Here are 100 books that The Duke of Wellington, Kidnapped! fans have personally recommended if you like
The Duke of Wellington, Kidnapped!.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
David Gill is the leading authority on antiquities looting and the legitimate institutions that trade in it. This collection of essays, most published first in The Journal of Art Crime, is as good an introduction as any to the dark side of the antiquities trade.
Context Matters is a volume of essays on the illicit trade in antiquities, the ownership of cultural heritage and issues in archaeology. It is based on the twenty essays contributed to the Journal of Art Crime over its first ten years of publication. The contributions are supplemented by articles and review articles that were published alongside them. The chapters were written as museums in Europe and North America were facing a series of claims on recently acquired objects in their collections in the light of the photographic dossiers that had been seized from dealers in Switzerland and Greece. They engage…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
When I first started out, there were very few books ever written about the study of art crime. Tijhuis was one of the few authorities, approaching it from a criminological perspective. This is a really strong academic survey of the phenomenon, perfect for those interested in the intersection of criminology and art.
How does transnational crime interact with legal companies andgovernments? Are legal actors primarily victimized by transnationalcriminals or are the two connected by collaborative relationships? Andhow are these crimes often transformed into legitimate activities?This book seeks to answer these and related questions. Its main topicis the translational illicit art and antiquities trade, based on a thoroughempirical study of data gathered in France, Italy, the Netherlands andother places around the world. The reader will encounter a large numberof case studies, from auction houses selling looted antiquities to violentrobberies of museums and castles, and much more.Added to this is an analysis of the…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
This book reads like a novel but tells the true story (one of the authors was personally involved in the adventures) of one of the most famous lost art collections of all-time. Over 400 paintings were once owned by Erich Slomovic, a Serbian Jewish collection based in Paris, who was killed in a concentration camp during the Second World War. Most of his collection remains lost, its whereabouts unknown. This book is unusually written in that it really feels like a Dickensian novel but it’s based on the best available scholarship and research.
There are countless stories of buried, hidden, lost and then “exhumed” artworks, preserved thanks to having been hidden. The Croatian Jew Erich Šlomovič possessed an art collection of around 600 paintings, including works by Picasso, Chagall and Matisse, which he acquired while working in Paris in his early twenties as the protégé of the art dealer Ambroise Vollard. When Šlomovič fled Paris in anticipation of the Nazi invasion, he placed 190 paintings in a bank vault, while the rest were boxed up and smuggled across Nazi-occupied territories with the assistance of the Yugoslav Embassy, eventually to be brought to Belgrade.…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
This book is part philosophy, part on art and forgery. Most approaches, my own included, to art forgery are art historical and criminological. This one is readable and thoughtful and fun but focuses on the big ideas behind the scenes.
The obsession with art forgery appears to be a relatively recent phenomenon. In Art Forgery, the author's aim is not to suggest new methods of detection, but rather to look at the genealogy of faking and to interrogate the anxious, sometimes neurotic, reactions triggered in the modern world of art by these clever frauds. Thierry Lenain considers the idea of authenticity in the Middle Ages, when the issue of false relics and miracles often arose: if a relic gave rise to a cult, it would be considered as genuine even if it had evidently been 'forged'. Similarly, the seventeenth and…
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
The settings of this book are Rome, Paris, and London, three of my favorite European cities. The missing Masterpieces are by Caravaggio and Malevich, two of my favorite painters. The author is the founding director of the Association for Research into Crimes against Art (ARCA) and holds a degree in art history, so he knows what he is writing about, and the book contains fascinating details art historical details, but also deep insights into the field or art forgery and international art theft. Enough to keep you glued to your seat for hours.
The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe. Fitting the pieces together as they follow a trail of bluffs and double-bluffs, bizarre clues and intellectual puzzles, Inspector Jean-Jacques Bizot in Paris and Harry Wickenden of Scotland Yard come to realize that what at first appears a spate of random thefts is all part of a single master plan, and that they are being led ever deeper into a baffling conspiracy.
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I’d been working on my novel when I heard about the publication of The Artist’s Portrait. I at once read it because I adore the topic and also because I wanted to make sure I wasn’t writing about material that was too similar (it wasn’t!).
In Julie Keys’ beautiful novel, we see why there’ve been so few women artists… and we also get a good dose of excitement as there is murder and mystery too.
'An intriguing read with compelling descriptions of early 20th-century Sydney in all its squalor, debauchery and fascinating historical detail.' Who Weekly
'a brisk, original tale written with verve' Mud Literary Prize judging committee
A story about art, murder, and making your place in history.
Whatever it was that drew me to Muriel, it wasn't her charm.
In 1992, morning sickness drives Jane to pre-dawn walks of her neighbourhood where she meets an unfriendly woman who sprays her with a hose as she passes by. When they do talk: Muriel Kemp eyes my pregnant…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Some people read mysteries to figure out who did it. Not me. I read mysteries (several a week) because they are full of contradictions, lies and truths, and humans making hard and sometimes stupid decisions. I lean toward mysteries that are literary in writing quality with quirky, complicated characters; a good sense of humor; and diverse settings. In my cozy Minnesota mystery series featuring Maya Skye, I am interested in the contradiction of a yoga teacher who is dedicated to seeking inner peace and yet drawn to mayhem. As Maya says, “We may try to follow the path, but life isn’t all Minnesota nice.”
Estelle Ryan writes mysteries set in France with a most unusual sleuth: autistic insurance investigator Dr. Genevieve Lenard. I am fascinated by how Lenard, a world-renowned expert on nonverbal communication, navigates both her personal and professional lives as she tracks down art thieves. She is a human lie detector who can’t bear to be touched and who, when upset, goes into autistic meltdowns in which she writes classical music in her head. I go to Ryan’s website to see the artwork and listen to the music featured in each book. Lenard also has a quirky team of sidekicks that I adore and that bring humanity to Lenard’s sheltered life: a former art thief, a hacker, a cop, and a tough guy.
Despite her initial disbelief, Doctor Genevieve Lenard discovers that she is the key that connects stolen works of art, ciphers and sinister threats.
Betrayed by the people who called themselves her friends, Genevieve throws herself into her insurance investigation job with autistic single-mindedness. When hacker Francine appears beaten and bloodied on her doorstep, begging for her help, Genevieve is forced to get past the hurt of her friends’ abandonment and team up with them to find the perpetrators.
Little does she know that it will take her on a journey through not one,…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Every novel Peter Carey writes is a rollicking adventure and this one is no exception. I love his way with words that is always original, and his idiosyncratic characters.
Theft tells the story of Michael "Butcher" Boone, an Australian artist whose career is in the doldrums. The novel alternates between the viewpoint of Butcher and that of his "damaged" brother Hugh. And yes, there is theft in the novel,…and scams and forgeries too. This is my favourite of all Carey’s novels.
Michael "Butcher" Boone is an ex-“really famous" painter, now reduced to living in a remote country house and acting as caretaker for his younger brother, Hugh. Alone together they've forged a delicate equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives. Beautiful, smart, and ambitious, she's also the daughter-in-law of the late great painter Jacques Liebovitz. Soon Marlene sets in motion a chain of events that could be the making--or the ruin--of them all.
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Noah Charney is an art historian and has written several interesting books that I have read. Even though this book, Stealing the Mystic Lamb, came out too late for my novel, the “altarpiece” of my book is in fact the “Mystic Lamb” otherwise known as the Ghent Altarpiece. My quasi-obsession with this monumental piece of art is matched by Charney and he describes how often it has been stolen and nearly destroyed. No other piece of art has had a history quite like this one.
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the fascinating stories of each of these thefts. Charney also explores psychological…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
I chose photo books for my list because I often use photos to help me as I write—either to construct a scene or to provide detail. Because my books are set against the backdrop of the Monuments Men’s work, this book was really the starting point for my writing the trilogy.
Edsel presents a methodical overview of the vast scope of Nazi art theft in Europe, the destruction wrought on its monuments, and the enormous task of restitution and rebuilding. Seeing the sheer quantity of looted art stacked ceiling-high in endless rows and the faces of the men and women charged with making it right helped me put their work into my fictional work.
From the #1 New York Times bestselling author of The Monuments Men, which is now a major motion picture directed by and starring George Clooney, Rescuing Da Vinci uses 460 photographs to tell the story of the Monuments Men.
The Monuments Men were a group of 345 or so men and women from thirteen nations who comprised the Monuments, Fine Arts, and Archives section during World War II. Many were museum directors, curators, art historians and educators. Together they worked to protect monuments and other cultural treasures from the destruction of World War II. In the last year of the…
