Here are 91 books that The Devouring fans have personally recommended if you like
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I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
I was living in Madrid, Spain, when one of my friends and fellow English-language teachers, Heather, nudged me and said, “James, you have to read this.”
I was in my “James only reads highbrow literature” era, so I told her that the cover looked too pulpy (yes, I was guilty of judging a book by its cover). Thankfully, my respect for Heather forced me to overlook my biases and give Pillars a shot. I’m so glad I did.
The prose style is simple and accessible (obeying Animal Farm author George Orwell’s advice to write prose as transparent as a “windowpane”). And that’s good, because the content draws you in completely.
A village in Medieval England decides to build a cathedral. The characters range from evil knights to noble monks to savvy businesswomen to scheming clerics. The world is rich with detail and the pages are addicting, almost turning themselves. It’s…
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
From when I first got lost in a book—I think it was Herman Wouk’s Winds of War—I discovered I really loved stories which thrust me into their world. From favorites like The Lion, the Witch and the Wardrobe, which I read to my kids, to Peter Benchley’s Jaws, I loved getting lost in the snowy world of Narnia or out in the water in the small boat with Brody. When I read any new author, I notice how well they paint the scene and how skillfully they describe the what and where of their tale. Does the story capture the details, idiosyncrasies, and nuances of this place and time? If it does, I’m in.
I love listening to Evanovich’s hilarious tales of Stephanie Plum’s misadventures as a wannabe bail/bondsman. These books are my wife’s and my favorite distraction on long road trips. While her mysteries may be thin, her characters are so real and her stories so crazy, I didn’t miss the whodunit. I included her in this August list because she captures the seedy side of Trenton, New Jersey, with amazing clarity, even while laughing at the place.
I picture myself riding in one of her cars—which she destroys regularly—along with her friend, the former ho, LuLu, hair flowing in the stinky wind blowing off deserted warehouses, sleezy girl joints and questionable car repair shops. This is the first in a series that is now at 31.
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
I read a lot of crime novels but get frustrated by the ones that don’t seem to be grounded in any reality. I get irritated when police procedural novels like any real ‘procedure’, and I find ‘maverick’ cops a tedious trope because it’s rarely done as well as the true originals like Morse. Of course, there’s a lot more freedom with PIs or ‘amateur sleuths’, but I still want the books to have some relation to reality. I’m not keen on too many coincidences either. Perhaps I’ve become hard to please!
The protagonist, Joe Picket, is a game warden in Wyoming. I learned so much about his job stopping poachers, and about life in rural Wyoming, but the story is also so well written with a warmth and humanity that some crime novels lack.
I loved that he was a father with two young children, not earning very much in the career he loves, with all the stresses of modern life and a difficult and often dangerous job.
There are 26 books in the series, the most recent came out in March 2026.
Winner of 2009's highly coveted Edgar Award for Best Novel Winner of the Anthony Award for Best First Novel Winner of the Gumshoe Award for Best First Novel Winner of the Barry Award for Best First Novel Winner of the Macavity Award for Best First Novel
There's nothing unusual about the sound of a gunshot in Twelve Sleep. Here in remotest Wyoming, where elk roam the pine forests and cougars prowl the mountains, everyone owns a gun. But when Joe Pickett hears two sharp cracks ring out months before hunting season, it's his job to investigate.
From when I first got lost in a book—I think it was Herman Wouk’s Winds of War—I discovered I really loved stories which thrust me into their world. From favorites like The Lion, the Witch and the Wardrobe, which I read to my kids, to Peter Benchley’s Jaws, I loved getting lost in the snowy world of Narnia or out in the water in the small boat with Brody. When I read any new author, I notice how well they paint the scene and how skillfully they describe the what and where of their tale. Does the story capture the details, idiosyncrasies, and nuances of this place and time? If it does, I’m in.
I’ve always been drawn to writers who capture such a vivid setting I can actually picture myself right in the pages of the book. I think Kent Kreuger does this better than any author, and readers can select any entry in his Cork O’Connor series and find themselves transported into a mesmerizing scene, but this 21st entry in the series really grabbed me. His word paintings of a field, a blueberry patch and the ancient Indian, Henry Miloux’s cabin is so real I could almost feel, see and smell the scene.
Kreuger has the rare skill to use such colorful and powerful language in his prose; some passages border on the poetic. Not to mention, the story about two missing girls—one white, one Native— is truly gripping, too.
A disappearance and a dead body put Cork O'Connor's family in the crosshairs of a killer in the twentieth book in the New York Times bestselling series from William Kent Krueger , "a master storyteller at the top of his game" (Kristin Hannah, #1 New York Times bestselling author).
The disappearance of a local politician's teenaged daughter is major news in Minnesota. As a huge manhunt is launched to find her, Cork O'Connor's grandson stumbles across the shallow grave of a young Ojibwe woman-but nobody seems that interested. Nobody, that is, except Cork and the newly formed Iron Lake Ojibwe…
I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.).
I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.
This story is completely absurd, laugh-out-loud funny, and very suspenseful.
"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It.
One of Suspense Magazine's "Best Thrillers of 2021" One of New York Public Library's Best Books of 2021 Nominated for the Left Coast Crime 2022 Lefty Award for the Best Humorous Mystery
“Funny and smart, twisty and surprising.”—Megan Miranda
Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny…
I’m a voracious reader, and I’ve come across way too many books where the female MC was an airheaded TSTL (too stupid to live) ninny. I don’t want to read about women who have to be saved by big, strong men. I want to see women who can pull themselves up by their bootstraps and save themselves, maybe with a little help from the big, strong man if she needs or wants it, AND who can turn around and do some saving of said man of her own, should HE need it. I think the healthiest relationships, even fictional ones, are those based on mutual strength, trust, and respect.
I adore the character of Sam Holland. She is a badass cop, not willing to take crap from anyone, even her fellow officers, with a smart mouth that gets her into as much trouble as it gets her out of. Her character is written with such nuance and honesty that she’s someone I’ve willingly followed through 22 books (and counting).
Sam works twice as hard to make sure she’s living up to her own expectations as much as anyone else’s, always afraid of falling short, something I think we all tend to be too hard on ourselves about at times. The love interest throughout the series sometimes struggles with her strong personality, even as he admires her for it, which I think lends a depth of realism to their relationship as it grows and sometimes flounders.
Detective Sergeant Sam Holland of the Washington, DC, Metro Police needs a big win to salvage her career—and her confidence—after a disastrous investigation. The perfect opportunity arises when Senator John O'Connor is found brutally murdered in his bed, and Sam is assigned to the case. Matters get complicated when Sam has to team up with Nick Cappuano, O'Connor's friend and chief of staff…and the man Sam had a memorable one-night stand with years earlier. Their sexual chemistry still sizzles, and Sam has to fight to stay focused on the case. Sleeping with a material witness…
As a mystery writer and reader, I try to understand why some books feel bland or dull even when the characters are investigating a murder with high stakes. Writing style is a part of that and encompasses techniques such as good pacing. Yet I think it really comes down to the characters. In all these series, I enjoy spending time with the characters, in their worlds. They are people I would like to know in real life, so they have become book friends. That makes it possible to enjoy the mysteries on a reread, even if I know what’s going to happen.
The narrator is likable and a bit goofy, somewhat like Bertie Wooster in the Jeeves stories by PG Wodehouse, but more intelligent, and his dogged spirit and attention to random details get him to the solution of the murders in the end.
The mysteries are complicated and puzzling. The 1920s setting adds some fun elements, like challenges with phone lines or driving in poor weather. Plus, it’s a long series, 17 books as of this writing, so it will keep you occupied for a while!
'Downton Abbey meets Agatha Christie with a touch of Wodehouse and a dog of distinction.'
Couldn't put it down'. Humorous - did I say humorous?' 'And there's even a dog!' 'Cozy murder mystery at its best!' 'Love the setting, old country house, eccentric guests, snow and murder'. 'It's always the last one you thought - who dun it!
It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox goes to Melrose Court, home to his uncle, Lord…
I wrote my first thriller at age 8 about a girl who ran away and joined the circus. For later works, I, a pediatric physician, did opt to follow my English teachers’ guidance to write about what you know, including science, medicine, psychology, journalism, and my twin home countries of America and Greece. As YS Pascal, I wrote the Zygan Emprise Trilogy, which blended ancient Greek history, mythology, and literature. As Linda Reid, I co-authored the award-winning Sammy Greene thriller series with Dr. Deborah Shlian and was eager to fly investigative reporter Sammy and her ex-cop friend Gus Pappajohn to the shores of modern Athens to solve an ancient and modern mystery.
In Book 11, Chief Inspector Andreas Kaldis, fresh from Athens to the picturesque Greek island, must find the perpetrators of a gruesome murder of a young woman found dead in a rural church. Siger, via his blunt investigator Kaldis, is an expert in sprinkling the beautiful Greek landscape with notes of suspense and mystery, and, like the earlier entries in this attractive series, Murder in Mykonos does not disappoint.
One woman dead, another missing-and time is running out Politically incorrect detective Andreas Kaldis, promoted out of Athens to serve as police chief for Mykonos, is certain his homicide investigation days are over. Murders don't happen in Greece's tourist heaven. At least that's what he's thinking as he stares at the remains of a young woman, ritually bound and buried on a pile of human bones inside a remote mountain church. Teamed with the nearly-retired local homicide chief, Andreas must find the killer before the world-wide media attention can destroy the Greek island's fabled reputation with rumors of a mystery…
I am an old movie fan and a novelist who has been writing historical fiction about show business since 2010. As a stickler for detail, I use oodles of old Hollywood biographies and other research sources to learn everything I can about my subjects and weave as accurate a tale as I can. My Forgotten Actresses series is up to four books, with plenty more under construction.
Los Angeles, 1937. Lillian Frost has traded dreams of stardom for security as a department store salesgirl . . . until she discovers she's a suspect in the murder of her former roommate, Ruby Carroll. Party girl Ruby died wearing a gown she stole from the wardrobe department at Paramount Pictures, domain of Edith Head.
Edith has yet to win the first of her eight Academy Awards; right now she's barely hanging on to her job, and a scandal is the last thing she needs. To clear Lillian's name and save Edith's career, the two women join forces.
I graduated from Lower Cape May Regional High School in the '80s. My classes revolved mostly around the culinary sciences and theater, with the occasional nap in Chemistry. I write culinary cozy mysteries from my Northern Virginia office while trying to keep my naughty cat off my keyboard. I was diagnosed with an autoimmune disease that prevents me from eating gluten without exploding. I now create gluten-free goodies at home and include the recipes in my Cape May-based Poppy McAllister series. Most of my hobbies revolve around eating and travel, and eating while traveling. My secret powers include finding my way to any coffee shop anywhere in the world, even while blindfolded.
Twenty-eight-year-old widow Ricki James leaves Los Angeles to start a new life in New Orleans after her showboating actor husband perishes doing a stupid internet stunt. The Big Easy is where she was born and adopted by the NICU nurse who cared for her after Ricki’s teen mother disappeared from the hospital.
Ricki’s dream comes true when she joins the quirky staff of Bon Vee Culinary House Museum, the spectacular former Garden District home of late bon vivant Genevieve “Vee” Charbonnet, the city’s legendary restauranteur. Ricki is excited about turning her avocation—collecting vintage cookbooks—into a vocation by launching the museum’s gift shop, Miss Vee’s Vintage Cookbooks and Kitchenware. Then she discovers that a box of donated vintage cookbooks contains the body of a cantankerous Bon Vee employee who was fired after being exposed as a book thief.
The skills Ricki has developed ferreting out hidden vintage treasures come in handy…
A fantastic new cozy mystery series with a vintage flair from USA Today bestselling and Agatha Award–winning author Ellen Byron.
Twenty-eight-year-old widow Ricki James leaves Los Angeles to start a new life in New Orleans after her showboating actor husband perishes doing a stupid internet stunt. The Big Easy is where she was born and adopted by the NICU nurse who cared for her after Ricki’s teen mother disappeared from the hospital.
Ricki’s dream comes true when she joins the quirky staff of Bon Vee Culinary House Museum, the spectacular former Garden District home of late bon vivant Genevieve “Vee”…
