasy since the late 1990s.

I’m the author of ten books, including fiction, memoir, collected journalism, and criticism. My novels are historical fiction, hence my decision to make my recommendations within that genre, mostly. My own historical novels comprise a tetralogy beginning with The Strange Death of Mistress Coffin and ending with The Turner Erotica, so the series takes the reader roughly from 1648 to 1900. The second book chronologically in the series, Rebecca Wentworth’s Distraction, won the 2003 Langum Prize for historical fiction. Retired now, I was the founding director of the MFA in Fiction and Nonfiction at Southern New Hampshire University.

Charles Templeton has been there and understands the stories of those who served in combat. He understands the wounds that do not heal after fifty years and those warriors, who in their writing, try to provide a sense of understanding and vision to their stories. He served as a Marine helicopter crew chief during the American War in Vietnam. His love of Vietnam literature began in 1967 and continues to this day. One voice that he feels has been neglected, is that of the women who served in that war, on both sides, and those who still carry the scars of that war with them. After fifty years of researching and writing about the war, he believes there is a literature of the Vietnam War with a female perspective, and enough of it that you can identify the good and the bad. He writes book reviews for the Vietnam Veterans of America. Charles also edits and publishes an avant-garde literary online magazine, eMerge. And, he and his wife started and published a weekly newspaper in Eureka Springs, Arkansas for a few years, The Independent.

I am Christina Vo, an author deeply passionate about exploring themes of healing and intergenerational trauma, particularly within the Vietnamese community. My personal journey and family history have profoundly influenced my understanding of these topics, as my own experiences have driven me to seek out stories that resonate with resilience and recovery. Writing and reading about these themes have been a way to process my past and connect with others who share similar experiences. Through my books and this curated list, I aim to highlight the voices and stories that inspire healing and foster a deeper understanding of our collective history.

I’ve been fascinated with the topic of immigration since childhood. My father is an immigrant, and my mother grew up overseas. My first job after college was working for a youth program for immigrant and refugee kids in Chicago. Now, I am a professor who teaches and writes about migration law. I find stories about how moving across borders shapes people’s lives to be endlessly interesting, bringing up themes of belonging, home, memory, trauma, and identity. I also think that the topic of global migration is intimately linked to questions of justice and equality and requires us all to reckon with the ways in which the colonial past shapes the present. 

Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices. 

My family and I were among those prioritized for admission to the United States during the Cold War—a migration I discussed in my first book, Havana, USA. Not all who seek refuge are as fortunate, however. Less than one percent of refugees worldwide are ever resettled in the top resettlement nations like the United States. My scholarship examines how US refugee policy has evolved in response to humanitarian, domestic, and foreign policy concerns and agendas.

As an adoptive parent and a Korean-American immigrant, caring for others is my passion. I was only nine months old when I made the journey to America with my parents, so I only felt “American” growing up. It wasn’t until college that I genuinely started to appreciate my heritage. But perhaps, if I had seen more stories that reflected me, sharing family stories with love and finding hope amidst hardship, maybe I would’ve appreciated and even celebrated my difference a little more. That’s why I love sharing my family stories now. Everyone can relate to them on different levels. 

As you get to know the characters I create, you'll be imbued with a sense of hope and possibility–with the magic that can happen when someone pokes a toe out of her comfort zone and makes things happen. You'll relate to discrete characters, who like most women, desire and deserve true love, authentic relationships—whether they be friends, mothers, daughters, or lovers–and meaningful work. You'll care about their emotional hurts, the misunderstandings that cause them to stumble, and cheer them on as they make choices that ultimately lead them to create empowered, fulfilling lives. Hooking you from the first sentence, I'll ignite your brain's hardwired desire to learn what happens next. 

My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.