Here are 100 books that The Duke of Wellington, Kidnapped! fans have personally recommended if you like
The Duke of Wellington, Kidnapped!.
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Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
David Gill is the leading authority on antiquities looting and the legitimate institutions that trade in it. This collection of essays, most published first in The Journal of Art Crime, is as good an introduction as any to the dark side of the antiquities trade.
Context Matters is a volume of essays on the illicit trade in antiquities, the ownership of cultural heritage and issues in archaeology. It is based on the twenty essays contributed to the Journal of Art Crime over its first ten years of publication. The contributions are supplemented by articles and review articles that were published alongside them. The chapters were written as museums in Europe and North America were facing a series of claims on recently acquired objects in their collections in the light of the photographic dossiers that had been seized from dealers in Switzerland and Greece. They engage…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
When I first started out, there were very few books ever written about the study of art crime. Tijhuis was one of the few authorities, approaching it from a criminological perspective. This is a really strong academic survey of the phenomenon, perfect for those interested in the intersection of criminology and art.
How does transnational crime interact with legal companies andgovernments? Are legal actors primarily victimized by transnationalcriminals or are the two connected by collaborative relationships? Andhow are these crimes often transformed into legitimate activities?This book seeks to answer these and related questions. Its main topicis the translational illicit art and antiquities trade, based on a thoroughempirical study of data gathered in France, Italy, the Netherlands andother places around the world. The reader will encounter a large numberof case studies, from auction houses selling looted antiquities to violentrobberies of museums and castles, and much more.Added to this is an analysis of the…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
This book reads like a novel but tells the true story (one of the authors was personally involved in the adventures) of one of the most famous lost art collections of all-time. Over 400 paintings were once owned by Erich Slomovic, a Serbian Jewish collection based in Paris, who was killed in a concentration camp during the Second World War. Most of his collection remains lost, its whereabouts unknown. This book is unusually written in that it really feels like a Dickensian novel but it’s based on the best available scholarship and research.
There are countless stories of buried, hidden, lost and then “exhumed” artworks, preserved thanks to having been hidden. The Croatian Jew Erich Šlomovič possessed an art collection of around 600 paintings, including works by Picasso, Chagall and Matisse, which he acquired while working in Paris in his early twenties as the protégé of the art dealer Ambroise Vollard. When Šlomovič fled Paris in anticipation of the Nazi invasion, he placed 190 paintings in a bank vault, while the rest were boxed up and smuggled across Nazi-occupied territories with the assistance of the Yugoslav Embassy, eventually to be brought to Belgrade.…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
This book is part philosophy, part on art and forgery. Most approaches, my own included, to art forgery are art historical and criminological. This one is readable and thoughtful and fun but focuses on the big ideas behind the scenes.
The obsession with art forgery appears to be a relatively recent phenomenon. In Art Forgery, the author's aim is not to suggest new methods of detection, but rather to look at the genealogy of faking and to interrogate the anxious, sometimes neurotic, reactions triggered in the modern world of art by these clever frauds. Thierry Lenain considers the idea of authenticity in the Middle Ages, when the issue of false relics and miracles often arose: if a relic gave rise to a cult, it would be considered as genuine even if it had evidently been 'forged'. Similarly, the seventeenth and…
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
Ian Pears is an erudite art historian who has written prolifically on artistic, historical, and financial topics.
In his series about the fictional Italian Art Squad in Rome, he gives us General Tadeo Bottando who is fighting a losing battle to protect the heritage and art of Italy. He is a military man who expects his subordinates to respect his position and wisdom, but Flavia de Stefano, his second-in-command, is distressingly off-hand in her treatment of the man.
In Death and Restoration, the General has just received a tip about a planned raid of a nearby monastery. It doesn’t make sense, there’s nothing valuable in the monastery’s collection, except for the endearing art thief, called the “Rotweiler of Restoration,” who is restoring the only important piece, a painting by Caravaggio and a tiny dusty icon of a Madonna. She’s called “My Lady” is believed to have protected the church…
General Bottando can't believe his rotten luck. He has just been promoted--to a position that's heavy on bureaucratic duties-but disturbingly light on investigative responsibilities. As if that wasn't annoying enough, he's received a tip about a planned raid at a nearby monastery. He's relying on his colleague Flavia di Stefano and her art-expert fiance, Jonathan Argyll, to thwart the plot-but both are beyond baffled. The only valuable item in the monastery's art collection is a supposed Caravaggio that's currently being restored. There are no solid suspects-unless you count the endearing art thief, the flagrantly flamboyant "Rottweiler of Restoration," and the…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
I chose photo books for my list because I often use photos to help me as I write—either to construct a scene or to provide detail. Because my books are set against the backdrop of the Monuments Men’s work, this book was really the starting point for my writing the trilogy.
Edsel presents a methodical overview of the vast scope of Nazi art theft in Europe, the destruction wrought on its monuments, and the enormous task of restitution and rebuilding. Seeing the sheer quantity of looted art stacked ceiling-high in endless rows and the faces of the men and women charged with making it right helped me put their work into my fictional work.
From the #1 New York Times bestselling author of The Monuments Men, which is now a major motion picture directed by and starring George Clooney, Rescuing Da Vinci uses 460 photographs to tell the story of the Monuments Men.
The Monuments Men were a group of 345 or so men and women from thirteen nations who comprised the Monuments, Fine Arts, and Archives section during World War II. Many were museum directors, curators, art historians and educators. Together they worked to protect monuments and other cultural treasures from the destruction of World War II. In the last year of the…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
Without the Monuments Men, the artworks plundered by the Nazis might never have been recovered. A lot might still be missing.
The Monuments Men were art experts, scholars, and historians who had volunteered for a specially-formed military unit. They followed the Allied armies through Europe and made sure no historical monuments or irreplaceable artworks were inadvertently destroyed. Using Rose Valland’s notes from the Jeu de Paume, they tracked down stolen treasures in castles, monasteries, and even a salt mine!
Engaging and well-written, this book is a must-read. I borrowed it from the library, but ended up buying my own copy. I had to have it!
Now a major film starring GEORGE CLOONEY, MATT DAMON, CATE BLANCHETT, BILL MURRAY, JOHN GOODMAN, HUGH BONNEVILLE, BOB BALABAN, JEAN DUJARDIN and DIMITRI LEONIDAS. What if I told you that there was an epic story about World War II that has not been told, involving the most unlikely group of heroes? What if I told you there was a group of men on the front lines who didn't carry machine guns or drive tanks; a new kind of soldier, one charged with saving, not destroying. From caves to castles in a thrilling race against time, these men risked their lives…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I can't resist a good pun, so this book had me with the title. I found plenty to make me grin in the middle of the action, and I couldn't help rooting for Serena as she tried to prove herself on the job as a new FBI field agent and resist her mother's matchmaking.
I love a story where a quirky support character adds complications, and Serena's Aunt Martha is a hoot. And I like the hint of a coming romance, although I like both men in Serena's life and don't want to see either of them hurt.
Serena Jones has a passion for recovering lost and stolen art--one that's surpassed only by her zeal to uncover the truth about the art thief who murdered her grandfather. She's joined the FBI Art Crime Team with the secret hope that one of her cases will lead to his killer. Now, despite her mother's pleas to do something safer--like get married--Serena's learning how to go undercover to catch thieves and black market traders.
When a local museum discovers an irreplaceable Monet missing, Jones leaps into action. The clues point in different directions, and her boss orders her to cease investigating…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Every novel Peter Carey writes is a rollicking adventure and this one is no exception. I love his way with words that is always original, and his idiosyncratic characters.
Theft tells the story of Michael "Butcher" Boone, an Australian artist whose career is in the doldrums. The novel alternates between the viewpoint of Butcher and that of his "damaged" brother Hugh. And yes, there is theft in the novel,…and scams and forgeries too. This is my favourite of all Carey’s novels.
Michael "Butcher" Boone is an ex-“really famous" painter, now reduced to living in a remote country house and acting as caretaker for his younger brother, Hugh. Alone together they've forged a delicate equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives. Beautiful, smart, and ambitious, she's also the daughter-in-law of the late great painter Jacques Liebovitz. Soon Marlene sets in motion a chain of events that could be the making--or the ruin--of them all.
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
