100 Books Like The Day War Came

This beautiful book blows me away. It’s an exquisite example of a picture book, where words and pictures work hand in hand to tell the story. Everyone loves David, the boy with the flowers in his hair. He’s the life and soul of the class. Until one day, something happens. Now David – quiet and withdrawn – is losing his flowers, petal by petal…

The Boy With Flowers in His Hair speaks to me on a personal level – I’ve overcome depression and recognise that feeling of losing your joie de vivre. Over the years, I’ve also examined the ideas of what it means to be masculine. On both fronts, this book is affirming. And it reminds me to be thankful for faithful friends.

Leonard, the lion, knows he’s expected to be fierce and loud. But he’s just not feeling it. Rather than live up to everyone else expectations, he befriends a duck and pursues his love of poetry.

Vere presents boys with a gentle role model and celebrates those who choose to stick up for themselves and their friends. In this way, Leonard’s as brave as any other lion.

This story will affirm those who feel like outsiders and encourages kids to be themselves – and follow their own interests. I love the warmth of this book – from the quirky writing style (which reminded me of Winnie-the-Pooh) to Vere’s palette of hot reds and oranges that depict the savannah so well.

Baker Cat is like a feline Cinderella, tasked to do all the hard work at the bakery. His responsibilities are endless. And at the end of the day, he’s still expected to rid the bakery of mice. Simmonds’ characterisation is faultless, with a timeless feel that reminds me of Beatrix Potter’s work.

Baker Cat is a funny and dramatic story told through a mix of speech balloons, comic panels, and traditional narrative sections. I have precious memories of sharing it with my own boys when they were young – we loved those tiny mice and Baker Cat’s delicious-looking pastries! Definitely one to read over and again.

This book is awesome because often when children see someone who is different from them, they ask a question that can be considered rude or hurtful without them meaning to be rude or hurtful. They are just being curious. This book shows how that sort of question can be hurtful and shows children another more important way to interact with someone who is different and that is with empathy.

This is one of my favorite books about how to deal with fear. Fear is such a natural emotion, and sometimes it can be really intense; I loved how Francesca Sanna introduces Fear as a cute character, which children and adults can both relate to.

I know what it’s like to be a new kid in a new country, so when Fear grows so big that Fear overwhelms the little girl and takes over, I really felt for her. Of course, bravery is called for to overcome Fear and make friends with a new boy. For me, the most reassuring message was that the new friend also has his Fear character, who he carries with him, as we all do.

In the space where our fears and our hopes live, there is the landscape of our dreams and nightmares. This book lushly carries a boy's search for home to readers everywhere. It's a magical book for it carries a great deal of room for the reader to step into the words and images within. 

The Syrian refugee crisis is the largest in the world, with over 12 million displaced people. As an elementary school librarian in a diverse city, I would have loved to read this book to every class. I appreciated that the story wasn’t violent yet managed to show what the boy and his family had to escape. I think any aged child from any background could care about this Syrian boy as I did.

Told in first person, the boy misses and worries about the pigeons he raised as his family flees their town (bombed in the distance). I was struck by the illustrator’s palette choice—realistic but respectful of a child’s sensibilities. Dark smoke and flames engulf the town, but the brightly-coloured family survives.

In the refugee camp, the boy’s father plants a life-sustaining, vibrant green garden. In time, the boy feeds and cares for the birds again. When a traumatized… show more.

During WW2 members of the Resistance guided Allied service personnel -- and others, including compromised agents, resisters, and Jews -- escaping from occupied France along what were known as escape or evasion lines, the majority leading over the Pyrenees to safety. In this book, BBC broadcaster Edward Stourton walks one of those ‘cruel crossings’, the Chemin de la Liberté, while at the same time telling the stories of those escaping and the courageous men and women who helped them, drawing on interviews with some of the last remaining survivors. It makes for compelling reading.

I was immediately drawn to this book. I knew this story. A childhood friend’s family had fled the Russian army when they invaded Estonia during World War II. So it is easy for me to believe, counter-intuitive as it may seem, that an unlikely group of Eastern European refugees would flee the advancing Russian army, hoping for safety in Germany.

I loved their “found family.” How many of us, far from where we grew up, turn to friends for support? But Sepetys’ group boards the ill-fated Wilhelm Gustloff, a German ship carrying 10,000 refugees. Based on the true story of a maritime disaster, the novel highlights how war creates victims on all sides but also how people rise to help each other face unimaginable challenges.

Although I love all her novels, this one is the easiest to love and recommend (and it is beautifully translated).

Anna Seghers hated the idea of “art & politics,” as though they were separable entities to be glued together. Seghers—Jewish, Communist, especially the latter—wrote this book quite literally on the run from the Nazis, in cafés in France, on ships in the Atlantic, and in Mexico, where she lived in exile during the war. But you would never know it; it is as fluidly written as anything she ever wrote. In general, Seghers thrived in high tension situations.

It is a detective story, love story, wartime journalism, yet very little happens. Kafka’s Castle minus the parables and mysticism. It is also one of the deepest reflections on the nature of writing and narrative I know.