Books like The Drama of Fallen France

I like very much the monumental book of Julian Jackson on Vichy and the French Occupation.

Despite its length, Jackson’s book remains engaging throughout. The book delves first into the formative years of Vichy. It sheds light on the political tensions that preceded this period. It elucidates how individuals from various political backgrounds were drawn to this attractive vision of societal rejuvenation. It emphasizes the unclear limits between right and wrong during this challenging era.

The book is very important both for students and researchers.

I enthusiastically recommend Legacies of Anti-Semitism in France, a must-read for those intrigued by the complex interplay of literature, history, and cultural context.

This book provides an insightful exploration of the writings of four influential figures—Maurice Blanchot, Jacques Lacan, Jean Giraudoux, and Andre Gide—in the context of France's pre-World War II history of anti-Jewish thought. Mehlman's essays dive into a range of fascinating topics, from Blanchot's unique conception of literature to Lacan's distinctive style, Giraudoux's connection to Racine, and the intricacies of sexual politics in Gide's work.

I found Mehlman's insights into Giraudoux particularly enlightening. Especially his analysis of The Madwoman of Chaillot broadens our understanding of how historical context shapes literary works, offering invaluable perspectives on the intellectual history of contemporary France.

The banquiers that the Madwoman of Chaillot kills in the 1942 play are openly described as Jews in a 1938 Giraudoux’s text: Pleins Pouvoirs. Don't miss the… show more.

Cinema of Paradox is a captivating journey into the intricate world of French cinema during the challenging years of the Nazi occupation of France. This book offers a unique window into a period when the French film industry not only survived but flourished, producing enduring classics like Carne's Children of Paradise.

Evelyn Ehrlich's meticulous exploration guides us through the tapestry of French filmmaking from the outbreak of World War II in 1939 to the liberation of France in 1944. What sets this book apart is its comprehensive approach, delving into the political, cultural, and social context that shaped the cinematic landscape in occupied France. It also sheds light on the occupiers' perspective, revealing the surprising encouragement from the Nazis for the French to maintain their high cinematic standards for their own purposes.

Though the book doesn’t approach the problem of veiled representations of Jewish characters in French cinema, Cinema of… show more.

This book is not directly linked with my research, but it shows how financial interests can influence artistic works. It especially shows the critical role of the producer in the messages brought by a film.

The Collaboration reveals a hidden chapter of Hollywood's past. Ben Urwand shows the complex relationship between Hollywood and Nazi Germany during a time when cinema was at its zenith. The book discovers a very disturbing reality. Major Hollywood studios, despite many of them being led by Jewish executives, made secret agreements with Nazi authorities to avoid depicting Germany unfavorably or addressing the persecution of Jews.

Urwand's diligent research, backed by letters, memos, and historical accounts, paints a picture of compromise on the part of Hollywood producers during that period of history, which preferred their financial interests over their moral duties.

This book stayed with me for days. I love color.

Susan Vreeland is also entranced by color, artistic creativity, and the transformative power of art. In Lisette’s List, the author portrays Impressionist and Post-Impressionist art by way of the fictional character, Lisette, in Provence, during WWII and the years after as France returns to ‘normal.’ She quotes Paul Cezanne, “Art is a religion.

Its goal is the elevation of thought,” Camille Pissarro, “Blessed are they who see beautiful things in humble places where other people see nothing,” and Marc Chagall, “Art seems to me to be a state of soul more than anything else. Color is all. When color is right, form is right. Color is everything.”

Vreeland paints a story with words of color, of resilience, and of hope.

First published in 1972, this book significantly altered the views of French collaboration with the Nazi German occupiers during the Second World War. During the immediate postwar years, many in France maintained that the Vichy government of Marshal Philippe Pétain and its supporters had done everything possible to resist and subvert the German occupiers and that the Resistance and the Pétain government had been part of the same struggle, the “sword and shield” of France against the German occupiers. Writing at a time when most relevant French archives were closed to historians and using German archival material that was captured during the war, Paxton showed that contrary to the Vichy government’s being a shield, it had in fact more actively supported the Germans while establishing an authoritarian government aligned in many ways with Nazi Germany and Fascist Italy. This book altered French views of the war to the point where… show more.

After reading Susan Lynn Meyer’s book I sought her out. I didn’t expect a response, I needed to tell her how much I appreciated her book and how I adored the bond she had with her characters. It felt like she was sharing a family story. She validated my theory. Her book is based on her family’s history. Gustave is a French Jewish boy living in Paris at the beginning of the book. He watches and documents the Nazi party taking over Europe. She shares precise small details…you feel connected to what’s going on in Gustave’s life. You understand his fears as they move to a “safer” part of France. 

Making Cojot, a documentary about a Parisian business consultant who hunted down former Gestapo commander Klaus Barbie, prompted me to closely examine Vichy. This French national administration went out of its way to appease its Nazi occupiers during World War II. But the more answers I dug up, the more questions I had. Verdict on Vichy filled in many of the gaps. For instance, it provided a possible explanation as to why the judges presiding over Barbie’s 1987 trial in Lyon granted his request to sit out the proceedings, thus depriving his victims’ families the opportunity to look him in the eyes as they recounted some of his crimes against humanity. The judges might have pounced at the chance to hide Barbie, who was reportedly ready to spill the beans about French leaders such as then-President François Mitterrand who collaborated with the Nazis. Michael Curtis went to great lengths… show more.

Set in Nazi-occupied Paris, The Paris Architect tells the most unusual story about an up-and-coming architect named Lucian who is offered a financially lucrative deal... but it’s a dangerous deal and one he doesn’t fully believe in. Forced to choose between safety or money, an envelope stuffed with his first payment emboldens his decision and creates a no-turning-back scenario.  

Set in the 1930s and 1940s, Charles Belfoure’s captivating writing will make you think about the past and wonder about other unsung heroes of that time.

The first book to read on this subject. An accessible, expert synthesis of refugee experiences based on many accounts, including interviews, but focused on eight that contain extensive, significant detail (all by Paris residents, Léon Werth among them). Diamond concludes that Philippe Pétain leveraged refugees' suffering to propagandize for military capitulation and the legitimacy of his regime.