Books like The Fortune Teller — picked by fans

I read this book this month while traveling to the UK Tarot Conference and loved the resonance of tarot cards and people appearing in your life at the right time. Claire McMillian opens up the world of surrealist painter Remedios Varo by way of Pamela’s Smith Tarot cards as markers and guideposts.

I fell down the rabbit hole researching Varo’s artwork after I read it, especially Remedios’ painting of the magician or juggler. Her friend, Leonora Carrington, is also in the book—bringing art, tarot, and love to their immense ambition and their drive to live their life in their art and tarot readings. I loved learning about this post-WWII community of magical women and the art they created across Europe and Mexico.

I had never been to The Cloisters here in Manhattan after many decades of living here, but I read Katy Hays's book, and had to visit it afterward. Hays’ book was a great pre-cursor to the trip to the Museum of Medieval and Early Renaissance Art.

I kept in mind the world of the fictional underdog, Anne Sitwell, who worked her way up to know there were secrets in the vault at the Cloisters. A Tarot Deck, possibly from the d’Este family in Italy, sets the stage for skullduggery while secrets and murders mount, leading to a plot twist at the end for our hapless Anne. It was interesting talking to the docent at the museum after I took a garden tour, and to spot a copy of this book for sale in the gift shop there.

I was intrigued by the magical abilities in the “Hands” of each one of the three protagonists in this book. Tamara uses her hands for tarot readings to tell people’s futures, while Phyllis’s hands have a super-power strength for knife-throwing, and Dev has “Saint’s Hands” have a sort of spidey-sense, helping his work as a police spy.

I was intrigued by Tamara’s tarot readings as part of this crime story, with the weaving in of black people’s stories of trauma, the double-edged sword of passing for white, and Juju assassins. This alternate history is a nebula of magic, criminals, and an exploration of how love heals people.

This book was the 2021 Winner of the World Fantasy Award. It was an unexpected winner, but I can see how Johnson’s gritty writing pulled people in. Trigger warning: if you have nerves about reading about knives as weapons, you may want to… show more.

I love this book; it is my all-time favorite nonfiction resource book for female tarot creators during the Victorian Age. I was totally absorbed reading about the art and artists that Mary Greer selected: Maud Gonne, Moina Bergson Mathers, Annie Horniman and Florence Farr.

These are four women who transformed the face of women in power in the occult and magical societies. I especially dote on a book with photographs and illustrations when talking about a historical topic, and there are fantastic images, many one-of-a-kinds, that are well-researched and noted. If you have any interest in tarot, female Magicians, and the struggles of these amazing Suffragettes and artists, this book is for you. 

I love a story that fills a space on the shelf that no one else has thought to create. Props to Lina Chern for giving this reader Katie True.

From the moment I met Katie, working at a decidedly unglamorous suburban mall shop while wondering why her life is...well, her life (and looking to Tarot cards among other places for answers), I knew this wasn’t another off-the-shelf mystery protagonist.

This book not only serves up a clever plot with offbeat supporting players in a unique yet oh-so-familiar setting; it reveals an everyday struggling young woman as a cool and quirky individual who is just trying to make her life into something meaningful.

I should mention, along the way, she solves a murder, proving her street smarts aren’t to be underestimated.

This is another story bringing history to life, in this case, the famous Rajah Quilt, made by convict women in 1841 while being transported to Tasmania.

I’m not a patcher myself, but my mum was, and I know how patching brings disparate women together, though not as disparate as these "dangerous women" and their leader, the Quaker philanthropist Kezia Hayter.

Hope Adams takes a worthy story and turns it into a gripping whodunnit, beginning with a murder on page one. It is hard at times to keep track of all the characters, but well worth the effort because their unlikely friendships are fascinating and crucial to the solving of the mystery.  

I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.

The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”

The complicated and wonderful characters in Mia’s family really drew me in. They all have enough to deal with: the pandemic; Mia’s first breakup; her complicated relationship with her twin, who seems to do everything right; their brother Eugene’s disabilities, which mean he’s often discriminated against or underestimated; and their parents’ struggles to keep it all together and move on from heartbreaking false hopes.

When her father disappears, Mia doesn’t let her other problems or even the fear and heartbreak get in the way of her determination to find out the truth–no matter how painful–and protect Eugene from unjust suspicion.

I loved the role the complex bonds between the various family members came to play in unraveling this case and coping with its ramifications.

I gotta love any mystery that features costume mistress extraordinaire Edith Head as a detective! 

I love this book for the frothy, fun adventures (and, of course, the clothes!) of the plucky lady investigators, Lillian and Edith. 

Also, I loved meeting Bob Hope, director Preston Sturges, Barbara Stanwyck, and costume designer Travis Banton over the course of the book!

I love a quirky small-town mystery with screwball comedy, and this one absolutely delivers–with a wonderful twist: the detective is Sheriff Arly Hanks, a woman forced to go home and start over after a meltdown in the big city.

I love Arly’s intelligence and spirit…and the fact that while she has a gun (and even a bullet or two), she doesn’t need more than her wits and the help of the crazy locals–including her own mother–to catch the killer. She’s my favorite funny, badass woman sleuth.