24 Books Like The Dead Mountaineer's Inn

I think author Shawn Burgess loves Halloween as much as I do, and it shows in his writing. We connected, as many writers do, through social media before I had read his debut novel. I was thrilled to find that I did not have to offer only polite compliments after reading it; I genuinely loved it! The story involves a group of boys who are drawn into the mystery surrounding the death of an autistic girl in their small Appalachian community. The feel of the group is reminiscent of the pre-teen characters in Stephen King’s short story, “The Body” (later made into the Rob Reiner’s movie Stand By Me) but unlike King’s story, this one definitely has otherworldly elements. Note: The title of this novel has just recently changed from The Tear Collector as Burgess has expanded the storyline into a series. I’ll definitely keep reading.

The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes. 

In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult. 

Warning: This book contains scenes and situations not suitable for children.

Once I got into reading crime properly, I soon found my favourite period: the so-called "Golden Age" of the 1920s and 30s, where the writing was all about a clever plot and less about nasty descriptions of murder and death.

This book was written bang in the middle of this period. Though I personally am not the hugest fan of Sayers' rather smug and entitled detective, Lord Peter Wimsey, I love this book for its supremely clever plot, with clues concealed in the most unlikely places.

It’s also a fun setting among a bunch of artists in Galloway, Scotland. One painter, a quarrelsome drunkard, is murdered. Six others are suspected. You will be puzzling over paint colours and train timetables to work out the killer.

I loved this book by Jessica R. Patch for its perfect blend of relentless suspense and second-chance romance. The mystery kept me guessing with its clever suspects and red herrings. Asa and Fiona, seasoned FBI agents with a complex history, drew me in with their dynamic and emotional depth.

The tension and anticipation throughout this thriller made it impossible to put down. Patch's ability to weave crime-solving with romance kept me hooked and eager for more. This book was an unforgettable read for me as someone who loves mystery with heart.

Actually, I tell a lie. I had read crime before my honeymoon, but only Agatha Christie, whose whodunnits always feature murders that are tastefully described and over in a couple of lines.

With Christie, it’s all about the puzzle, and boy, is she good at that. Her characters are often a bit two-dimensional, but you forgive that for the sake of her plots, which always race along and convince, however unlikely in real life.

This is one of her most famous ones, and rightly so. No spoilers here, but if you read this as I did as a teenager (recommended by my father) you are in for a grand surprise. Hopefully.

I found this book to be a fascinating science-fiction pandemic thriller that covers an epic time scale and some really crazy ideas. The writing captured my attention quickly, and I found this story to be an intense read. The plot surfaced moments in my imagination where I couldn’t help but question the likelihood of these events happening in our modern-day world.

I also relate to Christopher Dicken (the protagonist), a virus hunter who makes an unbelievable discovery. His attempts to uncover the truth about human evolution and save his family against what seems like every power on earth felt very real to me. It’s a wild story that has stuck with me over the years, and it’s definitely worth reading again.

In this first of the Pancake House series, we meet Marley, who comes to town to help out with her cousin’s restaurant. Immediately, Fox draws us in with relatable characters, a charming town, and that wonderful blend of new and old. For Marley, this isn’t her hometown so she has an outsider’s perspective but it is a place she spent many summers so she also has those memories that make the place more meaningful. The love interest is Brett, who she knows from those long ago summer days and as fun as the sleuthing is, the connection between these two kept me coming back for more. 

This is a twisted romantic suspense that delivers a gripping read.

Romance and suspense merge when a decade-old secret turns deadly. The opening chapter thrust me into the murder of Reagan Asher’s grandmother. Not getting what they wanted, the culprits set their sights on Reagan. Passed events become the premise of this novel, and Reagan must come to terms with her grandmother’s death and her father’s betrayal to stay alive and uncover the truth.

The unpredictable nature of this story was a winner for me.

When I was struggling to write my first mystery novel, I realized that I hadn’t a clue what makes a mystery novel a compelling page-turner. My Beta readers thought that my main character was flat. A cipher. I needed to transform the manuscript into a story that made the reader care about the characters (especially the protagonist). Not just present a clever trail of clues and red herrings.

This book focuses on screenwriting, but what McKee says about plotting in general (three-act structure, scene structure, etc.) is completely applicable to writing a mystery novel, and he gives such practical advice. Through this book, I understood the importance of a character arc. Reassuringly, it’s not rocket science.

Colin Dexter immediately pulls me into what reads as a real world.

The writing is so beautiful, I’m not aware of anything but the story. The chapters are delightfully short and tight, so much so that the pages absolutely flow past.

I prefer reading books that, even though they are clearly fiction, read as true crime stories. When I read a Colin Dexter Morse mystery, I am unaware of pages, chapters, sentences, punctuation. I am allowed to be totally immersed in the story. The casts of perfectly drawn characters in each story always intrigue me.

Morse is flawed, a quality he shares with the camera. He doesn’t mind being wrong, a rare quality in a human.