64 Books Like The Farmer and the Clown

Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.

Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.

I’m a little bit obsessed with children’s books. I have an extensive personal library of books from my own childhood as well as my kids'. I’m also a person who has become increasingly, shall we say, concerned about the deepening of the culture wars in our society and the ways in which children’s libraries end up being the battleground for those wars. Children’s books matter; if they didn’t, no one would be trying to censor them. And I’d argue that children’s books about ethics and morality might matter even more than most. The five books I’ve recommended here are, in my opinion, truly among the best. 

Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.

I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.

My author friend, Mary, brought her great, great, great + grandfather’s journal to our writers' group and shared excerpts from the pages written in the 1800s. When her grandfather was window shopping in downtown London, he peered into the bookstore window. He yearned to own the books on display, but he couldn’t afford them on a minister’s income. Only the rich could purchase books. The journal excerpts brought the 1800s to life. I decided then to begin recording my life experiences to make our lives today real for the generations of tomorrow. I share my enthusiasm for telling life stories by presenting workshops on how to write life stories. 

I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.

I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.

Because of the presence of my four beloved grandparents throughout my growing up years, (all four of my grandparents even attended my wedding), I’ve always enjoyed relationships with older people. My comfort with older people translates into my friendships where many of the women in my life are quite a bit older than me. These intergenerational relationships offer wisdom and experience that informs my own life. I hold an M.F.A. in Creative Writing and have written one novel for adults and one for middle-grade readers. My past jobs include being a television engineer, an adjunct professor, and a publishing professional.

I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.