Here are 100 books that The First Day of Spring fans have personally recommended if you like
The First Day of Spring.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This is a book told from the point of view of Mother Rob and her daughter Callie.
It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.
Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.
“DO NOT MISS THIS BOOK. Authentically terrifying.” —Stephen King
Sharp as a snakebite, Sundial is a gripping novel about the secrets we bury from the ones we love most, from Catriona Ward, the author of The Last House on Needless Street.
You can't escape what's in your blood...
Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories.
But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter.
Of course, I’m including Gillian Flynn in this list. You may have expected her most popular novel, Gone Girl. I like that one, but this is my favorite of her works so far. In my opinion, it nudges out her other book, Sharper Objects (though that one is my wife’s favorite). I think it was her first book. It’s a dark story of a family with secrets, pain, and a moral decision that goes horribly wrong. Again, this one has a strong theme.
What if you could sacrifice everything to ensure your kids had a better life than you? Now, what if that sacrifice went horribly wrong and ruined not only your life but your kids as well? Flynn is a master of the thriller twist. She’s one of those authors who can lay out all the clues in plain sight for her readers without them even knowing it.…
'Eerily macabre... Wonderful' Guardian 'A nerve-fraying thriller' New York Times 'Every bit as horribly fascinating as In Cold Blood' Daily Mail
Libby Day was seven when her family was murdered: she survived by hiding in a closet - and famously testified that her older brother Ben was the killer.
Twenty-five years later the Kill Club - a secret society obsessed with notorious crimes - gets in touch with Libby to try to discover proof that may free Ben. Almost broke, Libby agrees to go back to her hometown to investigate - for a fee.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.
Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.
I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel.
'Victoria Selman is an exciting and powerfully fresh voice' Patricia Cornwell
Twelve-year-old Sophie and her mother, Amelia-Rose, move to London from Massachusetts where they meet the charismatic Matty Melgren, who quickly becomes an intrinsic part of their lives. But as the relationship between the two adults fractures, a serial killer begins targeting young women with a striking resemblance to Amelia-Rose.
When Matty is eventually sent down for multiple murder, questions remain as to his guilt -- questions which ultimately destroy both women. Nearly twenty years later, Sophie receives a letter from Battlemouth Prison informing her…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Kit Quinn is a psychologist who is brutally attacked by a prisoner while working. The same prisoner is under suspicion of murder and Kit is called in.
She, however doesn’t think they have the culprit. So ensues a fast-paced race to solve the case. This was one of the first psychological thrillers I ever read and served as a fantastic intro to the genre. It probably pushes the boundaries of believability but it remains one of my favourite books
At the request of London police, psychologist Kit Quinn agrees to evaluate Michael Doll, a sexual predator who slashes her face. As she recovers, Kit has horrible dreams of a red room. Months later, Doll is arrested for murder. As Doll's obsession with Kit escalates, Kit is gripped with a paralyzing fear that the killer isn't Doll--but someone close to her heart.
I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.
I don’t know if I’d feel as surprised if I read this book today for the first time. But when I encountered it decades ago, I was gobsmacked when the murderer was revealed. This is an unusual Agatha Christie mystery, set in ancient Egypt and inspired by her husband’s archeological digs. In my view, Christie can’t be topped. She’s also the one who introduced me to the unreliable narrator with her fabulous Murder of Roger Ackroyd.
A novel of anger, jealousy, betrayal and murder in 2000 BC
It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.
As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle…
I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).
Look, I know Hogarth is better known for her more recent novel Motherthing, but I will always have a soft spot for this book. Decades ago, there were some grisly cannibalistic murders at the Boy Meets Girl Inn, resulting in a reputed haunting. Noelle and Alf, high school friends with summer night shift gigs at the Inn, are organizing a soiree to celebrate the anniversary of the killings.
It's told mostly in Noelle’s journal entries that have been annotated and footnoted by detectives, experts, and a movie director, which made it irresistible to me since it’s done so well; the novel spotlights the ultimate unreliable narrator and includes some absolutely disgusting (in the best possible way) body horror scenes. I’ve read and re-read this book, and each time, I’m so creeped out.
Take this book with you on a summer vacation that involves a hotel stay, and read it…
Gripping, grisly, and keeps you guessing until the shocking end
Noelle Dixon takes a summer nightshift job at the infamous Boy Meets Girl Inn, even though she’s well aware of the horrifying murders that happened there decades ago. That’s why she has a diary―to write down everything she experiences in case things go bump in the night. But the inexplicable freezing drafts, the migrating rotten-flesh smell, and the misplaced personal items don’t really scare her. Noelle has bigger problems: her father’s failing health, her friend Alfred’s inappropriate crush, and the sore spot on the back of her head that keeps…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I loved this book because it was equally gripping and thrilling as it was funny. It’s impressive when a book so seamlessly weaves real-world experiences and pop culture references with the sci-fi aspects of a dystopian world.
I loved the main character, Frankie, and how she was relatable yet completely unique. Her humor and love of movies, I also loved how it was thought-provoking without feeling like a soap-box political book.
This book was like a quirky Black Mirror-esque cautionary tale of where our society could easily be heading, with plenty of laugh-out-loud moments. I liked how Bryan Johnston took reality TV and made it extreme.
Frankie Percival is cashing in her chips. To save her brother from financial ruin, Frankie—a single stage performer and mentalist who never made it big—agrees to be assassinated on the most popular television show on the planet: Death Warrant. Once she signs her life away, her memory is wiped clean of the agreement, leaving her with no idea she will soon be killed spectacularly for global entertainment.
After years of working in low-rent theaters, Frankie prepares for the biggest performance of her life as her Death Warrant assassin closes in on her. Every person she encounters…
Storytelling wields the power to transcend time and place, connecting us through shared experiences and emotions. It shapes our understanding of the world and ignites the imagination, making it an essential part of the human journey. As a psychologist, I understand how the stories we tell about ourselves are crucial in defining who we are and that books and good people can help shape our character. The books I've chosen celebrate the human spirit and our ability to face adversity, adapt, and ultimately choose our destiny. As Stephen Covey wisely stated, “Our ultimate freedom is the right and power to decide how anybody or anything outside ourselves will affect us.”
This book resonated deeply with me because it explored the intricate layers of human nature, beautifully encapsulated in the quote, ‘To know what a person has done, and to know who a person is, are very different things.’
The gripping narrative, based on a true story set in 19th-century Iceland, draws me into the life of Agnes Magnúsdóttir, a woman accused of murder, as she awaits her execution. Kent's masterful storytelling skilfully delves into Agnes' complexities, making her a character so vividly real that I fervently hoped for a different outcome despite knowing the inevitable fate that awaited her.
This emotional investment and the stark portrayal of the human condition left a lasting impact. Kent captured both the darkness and light within us all.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her.…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated.
Hudson and Lowell Legacy Consultants is a genealogy business formed by Johanna Hudson. The first line of the novel reads, “... clients don’t consider… that genealogy outcomes can be disappointingly unpredictable.” This statement is a prelude to the conflict weaving throughout the novel as the protagonist becomes embroiled in murder. Johanna makes a career move to pursue a new business opportunity. I left clinical medicine to have more time for writing. It was a difficult choice because I enjoyed taking care of people.
A 30 year-old genealogist is forced to face the pain of her own past while discovering that her talents can be used to solve more than her clients' ancestor family lines -- including blackmail and murder.
Genealogist Johanna Hudson discovers that the intersection of unintended consequences and murder is unavoidable, and her determination to find an heir puts her in the path of a killer who is just as determined to stop her.