Here are 25 books that The Dead Mountaineer's Inn fans have personally recommended if you like
The Dead Mountaineer's Inn.
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I have loved Halloween horror my whole life. As a teacher of literature, I always looked forward to October when I had a green light to incorporate the greatest horror authors into my lessons. The desire to share new horror stories did not fade when I retired. There are so many wonderful new authors of horror it’s impossible to read them all! But there’s also a lot of trash out there—I know, I’ve read it! My lifelong love of spooky things and my background in literature make me confident that I won’t be steering readers wrong when they look to me for the best new reads in horror.
I think author Shawn Burgess loves Halloween as much as I do, and it shows in his writing. We connected, as many writers do, through social media before I had read his debut novel. I was thrilled to find that I did not have to offer only polite compliments after reading it; I genuinely loved it! The story involves a group of boys who are drawn into the mystery surrounding the death of an autistic girl in their small Appalachian community. The feel of the group is reminiscent of the pre-teen characters in Stephen King’s short story, “The Body” (later made into the Rob Reiner’s movie Stand By Me) but unlike King’s story, this one definitely has otherworldly elements. Note: The title of this novel has just recently changed from The Tear Collector as Burgess has expanded the storyline into a series. I’ll definitely keep reading.
The misdeeds of our ancestors are debts passed from generation to generation. They lurk, hidden in the shadows, waiting for the right time to be collected. For the residents of Harper Pass—their debt is due.
When a young autistic girl goes missing from a small Appalachian community, the residents of Harper Pass descend into chaos. Brooks Raker and his friends stumble across the police investigation, and as they dig deeper into the mysterious events, the boys realize the fate of their missing classmate pales in comparison with the evil lurking in the shadows of the quiet little town.
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a…
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
Once I got into reading crime properly, I soon found my favourite period: the so-called "Golden Age" of the 1920s and 30s, where the writing was all about a clever plot and less about nasty descriptions of murder and death.
This book was written bang in the middle of this period. Though I personally am not the hugest fan of Sayers' rather smug and entitled detective, Lord Peter Wimsey, I love this book for its supremely clever plot, with clues concealed in the most unlikely places.
It’s also a fun setting among a bunch of artists in Galloway, Scotland. One painter, a quarrelsome drunkard, is murdered. Six others are suspected. You will be puzzling over paint colours and train timetables to work out the killer.
The body was on the pointed rocks alongside the stream. The artist might have fallen from the cliff where he was painting, but there are too many suspicious elements -- particularly the medical evidence that proves he'd been dead nearly half a day, though eyewitnesses had seen him alive a scant hour earlier. And then there are the six prime suspects -- all of them artists, all of whom wished him dead. Five are red herrings, but one has created a masterpiece of murder that baffles everyone, including Lord Peter Wimsey.
I am Susie Black, an award-winning cozy mystery author. As a long-time desert dweller and professional people watcher, I’ve always been fascinated by the intrinsic relationship between the often unpredictable, severe desert weather and the distinctive, sometimes quirky people who choose to live in it. With the introduction of The Sunny Knight Mystery Series, I have created an entire series that is devoted to exploring that unique connection. The Forecast is…Murder! is the series debut title.
Two sisters check into a hotel in their Arizona hometown to celebrate one another’s birthdays.
Their celebratory getaway is abruptly interrupted when one of the sisters discovers the corpse of a nasty hotel guest. Both sisters are hopeless snoops who can’t mind their own beeswax. So, naturally, they stick their noses everywhere they don’t belong to sniff out the killer, much to the consternation of the homicide detective in charge of the case.
Give me a madcap cast that takes readers on a raucous, wild rollercoaster ride at a breakneck pace in a fun romp with a plot that has more twists and turns than a pretzel, plenty of motives and red herrings like this one any day of the week.
It’s a birthday weekend with the gift of murder.Recently widowed, Emma Banefield looks forward to a getaway birthday weekend with her free-wheeling sister, Nicole Earp, sipping chocolate martinis at the peaceful, historic, small town Dulce Inn. When a rude stranger, a nasty food critic, and a madhouse of temperamental artists greet them, all hope for a tranquil weekend evaporates faster than dew on a hot desert morning.Overlooking the riotous atmosphere is doubly hard after Em discovers the body of a hotel guest, and a second murder affects Nic personally. Now, entrenched in a caper that pits them against a surly…
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
Actually, I tell a lie. I had read crime before my honeymoon, but only Agatha Christie, whose whodunnits always feature murders that are tastefully described and over in a couple of lines.
With Christie, it’s all about the puzzle, and boy, is she good at that. Her characters are often a bit two-dimensional, but you forgive that for the sake of her plots, which always race along and convince, however unlikely in real life.
This is one of her most famous ones, and rightly so. No spoilers here, but if you read this as I did as a teenager (recommended by my father) you are in for a grand surprise. Hopefully.
The classic "The Murder of Roger Ackroyd", finally at a fair price!The Murder of Roger Ackroyd is a work of detective fiction by British writer Agatha Christie, first published in June 1926 in the United Kingdom. It is the third novel to feature Hercule Poirot as the lead detective.
In 2013, the British Crime Writers' Association voted it the best crime novel ever.
I'm an author of more than twenty Christian fiction books. I write true romantic suspense with equal parts engaging romance and thrilling suspense. My debut novel was a semi-finalist in the Genesis contest, and many of my subsequent titles have reached bestseller status. I engage with readers through my blog, which is recognized as a top 25 Christian fiction blog on Feedspot, and my Facebook group, "Heartbeats and Hideaways."
I loved this book by Jessica R. Patch for its perfect blend of relentless suspense and second-chance romance. The mystery kept me guessing with its clever suspects and red herrings. Asa and Fiona, seasoned FBI agents with a complex history, drew me in with their dynamic and emotional depth.
The tension and anticipation throughout this thriller made it impossible to put down. Patch's ability to weave crime-solving with romance kept me hooked and eager for more. This book was an unforgettable read for me as someone who loves mystery with heart.
When a cold-case serial killer returns, FBI special agent Fiona Kelly has one last chance to stop him before he claims the prize he’s always wanted—her.
The sight of a goose feather at a murder scene modeled after a children’s poem is enough to make FBI special agent Fiona Kelly's blood turn to ice. Almost two decades ago, a feather was left with her sister's body—and with every subsequent victim of the Nursery Rhyme Killer. Now he's back. Only this time, his latest gruesome murder is a message to the only one who ever got away: Fiona.
I write North Noir, detective fiction set in the Northeastern USA and Canada. I like mystery/detective stories told with descriptive flair, with clever twists and unforgettable protagonists. Why would you want to read my recommendations? I’ve read hundreds of mystery/detective novels, in all subgenres, from cozy to noir. I’ve been a book review editor, for all types of books. I don’t go for bent cops or over-the-top bloodbaths. If you like character-driven mystery/detective novels, try these five.
A Siege of Bitterns features an unusual protagonist: a reluctant detective. DI Domenic Jejeune is a Canadian transplanted to the UK, to premier birding country. Jejeune likes bird watching as much, if not more, than solving murders. He occasionally comes across as a tortured eccentric. One wonders how he can solve crimes. But he does. His odd individualism is reminiscent of famous fictional detectives like Sherlock Holmes or Hercule Poirot. A Siege of Bitterns features a tangled bird’s nest of false starts and red herrings. Burrows doesn’t shy away from descriptive prose and yet the novel doesn’t lose momentum. It stays focused on the prize: the whodunit.
Inspector Domenic Jejeune's success has made him a poster boy for the U.K. police service. The problem is Jejeune doesn't really want to be a detective at all; he much prefers watching birds. Recently reassigned to the small Norfolk town of Saltmarsh, located in the heart of Britain's premier birding country, Jejeune's two worlds collide when he investigates the grisly murder of a prominent ecological activist. His ambitious police superintendent foresees a blaze of welcome publicity, but she begins to have her doubts when Jejeune's most promising theory involves a feud over birdwatching lists. A second murder only complicates matters.…
My love of mysteries began with Nancy Drew and Trixie Belden. I moved on to Elizabeth Peters and Mary Stewart before discovering Agatha Christie and other Golden Age authors. My love of mysteries inspired me to try my hand at the genre, first with cozy mysteries then with historical mysteries. The 1920s is my favorite time period to read and write about. I’m fascinated by the way society was changing then, and I can’t resist an English country house murder. I’ve listed some of my favorite undiscovered mystery gems from the 1920s and hope you find them the bee’s knees!
I’m not usually a fan of mysteries with paranormal elements, but the first Lady Adelaide mystery, Nobody’s Sweetheart Now, has just a touch of it—a debonair ghost, Lady Adelaide’s dead husband, who drops into her life when she’s hosting a weekend house party. I love a mystery set at a county house party, so I was predisposed to enjoy this book because of the setting, but the repartee between Rupert, who was a philanderer and needs to do a good deed to pass over to the other side, and Lady Adelaide added a new angle to the typical manor house mystery that had me smiling throughout the book.
The first mystery book in a rollicking new historical cozy series! When Lady Adelaide's dinner party is visited by lady death, she'll have to partner with the irksome spirit of her dead husband to crack the case...
"A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise."-Kirkus Reviews
A delightful English cozy series begins in August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard.
As a romance, romantic comedy, and cozy mystery writer, I not only have a passion for the swoon-worthy moments when I’m creating them but crave them as a reader. There are so many great books out there but chemistry, particularly between a main character and her love interest, is what really makes me want more of a series. It’s not always easy to create that sigh-worthy-make-you-smile element of romance and love in a book that is geared toward solving a murder so I really appreciate when it’s done well. It’s not only enjoyable for me as a reader but a great example for me as a writer.
In this first of the Pancake House series, we meet Marley, who comes to town to help out with her cousin’s restaurant. Immediately, Fox draws us in with relatable characters, a charming town, and that wonderful blend of new and old. For Marley, this isn’t her hometown so she has an outsider’s perspective but it is a place she spent many summers so she also has those memories that make the place more meaningful. The love interest is Brett, who she knows from those long ago summer days and as fun as the sleuthing is, the connection between these two kept me coming back for more.
USA TODAY BESTSELLER • In the debut of a delightful cozy mystery series, Sarah Fox introduces a charming new heroine who finds herself in a sticky situation: stacking pancakes, pouring coffee, and investigating murder.
Bonus content: includes original recipes inspired by the Flip Side Pancake House menu!
When Marley McKinney’s aging cousin, Jimmy, is hospitalized with pneumonia, she agrees to help run his pancake house while he recovers. With its rustic interior and syrupy scent, the Flip Side Pancake House is just as she pictured it—and the surly chef is a wizard with crêpes. Marley expects to spend a leisurely…
I am a Northern Irish crime writer. I worship storytellers, no matter if the stories are relayed on the page, the screen, or in songs. As long as the stories come across as real, then I am happy.
I, as a storyteller, endeavor to be more of a "camera" than a “writer.” I believe it’s all there waiting for me, and as a “camera,” I am allowed to go deep into myself and record all that my imagination is producing. I believe all the books I have selected have helped me in some small way understand why some of us can commit crimes while others can’t.
Colin Dexter immediately pulls me into what reads as a real world.
The writing is so beautiful, I’m not aware of anything but the story. The chapters are delightfully short and tight, so much so that the pages absolutely flow past.
I prefer reading books that, even though they are clearly fiction, read as true crime stories. When I read a Colin Dexter Morse mystery, I am unaware of pages, chapters, sentences, punctuation. I am allowed to be totally immersed in the story. The casts of perfectly drawn characters in each story always intrigue me.
Morse is flawed, a quality he shares with the camera. He doesn’t mind being wrong, a rare quality in a human.
Last Bus to Woodstock is the novel that began Colin Dexter's phenomenally successful Inspector Morse series.
'Do you think I'm wasting your time, Lewis?' Lewis was nobody's fool and was a man of some honesty and integrity. 'Yes, sir.' An engaging smile crept across Morse's mouth. He thought they could get on well together . . .
The death of Sylvia Kaye figured dramatically in Thursday afternoon's edition of the Oxford Mail. By Friday evening Inspector Morse had informed the nation that the police were looking for a dangerous man - facing charges of wilful murder, sexual assault and rape.