100 Books Like The Disreputable History of Frankie Landau-Banks

I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.

When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.

I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.

I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture. 

As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here. 

Ever since I penned my first romantic tale Will You Walk A Mile?, I've been enamored with the complexities of young love. For me, writing isn't just a profession; it's akin to breathing. I live to write and write for a living, with a special fondness for narratives that explore the highs and lows of teen romance and human emotion. I have been that ‘teen guy’ next door. That same teenage wonder for love stories that first sparked my passion for writing has stayed with me, maturing into a deeper understanding.  to curate a list of teen novels that will tug at your heartstrings.

Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating. 

I’ve never belonged to a secret society, but I’ve always been drawn to the idea. When I wrote Stone Cove Island, I was thinking about secrets passed down between generations of the islanders, and I liked the idea that even within, but I liked the idea that even within this tiny community, there was an inner circle of people invisibly controlling things. I’d heard a story from a friend—and it might just be a story, but I’m not the only one who’s heard it—about a rich, private island where if you did something to displease the residents, they sent you a black sweater. No note. Just the sweater. The message was clear: time for you to go.

I’ve never belonged to a secret society, but I’ve always been drawn to the idea. When I wrote Stone Cove Island, I was thinking about secrets passed down between generations of the islanders, and I liked the idea that even within, but I liked the idea that even within this tiny community, there was an inner circle of people invisibly controlling things. I’d heard a story from a friend—and it might just be a story, but I’m not the only one who’s heard it—about a rich, private island where if you did something to displease the residents, they sent you a black sweater. No note. Just the sweater. The message was clear: time for you to go.

I moved around non-stop as a kid, attending a dozen schools by age eleven. As a result, once I stayed put long enough to make real friends, I stuck to them like glitter glue. As a reader and writer, I can’t get enough stories about female friendships, whether rock-solid or fraying. My latest novel involves childhood friends whose loyalty is stretched like a pair of latex gloves yanked off at a crime scene. The book grew out of a meme I saw on Facebook, captioned: “Real friends help you hide the bodies”. My first thought was: who would I help? Straight off, I thought of my oldest friends.

I’m passionate about young adult sapphic romance books because this is something I wished I would have read in high school. If I had novels similar to these when I was growing up I might have realized that I identify as queer sooner and it could have helped me understand more about myself. Because of this, I’ve been an avid reader, and writer, of sapphic young adult romances. If it’s sapphic, send it my way. I hope you enjoy these sapphic novels as much as I have!