100 Books Like The Death of Woman Wang

Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”

Between 1640 and 1660, England, Scotland, and Ireland experienced civil war, invasion, religious radicalism, parliamentary rule, and the restoration of the monarchy. None of that will surprise historians of Britain, but they may not realize the impact of these events on Britain’s new colonies across the Atlantic. Some of them remained loyal to the king until his victorious opponents sent the first major Transatlantic expeditionary force to subdue them. 

Pestana shows how war and rebellion in Britain increased both the proportion of unfree labourers and ethnic diversity in the colonies. Neglected by London, several of them developed trade networks; some entered the slave trade. By 1660, the English Atlantic had become religiously polarized, economically interconnected, socially exploitative, and ideologically unstable.

I first met Simon Schama in 1963, when he joined me as an undergraduate reading History at Christ’s College Cambridge. Both of us decided to undertake research on the Low Countries, but in an international context: in my case, Spain and the Netherlands between 1550 and 1650; in Simon’s case, France and the Netherlands between 1770 and 1815, leading to his brilliant first book, Patriots and Liberators (a study of what the expansion of Revolutionary France meant for an occupied country.) This led him to analyse the social and cultural history of the country before occupation, using visual as well as written sources to recreate the mental state of a complex society. The embarrassment of Riches tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. It shows how the Dutch celebrated themselves and how they were… show more.

Good historical novels concentrate on gaps in the historical record, and use fiction to fill them – and in doing so, they illuminate the facts. Robinson Crusoe, the first historical novel in English (some claim the first English novel), used the story of a fictional sailor who left home in 1651 and returned in 1687 to show how the mental world in which his character grew up, riven by confessional conflict and civil war, differed from the mental world of his readers, in which colonies and capitalism had combined to produce great wealth. 

Among more recent works of fiction set in the 17th century, I particularly enjoyed Günther Grass, The meeting at Telgte (1981), set in Germany in 1647; and Iain Pears An instance of the fingerpost (1997), set in Oxford in 1663. Both include real historical figures.

I think this is the best up-to-date history of the Qing dynasty. I use it for teaching because it’s completely reliable, covers everything you might need to know, and lays it all out clearly.

It also has a really good balance between the history of major events like the Opium Wars and the Taiping Rebellion and the social history and context. And I like the fact that it explains the big debates that scholars are having in clear and simple terms.

I loved this book because the story of the Zhang family brings the history of the Qing dynasty alive as real women experienced it. Qing dynasty people can seem very different from us, and it’s often hard to get a sense of their characters, but Mann does this by taking us right into their homes and making this a story of the three women who were also writers, poets, and teachers.

We hear about their studies, their loves, and their families’ grief when they died, and just when we’ve really got to know them, we find that they were also living through and writing about some of the great events of the nineteenth century like the Opium Wars and the Taiping Rebellion. It’s also beautifully researched by a great scholar.

I loved this little book because, in just a short space, it takes you into what it was like to live through the Taiping Rebellion, one of the most important events in China’s nineteenth century, and it does it through the eyes of a child. It’s an amazing viewpoint, and the stories are dramatic.

The introduction, which explains all the background, and translation by Xiaofei Tian, who is a well-known poet in Chinese as well as a professor at Harvard, is also beautifully written.

I loved this book because I learned so much new about the Qianlong emperor and his relations with Tibet, how the eighteenth-century Qing state went about actually influencing the appointment of the incarnate lamas (like the Dalai Lama) who ruled Tibet.

Of course, all this has huge implications for Tibet now, but unlike the other books on this list, which I’ve recommended because I found them useful or a pleasure to read, this one is here because it is an exciting new scholarship.  

I love this book for its epic structure, character development, intricate and complex plotlines, rich imagination, poetic language, and use of magical realism.

The book spans several decades, covering significant events in 20th-century China from the 1920s to the 1990s across four generations. Through this multi-generational lens, Mo Yan explores themes of family, identity, and the impact of historical events on individual lives. Each character is so unique that after reading the book, I wrote a group of poems, two to four lines for each of the fifteen main and supporting characters. For protagonist Jin Tong, I wrote, “You are the hope of the Shangguan family, yet you live so pathetically.”

For his mother, I wrote, “The old cow eats grass, but what it gives is milk; the mother swallows tears, but what flows out is blood.” Mo Yan's sharp insights, profound reflections, and vivid prose reveal the harsh realities… show more.

I really enjoyed this bracing and saucy novel as a cheery counterpoint to the many much bleaker artistic works about migrant life. It charts the life and times of the young women who journeyed to the economic heartlands of South China in search of work during the 1990s and early 2000s.

The protagonist is Xiaohong, a young woman so mesmerizingly voluptuous that everyone in the novel, from its narrator down to the most incidental character, is hopelessly distracted by her bosom. At times, I did find this metaphor for personal capital in a precarious era a bit overblown.

But as Xiaohong moves from job to job – hair salon, toy factory, hotel, hospital – I realized that the fixation with her body is a way of marking both her vulnerability and her resilience as a woman on the move, if not necessarily on the up, in a society that has… show more.