Here are 77 books that The Daylight Gate fans have personally recommended if you like
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When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
As someone who spends my happiest moments in entirely made-up places with people who, it pains me to write, don’t actually exist, I am obsessed with the wavy lines between the life we imagine and the life we live. And no one writes about that cloudy blue haze between reality and our interior world better than Neil Gaiman. Shakespeare is glimpsed in other parts of the epic Sandmansaga, but it is in the stand-alone story A Midsummer Night’s Dream where he is the star. It is both delightful and disturbing in a way that Gaiman is a master of.
The third book of the Sandman collection is a series of four short comic book stories. In each of these otherwise unrelated stories, Morpheus serves only as a minor character. Here we meet the mother of Morpheus s son, find out what cats dream about, and discover the true origin behind Shakespeare s A Midsummer s Night Dream. The latter won a World Fantasy Award for best short story, the first time a comic book was given that honor. Collects THE SANDMAN #17-20.
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
A Dead Man in Deptfordwas the last published novel of Anthony Burgess’s lifetime and can be seen as a companion piece to his earlier fictional biography of William Shakespeare, Nothing Like the Sun. A Dead Man in Deptford follows Christopher Marlowe’s life, and Will of Warwickshire lurks very very much in the background of this novel. This somehow adds to the poignancy, as even within his own story, the reader is always aware that Marlowe’s era will be dominated by the name of William Shakespeare.
'One of the most productive, imaginative and risk-taking of writers... It is a clever, sexually explicit, fast-moving, full blooded yarn' Irish Times
A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
Another children’s book, but one that I first encountered in adulthood, and have wished ever since that some aunt or uncle or grandparent had known to give it to me as a present back when I was ten.
Masefield’s vein of fantasy makes this a strangely uncentered and whirling book, incorporating gangsters and fairies, spy planes and Roman legionaries, saloon bars in winter afternoons, and snowbound cathedrals. Through it all, it holds steady around the meanings of Christmas, and more than any other book in this list, it draws equally upon the Christian and pagan roots of the season. There’s a taste of old England in the snow that settles on the tongue.
And now, Master Harker, now that the Wolves are Running, perhaps you could do something to stop their Bite?'
A magical old man has asked Kay to protect the Box of Delights, a Box with which he can travel through time. But Kay is in danger: Abner Brown will stop at nothing to get his hands on it. The police don't believe Kay, so when his family and the Bishop are scrobbled up just before Christmas, he knows he must act alone ...
John Masefield's classic children's book is considered to be one of the great works of modern children's…
I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.
This book is not a fairy tale, per se, but it shares many of the elements of fairy tales. Set in 19th century Europe, the novel is filled with starving orphans, a child transformed into a doll, a wicked puppet master, an evil witch, and a magic necklace. This book combines two of my favorite genres, historical fiction and fantasy, and includes mystery and magic at every turn. I could read this book again and again!
“A brooding, Dickensian novel with a touch of fantasy and a glimmer of hope. . . . As mysterious and timeless as a fairy tale.” — Booklist (starred review)
Laura Amy Schlitz’s Newbery Honor–winning Victorian gothic is a rich banquet of dark comedy, scorching magic, and bewitching storytelling. Clara Wintermute, the only child of a wealthy doctor, invites master puppeteer Grisini to entertain at her birthday party. When Clara vanishes that night, suspicion falls upon the puppeteer and his orphaned assistants. The three children — two penniless waifs and one pampered heiress — have been caught in a trap set…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading.
Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.
The first novel in New York Times bestselling author Anne Bishop's Tir Alainn Trilogy.
The youngest in a long line of witches, Ari senses that things are changing—changing for the worse. For generations, her kin have tended the Old Places, keeping the land safe and fertile. But with the Summer Moon, the mood of her neighbors has soured. And Ari is no longer safe.
The Fae have long ignored what occurs in the mortal world, passing through on their shadowy roads only long enough to amuse themselves. But the roads are slowly disappearing, leaving the Fae Clans isolated and alone.…
Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
Stories can be dangerous. People who love storytelling are fascinated by Newfoundland, where isolation nourished a rich oral culture (in a distinct English dialect).
Barbara Rieti introduces many colourful Newfoundlanders and the stories they have to tell – but not about long-ago times. These stories are about witches who live among us, or who are dead but well-remembered.
You can imagine how dangerous it might be to be called a witch, even with witch-burning gone out of fashion. (In its place, people cast spells to give witches the burning pain of bladder infections.) But “witches” could also use their reputations to get things they needed.
The author is very scholarly and does not believe there is any real witchcraft or magic behind these stories – but some of them left me wondering!
There is a little-known tradition of witch lore in Newfoundland culture. Those believed to have the power to influence the fortunes of others are not mythological characters but neighbours, relations, or even friends. Drawing from her own interviews and a wealth of material from the Memorial University Folklore and Language Archive, Barbara Rieti explores the range and depth of Newfoundland witch tradition, looking at why certain people acquired reputations as witches, and why others considered themselves bewitched. The tales that emerge - despite their seemingly fantastic elements of spells and black heart books, hags, and healing charms - concern everyday…
There's magic in a book that opens a window to the lives of ordinary people who lived in a time and place very different from our own. That’s why I enjoy exploring these stories. The narratives of the famous are often polished to the point that all the odd edges of a delicious pea soup or a long trip in uncomfortable boots are worn away. But I love these little details: how certain boarding house rules meant women had no place to stay when Jack the Ripper was prowling, or how a journal might consist of rag paper with a hand-stitched binding. They show us a distant era, but also reinforce our common humanity.
Different stylistically than the other books on the list, The Witch of Eye is a collection of lyric essays about those accused of witchcraft. In its pages, we meet Lisbet Nypan of Norway, who cured patients using a “ritual of salt” only to be put on trial in the late 1600s, and the German midwife Walpurga Hausmannin, who allegedly coupled with the devil in the clothes of the neighborhood corn farmer. The sentences are dense and hypnotic, transporting readers into fields and courtrooms. One essay begins by describing the language of magic: “You begin a spell with an invocation like Hear me or I beseech you or Oh friend or Listen.” Let yourself be drawn in.
This amazingly wise and nimble collection investigates the horrors inflicted on so-called "witches" of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives. In one essay about a trial, we learn through folklore that Jesus's mother was a midwife who cured her own son's rheumatism. In other essays there are subtle parallels to contemporary discourse around abortion and environmental destruction. Nuernberger weaves in her own experiences, too. There's an ironic look at her…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Since I was a child I have viewed the world differently. I dreamed of magical worlds, and I always was curious to find answers to questions that were hard to find. When I began to question a local legend about the Lady in White, I had to know more. I spent countless days researching to find anything about this mystery lady. Unfortunately, I never did find out who the Lady in White was, but I did find information on every one of her so-called victims. With a handful of real-life events, and a lot of imagination, my Lady in White series was born.
I love stories that are based on legends, myths, and folklore. This one is the latter.
Took is the first book that opened my mind to folklore of witches and witchcraft. If finding a cabin in the woods with bones and artifacts inside didn’t bring chills down my spine, then the mysterious storyline that followed definitely did. The suspense of the book kept my mind captive till the very end!
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What is this book about?
Thirteen year old Daniel Anderson doesn't believe Brody Mason's crazy stories about the ghost witch who lives up on Brewster's Hill with Bloody Bones, her man eating razorback hog. He figures Brody's probably just trying to scare him since he's the new kid ...a "stuck-up snot" from Connecticut. But Daniel's seven year old sister Erica has become more and more withdrawn, talking to her lookalike doll. When she disappears into the woods one day, he knows something is terribly wrong. Did the witch strike? Has Erica been "took"?
