100 Books Like The Discovery of the Tomb of Tutankhamen

This book showed me how important it was for women to write ancient history and how different their interpretations of that history could be. Stacy Schiff’s biography of Cleopatra does full justice to her complicated subject and the fraught historical era she had to negotiate.

I appreciate how richly Schiff evokes Cleopatra’s world, from the palace in Alexandria she lived in as a child to the fleet she commanded in her last, fateful battle. Even more, I love how skeptically Schiff reads the ancient sources on Cleopatra and how thoughtfully she constructs her own more nuanced portrait of the powerful Egyptian queen.  

It is this book, about the successors of Alexander the Great, that inspired me to write my first novel, the Atlantis Papyrus. It is a great read—the pages feel less like an academic paper and more like an action novel and keeps one’s interest until the very end. I learned about so many fascinating figures in Alexander’s world I had never really known about and the tumultuous years following his death. In my work, I drew inspiration from some of the characters and events depicted in this book.

I love the bravery of this book. It’s not easy for academics to send work into the world that is authentic, imaginative, and academically solid. Cooney gives readers a peak behind the curtains, showing us what life might have been like for ancient Egypt’s most renowned female pharaoh, Hatshepsut.

Immersive and informative, with lovely prose and, best of all, thought-provoking. 

Though I have always been an unashamed ancient history nerd, ancient Egypt never quite grabbed me as strongly as Greece and Rome. However, I read this book as a callow 17-year-old traveling to Poros to row as part of the crew of a reconstructed ancient Greek trireme. The story utterly captivated me: it is packed full of action, tragedy, historical detail, and heroism, and I could feel the heat of the Egyptian sun on my skin as I read it.

I recently bought a first edition in honour of this memory, and I want to choose the right moment to revisit it. There is an odd footnote, though. The author bizarrely claimed that his book is based upon a set of scrolls discovered in an 18th-century BC Egyptian tomb and that the lead archaeologist passed the translations onto him to transcribe into a novel. Smith discarded this claim in the… show more.

The dates that Egyptologists use for most rulers are guesstimates, and there’s not one fixed dating scheme.

Just for instance, one reference volume gives 1334-1325 B.C. as the dates for King Tut’s reign. Another says 1332-1322 B.C. And yet a third another has 1336-1327 B.C.

How do you know which one to believe?

During the three decades I worked as a staff writer at National Geographic magazine, we relied on the king list that Baines and Malek published in this book.

I still consider it as the last word on dates for my own research. It’s also full of very helpful maps, diagrams, and descriptions of archaeological sites all over Egypt.

Studies on Egyptian archeology have traditionally focused on necropolises, although there have been published numerous archaeological reports of settlements of different types.

With this work, Professor Nadine Moeller demonstrates that there is enough data to understand the vital context of the Egyptian populations who lived during the first millennium and a half of Egyptian History. It is a basic tool to approach Egyptian archaeology.

As a kid, I was fascinated by the mysteries of ancient Egypt. My mother, an elementary school librarian, introduced me to this book when I was in the fifth grade — and I’ve loved it ever since. The story centers around April Hall, the daughter of a famous movie actress. When the girl goes to live with her grandmother, she and two neighbor kids amuse themselves by creating their own ancient Egyptian “society” based on a shared fascination with archaeology. They make costumes, devise rituals, and even choose a pharaoh to rule them. Their “Egypt” is located in the forgotten storage yard behind a creepy antique shop, but this secret world is threatened first by neighborhood bullies and later by a serial killer who’s stalking children.

This photo-filled book was written by an Egyptian archaeologist who was the head of Egypt’s Supreme Council of Antiquities.

The book discusses ancient and modern ideas of mummy curses. While Dr. Hawass sometimes feels the tug of ancient magic, he does a good job of refuting the idea of a curse. He shares many personal stories from his years as an archaeologist. His passion and enthusiasm for archaeology shine through.

The author also wrote Tutankhamen and the Golden Age of the Pharaohs, which has friendly, enthusiastic writing and nice photos in a large format.

Egyptology is a strange subject in that, even though you wouldn’t know it from the name, it really only concerns one aspect of Egypt – its ancient past – and it’s quite possible to develop an expertise in the field without having any familiarity with Egypt of the present day. One might become an expert in reading the hieroglyphic script, or in distinguishing an Old Kingdom statue from one sculpted in the New Kingdom, all without ever even visiting Egypt itself. Although this is an unintended consequence, it does rather foster the false idea that ancient Egypt is entirely unconnected from modern Egypt. But while more than a thousand years have passed since anyone worshipped the ancient gods or wrote anything in the ancient script, the two are very much connected of course – the natural environment, the land, and the climate are essentially unchanged, the modern people are the… show more.

This book is not about learning to read hieroglyphs so much as about understanding the relationship between hieroglyphs and Egyptian art. As hieroglyphs are pictures, the same pictures can be used in an artwork, as opposed to a written text. The author takes 100 of the over 700 hieroglyphs used in Egyptian writing, and shows how they are used in Egyptian art. He dedicates 2 pages to each symbol, with a written description and illustrations.