Books like The Dollhouse — picked by fans

I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.

I love studying history and reading books informed by the past because of the ways such study elucidates and complicates my understanding of the present moment. I also think the best stories should entertain as well as teach; that is, books should be enrapturing and never didactic. I’m a professor of English at a liberal arts university in Kentucky, and every time I assign a short story, novel, play, or poem, I always do so with the conviction that reading the assigned text should enthrall my students as much as it teaches them about a particular literary movement or historical moment. 

Ever had anyone say something about you with utter conviction that isn’t true? Have you ever looked at someone famous and thought their life looked perfect? Ever felt not enough because of the way you look? As a former Miss Universe, international model, fashion editor, and entertainment journalist with a degree in psychology, I’ve lived these truths vicariously. I’m fascinated with image, perception, and truth. What’s behind the smile? What happens when the lights dim? Who are you when no one is watching? What secrets do you hide, how do they damage you, and what will you do to keep them hidden? I’ve been the target. I know the cost.

I am Peter C. Bradbury, and it was reading the books of P.G. Wodehouse that attracted me to the career of being a butler. I have also always loved murder mysteries, so when I started writing, I combined those aspects into my first book. I chose these particular books because of the details and the subjects. I was a butler for over twenty years in the UK and the USA, and it annoys me when household staff are incorrectly portrayed. I love movies like Gosford Park and series like Upstairs Downstairs and Downton Abbey. The butler sees and hears everything, so I like the writers who know that.

I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.

Despite the adage to not judge a book by its cover, I’m a highly visual person who loves the art of design. I teach workshops and write articles about book cover design, and love to analyze what makes a cover eye-catching. So, these recommended books are not only beautiful in their storytelling, but are also visually arresting. It’s an extra fun fact that they all have floral touches on their covers, much like my Orchid series which has won awards for cover design!

I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.

I love studying history and reading books informed by the past because of the ways such study elucidates and complicates my understanding of the present moment. I also think the best stories should entertain as well as teach; that is, books should be enrapturing and never didactic. I’m a professor of English at a liberal arts university in Kentucky, and every time I assign a short story, novel, play, or poem, I always do so with the conviction that reading the assigned text should enthrall my students as much as it teaches them about a particular literary movement or historical moment. 

I love a story filled with interesting characters and a plot that reels me in. I know how challenging it is to construct a plotline and create breadcrumbs (not too many, so the solution isn’t obvious)–all driven by intriguing characters. I am also a sucker for the “good guys” winning but with no guarantees. The characters must have depth, and I want to learn something new about a situation I am unfamiliar with or how a great story is told.

I love the thrill of the chase and have always been passionate about the dramatic. In school, I was always the evil sorceress in plays. Later, as a professional actress, I sought dramatic roles or outrageously funny characters. Psychological thrillers fulfill the need to make my world more dramatic than it actually is. I call good thrillers “fudge reading.”  Because having them in my life is like pigging out on the best fudge you can find, now, as a writer of psychological thrillers, I try and give my readers a roller coaster ride on daring topics just the way these five writers have inspired me to do.