100 Books Like The Eye in the Door

I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.

I am a romantic who believes in love and loves poetry, yet is also fascinated by WWI. I remember watching the movie All Quiet on the Western Front on television with my grandmother on a Saturday afternoon and being completely mesmerized. Over the years since then, I’ve even traveled to Sarajevo, where the assassination of Archduke Ferdinand set the war in motion, and to Gallipoli in Turkey, where a disastrous trench battle took place for almost a year. When I read about WWI Trench Art–art made by the soldiers awaiting battle in the trenches–my fiction writer's imagination was struck by the idea for my book below.

Both of my grandfathers served in WWI. Growing up on their stories, I had a keen interest in WWI. A lover of history, I attended an exhibit at the Smithsonian called The Faces of War that focused on prosthetic masks made by artists during WWI for men whose faces had been mutilated by war. Having always wanted to write a historical novel, I merged my interest in WWI with a newfound passion for these faces of war and wrote Day Lights the Bone (not yet published). The novel is set in a military hospital in Wandsworth, England, during the final months of WWI. I am a professor at Hamline University in St. Paul, MN, where for many years I taught and served as Director of The Creative Writing Programs.

Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.   

I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years.  I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder. 

Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.

From a young age, I was captivated by art, music, film, and literature—constantly craving more from these creative mediums. Growing up in a lower-income, working-class home, I was surrounded by blue-collar workers, many of whom couldn’t attend college due to financial limitations. I learned early on that the richest education comes not just from books but from the stories of others and the world around us. Always feeling I had my own story to tell, I transitioned from steel worker to talent agent in Hollywood. But despite my success promoting others, something was missing—my own narrative. After a tragic loss, I reevaluated my path and chose to become a psychotherapist and author.

A lifelong horror fan, I have always been fascinated by haunted landscapes and creepy buildings. My childhood in the Midlands of England prepared me for my career as a horror writer and filmmaker with its abundance of spooky ruins and foggy canal paths. I have since explored ancient sites all across the U.K. and Europe and my novels are inspired by these field trips into the uncanny, where the contemporary every day rubs shoulders with the ancient and occult. Places become characters in their own right in my work and I think this list of books celebrates that. I hope you find them as disturbing and thought-provoking as I have.

I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.

I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.