Here are 100 books that The Emperor's Children fans have personally recommended if you like
The Emperor's Children.
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Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I was blown away by the sheer scope and precision of the observation in this book. No part of New York life in the 1980s or the then-iconic finance industry is left unexposed. From the pretensions of the plutocrats to the dishonesty of the activists, this book mercilessly skewers it all.
It’s like being in a pleasantly dimly lit room when someone turns on a bright floodlight, and suddenly, you see all the ugliness and tawdriness of the people and things in it. Not for the weak of heart.
An exhilarating satire of Eighties excess that captures the effervescent spirit of New York, from one of the greatest writers of modern American prose
Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down.
Exuberant, scandalous and exceptionally discerning, The Bonfire of the Vanities was Tom Wolfe's first venture into fiction and cemented…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.
A dark psychological thriller, The Snakes is a study of greed, and how feelings of deprivation and jealousy can infect a family and destroy each of its members slowly and painfully, from the inside out. The novel is a slow-burn character portrait (versus, say, plot-driven adventure), but Sadie Jones does a terrific job of pulling you into the story and ratcheting up the tension. In the novel, a recently married couple rents out their London apartment to escape for a few months. Driving through France, they visit the wife’s brother at a hotel he runs. When their parents make a surprise visit, the story—and the family—unravels brilliantly until the final delicious, electrifying ending.
Read the all-consuming story of a family whose worst sins come back to bite them from the #1 Sunday Times bestselling author of The Outcast
'A menacing beautifully written novel' Guardian
'Unsettling, thought-provoking' Heat
Bea and Dan, recently married, rent out their tiny flat to escape London for a few precious months. Driving through France they visit Bea's dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.
When Alex and Bea's parents make a surprise visit, Dan can't understand…
According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.
From the first scene of The Darlings, Christina Alger plunges you into the lives of the fabulously wealthy. The daughter of a Wall Street financier, Alger grew up in this world, and her experience and insight make the book sing. The Darlings is fast-paced and compulsively readable, and the characters are well-drawn and authentic. This novel includes everything I love: financial crimes, shocking scandals, lots of details, and terrific storytelling.
'Cristina Alger's debut novel offers a fresh and modern glimpse into New York's high society. I was hooked from page one' Lauren Weisberger, author of The Devil Wears Prada
From the author of The Banker's Wife and Girls Like Us comes an explosive drama about family, greed and high society scandal.
The Darlings of New York are untouchable. But no one is safe from a scandal this big.
When Carter Darling's business partner commits suicide, it triggers a huge financial investigation.
The allegations are serious. The danger of it exposing their private lives is equally threatening.
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.
Very Cold People is an atmospheric, sharply observed coming-of-age novel set in an old money town called Waitsfield, outside Boston. Ruthie, the narrator, is not wealthy at all, and her story is one of slights, deprivation, and wanting. Everyone is hiding something, including Ruthie and her family, and Sarah Manguso ratchets up the tension as the book unfolds, and their secrets are revealed.
The masterly debut novel from “an exquisitely astute writer” (The Boston Globe), about growing up in—and out of—the suffocating constraints of small-town America.
“Compact and beautiful . . . This novel bordering on a novella punches above its weight.”—The New York Times
“Very Cold People reminded me of My Brilliant Friend.”—The New Yorker
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Good Housekeeping
“My parents didn’t belong in Waitsfield, but they moved there anyway.”
For Ruthie, the frozen town of Waitsfield, Massachusetts, is all she has ever known.
I have lived in the US, and particularly lived and worked in New York, for many years. How the events of 9/11 changed the city, its people, and the perceptions of the people all around the country and the world has always intrigued me. 9/11 has put up a prism through which experiences have emanated out in a kaleidoscopic range of stories. A banker by day and a cynical blogger by night, I have traveled the world and have met many interesting people with compelling backgrounds and have experienced many peculiar and beautiful things. I love to explore the confluence of fascinating narrative arcs and life-altering events.
An American Muslim is chosen blindly by a jury to design a memorial to the 9/11 victims, opening it up to vociferous debates and dissensions, much like the Ground Zero Mosque controversy.
The author uses her vast experience as a New York Times journalist to eloquently describe the warps and wefts of the fabric of New York society, and starts tugging at several threads as it all unravels. The players’ tug-of-war is well portrayed in rich texture, while the politicians’ intent on not letting a good crisis go to waste adds satirical color to the expansive tapestry.
As a creator, one feels that art has no religion and has no boundaries. The axiom is severely tested in the face of rabid nationalism, parochial intolerance, and a media free-for-all.
A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name - and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam.
The memorial's designer is Mohammad Khan, an enigmatic, ambitious architect. His fiercest defender on the jury is its sole widow, the mediagenic Claire Burwell. But when the news of his selection leaks to the press, Claire finds herself under pressure…
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art. The book probes trends that arose in…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I'm a memoir writer whose latest book, Drunk-ish, chronicles my experience getting sober. Before quitting drinking and after, I devoured all the "quit lit" books I could get my hands on despite not being entirely convinced I had an issue. I read to bond and identify with the authors, and the books I'm recommending are a few of my very favorites on the topic of addiction. On my podcast, "For Crying Out Loud," I often share about quitting drinking and addiction in general, and when I do, I find those are some of the most popular episodes. If you're sober, thinking about quitting, or even just like reading books about messed-up boozers, these books are for you.
This is one of my all-time favorite books about alcoholism because it’s hilarious. The title has a double meaning because the book is about the author’s attempt to stop drinking but also because Augusten’s humor is incredibly dry.
I found this book before I ever even entertained the notion that I, too, might have an issue with alcohol, and yet, I loved it. I’ve probably read this book at least 10 times, and it still makes me laugh despite the fact that it’s become all too real for me.
From the New York Times Bestselling author of Running With Scissors comes the story of one man trying to out-drink his memories, outlast his demons, and outrun his past.
“I was addicted to “Bewitched” as a kid. I worshipped Darren Stevens the First. When he’d come home from work and Samantha would say, ‘Darren, would you like me to fix you a drink?’ He’d always rest his briefcase on the table below the mirror in the foyer, wipe his forehead with a monogrammed handkerchief and say, ‘Better make it a double.’” (from Chapter Two)
I left my hometown of Wauwatosa, Wisconsin, at age 18 to attend university in Manhattan, where I started my career in journalism and the media. Since then, I’ve lived in Berlin, Germany; Hong Kong; and now Copenhagen, Denmark, generally moving to advance my career and explore new worlds. Whenever you move to a new place and establish yourself in a new culture, there’s always a learning curve. Helping other women (and men!) adapt to their new environment is why I started the “How to Live in Denmark” podcast, which has now been running for more than 10 years.
This trilogy about a girl who leaves a small New England town to work at a glossy magazine in Manhattan in the 1950s helped me understand the roots of the 1960s feminist culture. Men, including the man she ultimately marries, are simply seen as the authority based on their gender.
I’ll never forget the scene where the protagonist is trying desperately to have a baby, goes to a replacement doctor during summer vacation, and finds out that her primary doctor has been giving her birth control pills disguised as other prescription medicine. “I didn’t think you were ready to be a mother,” the primary doctor tells her later.
The New York Times said that Mary Cantwell, in telling the story of her life, "Makes you discover yourself." Now, gathered in a single volume, are her three beautifully etched, unflinchingly honest memoirs. Cantwell's first book, American Girl, evoked the delights of her youth in a small New England town; her second, Manhattan, When I Was Young, told of her blossoming career in New York, her marriage and her children, and that marriage's decline. Speaking with Strangers finds Cantwell alone, a single mother struggling in the big city, bereft of her husband but bolstered by friends, thriving in her career…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
The book is an engaging memoir about what it was like in the 1950s for a single woman just out of college to balance life and relationships while starting a career in magazine publishing in the Big Apple and follows her career and family relationships through to the 1970s.
Though things like finding an apartment in a trendy neighborhood back then were significantly easier than they are in modern day, the hilarious accounts about the challenges of adapting to small living conditions still ring true.
It’s an entertaining glimpse into the golden age of the print magazine industry, but it’s also a brutally honest account of women’s mental health issues, and what it’s like to seemingly have it all but still feel the constraints imposed by choosing to live in NYC. Any aspiring writer should read this book.
Mary Cantwell arrived in Manhattan one summer in the early 1950s with $80, a portable typewriter, a wardrobe of unsuitable clothes, a copy of The Poems of Gerard Manley Hopkins, a boyfriend she was worried might be involved with the Communists and no idea how to live on her own. She moved to the Village because she had heard of it and worked at Mademoiselle because that was where the employment agency sent her.
In this evocative unflinching book Cantwell recalls the city she knew then by revisiting five apartments in which she lived. Her memoir vividly recreates both a…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I have read over 50 zombie novels and watched pretty much every zombie movie available to me. I write horror and a lot doesn’t really scare me anymore. The books I’ve listed are some of the ones that have stuck with me and gave me nightmares. My favorite zombie movies are the Norwegian film Dead Snow, Train to Busan, and REC (so scary as it added religion to the mix). I read a lot of zombie novels as research for my own zombie novels as I want my books to present new ideas that aren’t readily available, or overused.
I recommend this series because it was the first that I read where there were intelligent zombies. I also found it fascinating that this series realized that humans could be the monsters, even in a zombie outbreak. There are a lot of people who continue to get excited at the thought of a zombie outbreak, but I am not excited because I worry that the human monsters will be more frightening.
It's one month after a global disaster. The most "developed" nations of the world have fallen to the shambling zombie masses. Only a few pockets of humanity survive -- in places rife with high-powered weaponry, such as Somalia. In New York City, the dead walk the streets, driven by an insatiable hunger for all things living. One amongst them is different; though he shares their appetites he has retained his human intelligence. Alone among the mindless zombies, Gary Fleck is an eyewitness to the end of the world -- and perhaps the evil genius behind it all. From the other…
