100 Books Like The Darkness of God

I am a professor of Medieval Theology at Durham University, UK, and have published on both medieval theology (especially Thomas Aquinas) and spirituality (especially Jan van Ruusbroec, an author from 14th century Brabant). When I was in my early twenties, I had no interest in Christianity, but I gradually realized that the societal and moral problems of modernity could only be properly addressed by examining a genuinely alternative tradition, namely pre-modern thinkers (if only because postmodern critics of modernity remain all too often beholden to the assumptions of modernity, even in their opposition to them). This explains why I was drawn to medieval theology (and spirituality). 

I am a professor of Medieval Theology at Durham University, UK, and have published on both medieval theology (especially Thomas Aquinas) and spirituality (especially Jan van Ruusbroec, an author from 14th century Brabant). When I was in my early twenties, I had no interest in Christianity, but I gradually realized that the societal and moral problems of modernity could only be properly addressed by examining a genuinely alternative tradition, namely pre-modern thinkers (if only because postmodern critics of modernity remain all too often beholden to the assumptions of modernity, even in their opposition to them). This explains why I was drawn to medieval theology (and spirituality). 

I am a professor of Medieval Theology at Durham University, UK, and have published on both medieval theology (especially Thomas Aquinas) and spirituality (especially Jan van Ruusbroec, an author from 14th century Brabant). When I was in my early twenties, I had no interest in Christianity, but I gradually realized that the societal and moral problems of modernity could only be properly addressed by examining a genuinely alternative tradition, namely pre-modern thinkers (if only because postmodern critics of modernity remain all too often beholden to the assumptions of modernity, even in their opposition to them). This explains why I was drawn to medieval theology (and spirituality). 

I am a professor of Medieval Theology at Durham University, UK, and have published on both medieval theology (especially Thomas Aquinas) and spirituality (especially Jan van Ruusbroec, an author from 14th century Brabant). When I was in my early twenties, I had no interest in Christianity, but I gradually realized that the societal and moral problems of modernity could only be properly addressed by examining a genuinely alternative tradition, namely pre-modern thinkers (if only because postmodern critics of modernity remain all too often beholden to the assumptions of modernity, even in their opposition to them). This explains why I was drawn to medieval theology (and spirituality). 

As an undergraduate at the University of Leeds in the 1960s the principal influence on my life and thinking was Trevor Ling an Anglican Priest and Buddhist who eventually became a Professor of comparative religion at the University of Manchester. He was the start of my research on Islam and Asia and my peripatetic career having lived in Scotland, Germany, Holland, America, Australia and Singapore. I became a professor of the sociology of religion in the Asia Research Center at the National University of Singapore. I have published two books on Singapore, a handbook of religions in Asia, and several works on the body, medicine, ageing and human vulnerability.

I started writing romance stories when I was about 15 and it was terrible fan fiction with me as the main character interacting with the “romantic hero,” but after a while, I got tired of that, and then I discovered my author mentor, Anne McCaffery and I began to think about creating actual fantasy characters and having them interact with one another in different worlds. The Stone Harp also let me have somewhat of an extra role in the books. My background in art and graphic design also let me use those skills in designing covers and marketing materials as well as illustrations in The Stone Harp and in other projects currently in the works.   

I’m a historian of the early Middle Ages. There are all sorts of unexpected differences and similarities between modern and medieval life, and things get especially interesting when it comes to thinking about thinking. Our understanding of how our minds work has obviously changed—and so have the ways that we actually use them. Medieval thinkers in Europe and the Mediterranean world struggled with concentration and memory and information overload, just like we do. But they were savvier in dealing with those problems, and these books invite you into the wonderful world of their cognitive practices. You’ll probably find yourself experimenting with many of these techniques along the way!

I am a scholar of Kabbalah. My father was a rabbi and I grew up studying Torah with him. He was deeply spiritual, and that drew me to exploring the mystical Judaism. After completing my Ph.D. in Jewish studies, I traveled to India, meditated in the Himalayas, and discovered how mystical teachings East and West are remarkably similar. I taught Jewish spirituality for 20 years at a graduate school in Berkeley. Then a wealthy family approached me and commissioned me to translate the Zohar, the masterpiece of Kabbalah. This took me 18 years and the translation was published in 9 volumes by Stanford University. Now I teach Zohar online.

I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.

I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.