100 Books Like The Gangster We Are All Looking For

This story is set in Việt Nam and paints a clear picture of the people who lived there in the 1930-1980 timeframe of the story. The family faced hardships and tragedies, including being separated for several months when they were forced to flee for their lives. One thing I really appreciated was seeing the impact and impressions of the Việt Nam war on the people of that country. My brother fought over there—he was a Ranger in the Army—during that conflict and came home very different. In fact, he’s estranged himself from the family for the past 30+ years. Reading about the conflict from the other side gives me a clearer idea of what he might have seen or done that he never would tell me about.

I’m going to jump historical genres slightly and recommend Lynda Van Devanter’s Vietnam memoir which reads like historical fiction and is every bit as engaging as the great novels and memoirs of the Vietnam War written by such men as Robert Stone, Larry Heinemann, Michael Herr, Tim O’Brien, Philip Caputo, and Karl Marlantes. As an Army nurse, Devanter gave it her all to save others. This book is her effort to learn to live with what she witnessed in Vietnam, to get the truth down as honestly as she can by using all the narrative techniques of the novelist. Of the great books written about that horrific time in our country’s (and Vietnam’s) history, this one grabbed me from start to finish like no other. A powerful voice is telling us what we too readily forget now—that war is a criminal activity, no matter how justified or how much the… show more.

Elaine Shepard wrote Doom Pussy in 1967 and explained in her introduction that only the pilots who flew on missions at night to North Vietnam were entitled to wear the Doom Pussy patch on their left shoulders. On the patch was a cat with an eye patch eating an airplane, and in Vietnamese were the words “Trong miệng của con mèo của định mạng” and literally translated means, “I have flown into the jaws of the cat of death.” Most American fliers just said, “I have seen the Doom Pussy.” This was another one of those amazing stories about a woman that competes with distinction in what was then considered a man’s world, journalism. She flew into combat on a Huey slick with Lieutenant Colonel Chuck Honour. Col. Honour was killed three months after Ms. Shepard flew with him. She has chronicled her exploits and those of the pilots she… show more.

This memoir by Le Ly Hayslip profoundly impacted me with its raw and heartfelt narrative of survival and resilience. The personal account of her experiences during and after the Vietnam War highlights the intergenerational trauma and the journey of healing.

Her courage and strength are incredibly inspiring, making it a must-read for understanding the human aspects of war and its long-lasting effects on families.

This graphic novel is gorgeous. It covers the story of a girl whose family has to escape Vietnam during the Fall of Saigon and make a new life in the United States.

The illustrations are beautiful, but the story is also beautifully told, showing the ways in which migration can affect family dynamics. It is about memory, sacrifice, trauma, and hope. It’s also a coming-of-age story. While there are a lot of great graphic novels about migration, this one is my favorite.

In this book, Andrew Pham tells the story of his father’s life through three wars for Vietnam—the brutal Japanese occupation of the country during the Second World War, the French colonial assault on Ho Chi Minh’s Vietnam, and the failed American intervention in South Vietnam to protect it from communism.

We see each war through the eyes of Pham Van Thong, from his experiences growing up as a child in contested areas south of Hanoi to his family’s exodus to the south after the division of Vietnam into two halves in 1954.

It’s a tragic story of a wealthy, non-communist family in central Vietnam uprooted by the vagaries of war, but it’s also the record of extraordinary human resiliency. This powerful memoir will not leave you indifferent.

Espiritu’s book is a foundational text in critical refugee studies, an interdisciplinary field of academic inquiry that underscores the agency and resilience of refugees rather than their status as objects of rescue.

Histories of refugee policy often downplay the role resettlement nations have played in the displacement of the populations they resettle. Espiritu reminds us that US militarism in southeast Asia contributed to the forced migration of hundreds of thousands of people, many of whom were then forced to seek refuge in the United States and its territories. Their “rescue” cannot ever legitimize or justify the militarism that produced their displacement.

Espiritu’s examination of Vietnamese displacement is especially important for its discussion of the politics of memory and the commemoration of the Vietnam War.

I love how hard-working and dedicated this immigrant father is in feeding his family. When the child joins their father early one morning to go fishing for breakfast, hardships from the past are revealed while consistently making the best of today. The resilience of this family gives me strength and hope.

Although this picture book is a bit dark and bleak for very young readers, Stepping Stones is a uniquely beautiful depiction of the refugee’s journey. The illustrations were inspired by the stone artwork of Syrian artist Nizar Ali Badr. Stones, like trees, appear to have an ancient power to tell difficult stories like no other. I love that this book focuses not only on the hardships and horrors, but also on the beauties and rituals of the life and culture left behind. So many children will have known only conflict in their short lives, and it is important that they – and the rest of us, too – learn that there was so much more, before. The story is poetically told in both English and Arabic.

This book is one of the first full-length books devoted to the specific topic of urban refugees. It was published in 2001, years before the pronouncement that most refugees live in towns and cities.

The book provides an intimate and detailed account of the promises and hardships refugees face in cities–in this case, Dar es Salaam in Tanzania.

An engrossing and accessible ethnography, the book shows the way that a variety of factors–age, religion, language, memory–intersect to shape refugees’ experiences in urban space.