Here are 100 books that The Falcon fans have personally recommended if you like
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Native American spirituality has fascinated me all my life. Watching the sweat lodge, hearing the drums and singing, smelling the wood smoke, burning sage, sweetgrass, and pine tar, I had to know more. I had to participate. When I was invited, I jumped at the chance. I've never had a “religious experience” in the church. The first time that flap shut on the lodge, and I found myself in the pitch dark, the water being poured and instantly vaporized into scalding steam, my skin on fire…that was a religious thing to be sure. When I began reading fictional murder/tribal mysteries, I knew what I wanted to write about. I let the sound of the drum guide me.
I was ashamed to be a white man after reading this account of Native American thoughts and feelings on watching their land, their way of life, slip away.
Just the account of what happened at Wounded Knee, where unarmed Native American men, women, and children were gunned down in the snow, left me sick to my stomach.
This is a non-fiction book that I read on my spiritual journey. I researched several of the accounts in this book because I couldn’t believe they were true. They were.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love America. I was born here, I live here, and I will die here. Like Walt Whitman, I am mad for this place, and I treasure the soil beneath my feet, the water I drink, and the air I breathe. Unfortunately, the soil I love so much has been marinated in the blood of previous generations, the water I drink is filled with the filthy effluent of a greedy, industry-centered culture, and the air I breathe is bitter, choking me with cancer-causing toxins. Why do I care so much about books that describe the destruction of the North American continent? Because the destruction has not stopped!!!!!!!!
The Frontiersmen by Allan Eckert was a life-changing experience for me. I read it as a youth, and Eckert’s compelling writing and meticulous research opened my eyes to just a few of the horrific events that happened right here in my backyard—events that enabled me to have a backyard in North America. This book is history as it should be written: a vivid description of true events without editorializing or interpretation. Eckert was a master storyteller who let the facts speak for themselves, and he is a personal hero of mine.
The frontiersmen were a remarkable breed of men. They were often rough and illiterate, sometimes brutal and vicious, often seeking an escape in the wilderness of mid-America from crimes committed back east. In the beautiful but deadly country which would one day come to be known as West Virginia, Kentucky, Michigan, Ohio, Indiana, and Illinois, more often than not they left their bones to bleach beside forest paths or on the banks of the Ohio River, victims of Indians who claimed the vast virgin territory and strove to turn back the growing tide of whites. These frontiersmen are the subjects…
I love America. I was born here, I live here, and I will die here. Like Walt Whitman, I am mad for this place, and I treasure the soil beneath my feet, the water I drink, and the air I breathe. Unfortunately, the soil I love so much has been marinated in the blood of previous generations, the water I drink is filled with the filthy effluent of a greedy, industry-centered culture, and the air I breathe is bitter, choking me with cancer-causing toxins. Why do I care so much about books that describe the destruction of the North American continent? Because the destruction has not stopped!!!!!!!!
I first fell madly in love with the writing of Allan Eckert when I read The Crossbreed. I’m a cat person, so I was, of course, a sucker for a story about a wild kitten who was a cross between a housecat and a bobcat. Eckert’s descriptive writing enabled me to see North America through the cat’s eyes, and I still cry like a baby every time I think about the poignant ending—not because the story was so sad, but because it was so beautiful. If you have ever wondered what we lost in the destruction of the North American wilderness, just read The Crossbreed.
His mother was a housecat gone wild-a huge, tiger-striped cat who survived almost certain death at the hands of a man intent upon destroying her and her family.
His father was a bobcat-a proud, cunning creature of the Wisconsin countryside, whose tumultuous courtship with her resulted ultimately in his own violent death.
The Crossbreed himself was their largest offspring-the only one that strange litter the feral housecat bore to resemble his sire, even though his markings were those of his mother. His intelligence and ability and the combination of the better attributes of both breeds enabled him to survive in…
I love America. I was born here, I live here, and I will die here. Like Walt Whitman, I am mad for this place, and I treasure the soil beneath my feet, the water I drink, and the air I breathe. Unfortunately, the soil I love so much has been marinated in the blood of previous generations, the water I drink is filled with the filthy effluent of a greedy, industry-centered culture, and the air I breathe is bitter, choking me with cancer-causing toxins. Why do I care so much about books that describe the destruction of the North American continent? Because the destruction has not stopped!!!!!!!!
Once I became obsessed with Allan Eckert’s delicious writing, I read everything he wrote, which is how I happened upon The Silent Sky – The Incredible Extinction of the Passenger Pigeon. Oh my God!!! How did this happen? Why? Passenger pigeons were such an astonishing phenomenon—until we exterminated them. After reading this book, I went to the Cincinnati Zoo and wept before the stuffed corpse of Martha, the last of her kind, and I commissioned a lawn statue of her to serve as a memorial to the billions of her brethren who once filled the skies over my house. What have we done, what have we done...?
This nature novel, by following the hatching and lifetime experiences of the last know wild passenger pigeon, chronicles the life, natural history, and ultimate extinction of this species which was once the most abundant bird species in North America. The last wild bird was killed in 1900; the last captive bird died in 1914.
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I read it in high school, again in college, and still again (twice) as an adult, once aloud to my 3 young daughters over 3 weeks at bedtime. For me, it is the most powerful, frontier-themed American novel out there.
I love a novel that educates me and tells me things I am surprised I didn’t know because I should have, in beautifully constructed sentences.
The dialogue carries its characters so naturally that it is as if you are speaking with them yourself at your main room table in your 18th-century frontier home in Pennsylvania.
A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer…
I’ve written seven books, all along the theme of adventure in one way or another, but my best-known work is that of my novels of the Ojibwe Indians. As a child, I grew up on a farm where my dad discovered scores of arrowheads and artifacts while plowing the fields. This was a deep revelation for me as to the extent of Indian culture and how little we know of its people. In my books, Windigo Moon and The Wolf and The Willow, I try to bring the world of the 1500s and its Native peoples to life.
This fictional account of the life of an English fur trader is a sentimental favorite for me out of my respect for historian Charles Cleland.
Cleland tells the story of Alexander Henry who was captured by the Odawa Indians during the attack on Fort Michillimackinac in 1763. Henry lived among the Indians through the seasons, giving an eye-witness account of their lives as hunter-gatherers. Cleland is better as a historian than a novelist, but this is still a fun read and would also be a good book on any Young Adult list.
Beyond the Far Horizon is based upon the true life story of Alexander Henry, abrave and adventurous young man who, as a fur trader, dared to risk his life andfortune on the vast lakes and in dark forests of the Great Lakes frontier. Henryslife, far from the comforts of the American colonies he left behind, was so dangerousthat he was no stranger to the threat of death. As he pursued his fur trade venture duringthe years between 1760 and 1765, he nearly drowned, starved, and froze to death, andon several occasions, barely escaped being killed by hostile Indians. He was…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
Dee Brown’s landmark 1970 book Bury My Heart at Wounded Knee provided a beautiful and much-needed antidote to the ‘march of the pioneers’ and Manifest Destiny narratives that held sway over much of the history of the western United States from 1850s-1890.
Over time, however, Brown’s book (and more specifically the massacre at Wounded Knee) became calcified as the ‘end point’ of histories about indigenous people. Treuer challenges this perspective by showcasing native resistance, resilience, and flourishing in the wake of Wounded Knee. Indigenous history is deep, varied, and filled with fascinating people and events—Treuer shows us how to find hope and joy in history even though there is also profound pain.
LONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCE
A NEW YORK TIMES BESTSELLER
Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal.
"Chapter after chapter, it's like one shattered myth after another." - NPR
"An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.." - New York Times Book Review, front…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I can never decide which of Erdrich’s books is my favorite, but The Plague of Doves is definitely a major contender. Erdrich’s novelistic style is more like a chorus than a solo: she presents various stories involving different characters in different times, but the stories are in orbit around the central conflict, in this case, a pair of horrific crimes committed long ago. Yet even when the content is dark, her writing is so beautiful that my primary feeling reading it is joy. For me, the title of this book perfectly captures that contradictory experience.
A beautiful, compelling, utterly original new novel from one of the most important American writers of our time, and winner of the National Book Award for Fiction, 2012
Pluto, North Dakota, is a town on the verge of extinction. Here, everybody is connected - by love or friendship, by blood, and, most importantly, by the burden of a shared history.
Growing up on the reservation is Evelina Harp, witty and ambitious, and prone to falling hopelessly in love. Listening to her grandfather's tales, she learns of a horrific crime that has marked both Ojibwe and whites. Nobody understands…
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
As Rebecca Roanhorse put it, Indigenous people on Turtle Island have already survived an apocalypse.
So it’s not surprising that my favourite apocalypse novel centres around a remote Anishinaabe community struggling to survive after a distant and never-fully explained calamity. It’s a prescient story, especially in light of real-life catastrophe that arrived only two years after its publication.
Much apocalyptic and post-apocalyptic fiction focuses on gritty bands of survivors, but Rice provides a scenario that is much more in keeping with how communities actually act during disasters, contrasting the acts of care and mutual aid with the haunting slow decay of the world and the threat posed by violent outsiders.
It’s a multilayered, stunningly crafted realist take on how to keep surviving after the world ends.
Winner of the 2019 OLA Forest of Reading Evergreen Award
Shortlisted for the 2019 John W. Campbell Memorial Award
Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award
2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick
January 2020 Reddit r/bookclub pick of the month
“This slow-burning thriller is also a powerful story of survival…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.
This book gives a nice accounting of American Colonialism and their response to the People who inhabited this country prior to being discovered (sic). I was especially enlightened by the undertaking of explaining the Second Amendment from an understanding of the times and the people. Seeing how the three fears of the times no longer exist.
Even before the Revolutionary War, American colonists feared and fought "merciless Indian savages," and through the following centuries, American law and policy have been molded by the relentless tradition of Indian-hating. From proportional representation and restrictions on the right to bear arms, to the break-up of tribal property rights and the destruction of Indian culture and family, the attacks on tribal governance and people continue and remain endemic. More than just a study of the progression of law, this book balances each chapter's history with the relating of a traditional Anishinaabe story or teaching, providing both context and a roadmap…
