100 Books Like The Drama of Fallen France

I like very much the monumental book of Julian Jackson on Vichy and the French Occupation.

Despite its length, Jackson’s book remains engaging throughout. The book delves first into the formative years of Vichy. It sheds light on the political tensions that preceded this period. It elucidates how individuals from various political backgrounds were drawn to this attractive vision of societal rejuvenation. It emphasizes the unclear limits between right and wrong during this challenging era.

The book is very important both for students and researchers.

I enthusiastically recommend Legacies of Anti-Semitism in France, a must-read for those intrigued by the complex interplay of literature, history, and cultural context.

This book provides an insightful exploration of the writings of four influential figures—Maurice Blanchot, Jacques Lacan, Jean Giraudoux, and Andre Gide—in the context of France's pre-World War II history of anti-Jewish thought. Mehlman's essays dive into a range of fascinating topics, from Blanchot's unique conception of literature to Lacan's distinctive style, Giraudoux's connection to Racine, and the intricacies of sexual politics in Gide's work.

I found Mehlman's insights into Giraudoux particularly enlightening. Especially his analysis of The Madwoman of Chaillot broadens our understanding of how historical context shapes literary works, offering invaluable perspectives on the intellectual history of contemporary France.

The banquiers that the Madwoman of Chaillot kills in the 1942 play are openly described as Jews in a 1938 Giraudoux’s text: Pleins Pouvoirs. Don't miss the… show more.

Cinema of Paradox is a captivating journey into the intricate world of French cinema during the challenging years of the Nazi occupation of France. This book offers a unique window into a period when the French film industry not only survived but flourished, producing enduring classics like Carne's Children of Paradise.

Evelyn Ehrlich's meticulous exploration guides us through the tapestry of French filmmaking from the outbreak of World War II in 1939 to the liberation of France in 1944. What sets this book apart is its comprehensive approach, delving into the political, cultural, and social context that shaped the cinematic landscape in occupied France. It also sheds light on the occupiers' perspective, revealing the surprising encouragement from the Nazis for the French to maintain their high cinematic standards for their own purposes.

Though the book doesn’t approach the problem of veiled representations of Jewish characters in French cinema, Cinema of… show more.

This book is not directly linked with my research, but it shows how financial interests can influence artistic works. It especially shows the critical role of the producer in the messages brought by a film.

The Collaboration reveals a hidden chapter of Hollywood's past. Ben Urwand shows the complex relationship between Hollywood and Nazi Germany during a time when cinema was at its zenith. The book discovers a very disturbing reality. Major Hollywood studios, despite many of them being led by Jewish executives, made secret agreements with Nazi authorities to avoid depicting Germany unfavorably or addressing the persecution of Jews.

Urwand's diligent research, backed by letters, memos, and historical accounts, paints a picture of compromise on the part of Hollywood producers during that period of history, which preferred their financial interests over their moral duties.

This book stayed with me for days. I love color.

Susan Vreeland is also entranced by color, artistic creativity, and the transformative power of art. In Lisette’s List, the author portrays Impressionist and Post-Impressionist art by way of the fictional character, Lisette, in Provence, during WWII and the years after as France returns to ‘normal.’ She quotes Paul Cezanne, “Art is a religion.

Its goal is the elevation of thought,” Camille Pissarro, “Blessed are they who see beautiful things in humble places where other people see nothing,” and Marc Chagall, “Art seems to me to be a state of soul more than anything else. Color is all. When color is right, form is right. Color is everything.”

Vreeland paints a story with words of color, of resilience, and of hope.

First published in 1972, this book significantly altered the views of French collaboration with the Nazi German occupiers during the Second World War. During the immediate postwar years, many in France maintained that the Vichy government of Marshal Philippe Pétain and its supporters had done everything possible to resist and subvert the German occupiers and that the Resistance and the Pétain government had been part of the same struggle, the “sword and shield” of France against the German occupiers. Writing at a time when most relevant French archives were closed to historians and using German archival material that was captured during the war, Paxton showed that contrary to the Vichy government’s being a shield, it had in fact more actively supported the Germans while establishing an authoritarian government aligned in many ways with Nazi Germany and Fascist Italy. This book altered French views of the war to the point where… show more.

After reading Susan Lynn Meyer’s book I sought her out. I didn’t expect a response, I needed to tell her how much I appreciated her book and how I adored the bond she had with her characters. It felt like she was sharing a family story. She validated my theory. Her book is based on her family’s history. Gustave is a French Jewish boy living in Paris at the beginning of the book. He watches and documents the Nazi party taking over Europe. She shares precise small details…you feel connected to what’s going on in Gustave’s life. You understand his fears as they move to a “safer” part of France. 

Whereas historians and others in postwar France focused on French resistance to Nazi Germany during their Second World War occupation (1940-1944) relatively few in wartime France did in fact actively resist the Germans. Instead, while some in France either collaborated with the Germans after France’s defeat in 1940, many and arguably the majority chose a more passive accommodation to German supremacy. Especially in the early years of the occupation, French civilians often found the German soldiers more polite and seemingly respectful of the country they had just conquered than had been France’s British allies. Many in France, artists, intellectuals, business, and labor leaders, as well as military and clergy, were quite willing to accept German rule. Some hoped that German occupation would lead toward a more authoritarian French state, more in line with those of Germany and Italy at the time. Anti-Semitism was prevalent in France, where local people often… show more.

Dr. Sumner Jackson and his family lived at 11, avenue Foch, sandwiched between Gestapo interrogation offices. It is an extraordinary story of resistance by the head of the American Hospital and his family. They are caught, interrogated, and ultimately deported to various concentration camps.

The author does an excellent job of outlining the Gestapo hierarchy in Paris and describing the Nazis’ brutal methods. The family was classified as prisoners under the “Nacht und Nebel” program (“Night and Fog”) and Mr. Kershaw introduces you to Hitler’s infamous directive. The book also weaves various resistance icons into the story. These include the SOE agents, Violette Szabó, Noor Inayat Khan, and Francis Suttill.

No work of fiction has had such a profound effect on historians of Occupied France as this staggeringly beautiful book. I had never read fiction like this before, a novel written contemporaneously yet showing such a depth of knowledge of the world around by a novelist who saw beauty beyond the chaos that had engulfed her world.

The young French novelist of Ukrainian-Jewish origin had planned five books yet only completed two before being killed in Auschwitz in 1942. This book contains the first two complete novels which are very different stories, but equally dramatic and written in prose that flows poetically. I loved the first novel, about the exodus from Paris in May 1940, just as much as the second, a love story that was used for the film of this heart-wrenching book.