Books like The Deluge — picked by fans

I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.

I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.

I am a lecturer in Global Environmental Politics at the University of Edinburgh. My work is driven by the conviction that we need more thorough and realistic maps of possible futures in an increasingly turbulent and uncertain world. Ever since learning about the intersections between climate, energy, and economic crises, I have been fascinated by the question of how our future will unfold and how we might create more just and liveable futures from the wreckage of the present world. And I have been driven to bring down artificial disciplinary divides in order to integrate knowledge across the sciences and humanities in ways that can illuminate the possible pathways ahead. 

I am a lecturer in Global Environmental Politics at the University of Edinburgh. My work is driven by the conviction that we need more thorough and realistic maps of possible futures in an increasingly turbulent and uncertain world. Ever since learning about the intersections between climate, energy, and economic crises, I have been fascinated by the question of how our future will unfold and how we might create more just and liveable futures from the wreckage of the present world. And I have been driven to bring down artificial disciplinary divides in order to integrate knowledge across the sciences and humanities in ways that can illuminate the possible pathways ahead. 

Native American spirituality has fascinated me all my life. Watching the sweat lodge, hearing the drums and singing, smelling the wood smoke, burning sage, sweetgrass, and pine tar, I had to know more. I had to participate. When I was invited, I jumped at the chance. I've never had a “religious experience” in the church. The first time that flap shut on the lodge, and I found myself in the pitch dark, the water being poured and instantly vaporized into scalding steam, my skin on fire…that was a religious thing to be sure. When I began reading fictional murder/tribal mysteries, I knew what I wanted to write about. I let the sound of the drum guide me. 

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.

Landscape is always important in my writing, and Yellowstone, which I’ve visited numerous times, is such a special place, rich with geodiversity and teeming with danger, that it kind of demanded to be a setting for my novel. I’ve also always been kind of obsessed with bears, and Yellowstone is grizzly country. But I didn’t want to write the stereotypical “man against nature” book. I’m too much of a feminist for that. 

When our two sons were younger, I ran a book club for moms. We met at the local library branch once a month—an excuse to get out of the house for some adult conversation. I frequently offer book suggestions to friends and family because I keep my finger on the pulse of what books moms want to read, especially in the summertime at the beach. Typically, I read three to four beach reads on vacation, and I like a variety of genres. I gravitate towards stories with some element of romance, fitting since I’m a sweet romance writer who loves a good book.