Here are 100 books that The Duke of Wellington, Kidnapped! fans have personally recommended if you like
The Duke of Wellington, Kidnapped!.
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Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
David Gill is the leading authority on antiquities looting and the legitimate institutions that trade in it. This collection of essays, most published first in The Journal of Art Crime, is as good an introduction as any to the dark side of the antiquities trade.
Context Matters is a volume of essays on the illicit trade in antiquities, the ownership of cultural heritage and issues in archaeology. It is based on the twenty essays contributed to the Journal of Art Crime over its first ten years of publication. The contributions are supplemented by articles and review articles that were published alongside them. The chapters were written as museums in Europe and North America were facing a series of claims on recently acquired objects in their collections in the light of the photographic dossiers that had been seized from dealers in Switzerland and Greece. They engage…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
When I first started out, there were very few books ever written about the study of art crime. Tijhuis was one of the few authorities, approaching it from a criminological perspective. This is a really strong academic survey of the phenomenon, perfect for those interested in the intersection of criminology and art.
How does transnational crime interact with legal companies andgovernments? Are legal actors primarily victimized by transnationalcriminals or are the two connected by collaborative relationships? Andhow are these crimes often transformed into legitimate activities?This book seeks to answer these and related questions. Its main topicis the translational illicit art and antiquities trade, based on a thoroughempirical study of data gathered in France, Italy, the Netherlands andother places around the world. The reader will encounter a large numberof case studies, from auction houses selling looted antiquities to violentrobberies of museums and castles, and much more.Added to this is an analysis of the…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
This book reads like a novel but tells the true story (one of the authors was personally involved in the adventures) of one of the most famous lost art collections of all-time. Over 400 paintings were once owned by Erich Slomovic, a Serbian Jewish collection based in Paris, who was killed in a concentration camp during the Second World War. Most of his collection remains lost, its whereabouts unknown. This book is unusually written in that it really feels like a Dickensian novel but it’s based on the best available scholarship and research.
There are countless stories of buried, hidden, lost and then “exhumed” artworks, preserved thanks to having been hidden. The Croatian Jew Erich Šlomovič possessed an art collection of around 600 paintings, including works by Picasso, Chagall and Matisse, which he acquired while working in Paris in his early twenties as the protégé of the art dealer Ambroise Vollard. When Šlomovič fled Paris in anticipation of the Nazi invasion, he placed 190 paintings in a bank vault, while the rest were boxed up and smuggled across Nazi-occupied territories with the assistance of the Yugoslav Embassy, eventually to be brought to Belgrade.…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
This book is part philosophy, part on art and forgery. Most approaches, my own included, to art forgery are art historical and criminological. This one is readable and thoughtful and fun but focuses on the big ideas behind the scenes.
The obsession with art forgery appears to be a relatively recent phenomenon. In Art Forgery, the author's aim is not to suggest new methods of detection, but rather to look at the genealogy of faking and to interrogate the anxious, sometimes neurotic, reactions triggered in the modern world of art by these clever frauds. Thierry Lenain considers the idea of authenticity in the Middle Ages, when the issue of false relics and miracles often arose: if a relic gave rise to a cult, it would be considered as genuine even if it had evidently been 'forged'. Similarly, the seventeenth and…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I can't resist a good pun, so this book had me with the title. I found plenty to make me grin in the middle of the action, and I couldn't help rooting for Serena as she tried to prove herself on the job as a new FBI field agent and resist her mother's matchmaking.
I love a story where a quirky support character adds complications, and Serena's Aunt Martha is a hoot. And I like the hint of a coming romance, although I like both men in Serena's life and don't want to see either of them hurt.
Serena Jones has a passion for recovering lost and stolen art--one that's surpassed only by her zeal to uncover the truth about the art thief who murdered her grandfather. She's joined the FBI Art Crime Team with the secret hope that one of her cases will lead to his killer. Now, despite her mother's pleas to do something safer--like get married--Serena's learning how to go undercover to catch thieves and black market traders.
When a local museum discovers an irreplaceable Monet missing, Jones leaps into action. The clues point in different directions, and her boss orders her to cease investigating…
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.
Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.
Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.
One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working…
Art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Every novel Peter Carey writes is a rollicking adventure and this one is no exception. I love his way with words that is always original, and his idiosyncratic characters.
Theft tells the story of Michael "Butcher" Boone, an Australian artist whose career is in the doldrums. The novel alternates between the viewpoint of Butcher and that of his "damaged" brother Hugh. And yes, there is theft in the novel,…and scams and forgeries too. This is my favourite of all Carey’s novels.
Michael "Butcher" Boone is an ex-“really famous" painter, now reduced to living in a remote country house and acting as caretaker for his younger brother, Hugh. Alone together they've forged a delicate equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives. Beautiful, smart, and ambitious, she's also the daughter-in-law of the late great painter Jacques Liebovitz. Soon Marlene sets in motion a chain of events that could be the making--or the ruin--of them all.
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
Ian Pears is an erudite art historian who has written prolifically on artistic, historical, and financial topics.
In his series about the fictional Italian Art Squad in Rome, he gives us General Tadeo Bottando who is fighting a losing battle to protect the heritage and art of Italy. He is a military man who expects his subordinates to respect his position and wisdom, but Flavia de Stefano, his second-in-command, is distressingly off-hand in her treatment of the man.
In Death and Restoration, the General has just received a tip about a planned raid of a nearby monastery. It doesn’t make sense, there’s nothing valuable in the monastery’s collection, except for the endearing art thief, called the “Rotweiler of Restoration,” who is restoring the only important piece, a painting by Caravaggio and a tiny dusty icon of a Madonna. She’s called “My Lady” is believed to have protected the church…
General Bottando can't believe his rotten luck. He has just been promoted--to a position that's heavy on bureaucratic duties-but disturbingly light on investigative responsibilities. As if that wasn't annoying enough, he's received a tip about a planned raid at a nearby monastery. He's relying on his colleague Flavia di Stefano and her art-expert fiance, Jonathan Argyll, to thwart the plot-but both are beyond baffled. The only valuable item in the monastery's art collection is a supposed Caravaggio that's currently being restored. There are no solid suspects-unless you count the endearing art thief, the flagrantly flamboyant "Rottweiler of Restoration," and the…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
I chose photo books for my list because I often use photos to help me as I write—either to construct a scene or to provide detail. Because my books are set against the backdrop of the Monuments Men’s work, this book was really the starting point for my writing the trilogy.
Edsel presents a methodical overview of the vast scope of Nazi art theft in Europe, the destruction wrought on its monuments, and the enormous task of restitution and rebuilding. Seeing the sheer quantity of looted art stacked ceiling-high in endless rows and the faces of the men and women charged with making it right helped me put their work into my fictional work.
From the #1 New York Times bestselling author of The Monuments Men, which is now a major motion picture directed by and starring George Clooney, Rescuing Da Vinci uses 460 photographs to tell the story of the Monuments Men.
The Monuments Men were a group of 345 or so men and women from thirteen nations who comprised the Monuments, Fine Arts, and Archives section during World War II. Many were museum directors, curators, art historians and educators. Together they worked to protect monuments and other cultural treasures from the destruction of World War II. In the last year of the…
