Here are 100 books that The Dark Heart of Italy fans have personally recommended if you like
The Dark Heart of Italy.
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Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
I came upon this title quite early in my academic career while working in an Accountancy and Finance Department and struggling to convince myself, and I suspect my then boss, that there was a lot of mileage in the business of sport as an area of research activity.
Wray Vamplew’s book – a systematic economic analysis of the emergence of mass spectator sports in the UK in the years leading up to the First World War based on primary financial and other records – played a major part in convincing me, at least, that there was indeed a future as well as a past in this type of study!
If you want to understand where many of football’s current developments arose from, this is a great place to begin.
Based on a vast range of club and association records, Pay Up and Play the Game, first published in 1988, presents a systematic economic analysis of the emergence of mass spectator sport during the years prior to World War I. It explores the tensions behind an increasingly commercialised activity that was nonetheless suffused with 'gentlemanly' values at many levels, and highlights the retreat of the latter as working-class consumption and participation became predominant, symbolised most dramatically by the celebrated victory of proletarian Blackburn Olympic over the Old Etonians in the FA Cup final of 1883. Wray Vamplew examines the linkages…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
David Conn’s book was first released in 1997, just a few years after the inception of the English Premier League.
It was the first critical evaluation of the new business of football, in which he sought to understand what was being lost as the game was transformed into a branch of the entertainment industry, while at the same time accepting the many unarguable benefits that were accompanying that transformation.
Its quality and importance are evidenced by the fact that it has been republished at least five times.
It remains essential reading for anyone who wants to understand more about the opaque world of football finance, governance, and ownership.
In eight years English football has been transformed. In 1989 clubs were banned from Europe and the Hillsborough disaster exposed football's crumbling grounds. Today football is cleaned up and is also big business. Since the Taylor report forced English clubs to spend #600 million rebuilding their grounds, and since Sky and the BBC put #1 billion into the game, serious businessmen have arrived in football, and have mostly been welcomed because of the money they were "investing" into the "long-term health of the game". This book examines the transformation and asks is it still a game or a business?
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
This novel gets to the heart of football’s importance to communities, in this case a small Scottish industrial town beset by poverty and unemployment in the 1950s.
In this comic novel Jenkins writes simply but evocatively about football, about its emotion, and its beauty.
But perhaps more importantly, his writing focuses on the town’s people and their relationships, with each other and with the town’s Junior football team as they dream of winning the Scottish Junior Cup.
While it would be unwise to overly romanticize how football was in the past, at the same time looking back does make you question whether everything about the modern game should be interpreted as progress.
Within the severe and depressed slums of Drumsagart, rife with unemployment and discontent, the members of Thistle cling to their game as an escape. And when they actually start winning, a momentum grows up in the community around them, as they come to represent ambition and hope. The Holy Grail of football, the Scottish Junior Cup, glitters at the end of a string of matches and suddenly the entire town of Drumsagart is depending on it...
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
The individual at the heart of this book, the legendary football manager, Brian Clough, had no shortage of either.
However, what is extraordinary about this book is that it introduces the reader to an entirely different version of Clough than the one we are most familiar with from the media.
It is a remarkable and scarcely credible story, one which is moving, and which highlights the kindness of the man, his family, and of many of the then players and employees of Nottingham Forest.
It also reminds us just how distant football, its clubs, and its star players and managers, have become from their people in recent decades.
Shortlisted for the William Hill Sports Book of the Year Award 2022
Craig Bromfield was just 13 years old when Brian Clough, on a whim, took him and his older brother Aaron in.
They came from Southwick, a depressed area of Sunderland, where they lived with their abusive stepfather, and from where they longed to escape. After initially meeting Clough while out begging for money, Clough later invited the brothers to stay at his house. From there a relationship formed which would see Craig living with the Cloughs for nine years, where he was a first-hand witness to the…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.
The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.
As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.
Irving Stone's classic biographical novel of Michelangelo-the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life.
His time-the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family...
His loves-the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love-the beautiful, unhappy Vittoria Colonna...
His genius-a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium...
His name-Michelangelo Buonarroti. Creator of the David, painter of the ceiling…
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
I could have broken the rules and just listed five books by Caroline Moorehead here. I love her writing; her highly-researched biographies are a joy to read and utterly immersive. I chose A House in the Mountains because it shows me what it’s like to survive the hardscrabble blow-by-blow of daily life under an occupying army, and how you can defeat it. The five women whose lives in the Italian Resistance during WWII she chronicles here are models of courage and creative resistance to tyranny.
'Moorehead paints a wonderfully vivid and moving portrait of the women of the Italian Resistance...an excellent book... She depicts a tragic fate that is timeless, of dreams forged in adversity, shattered by collisions with practical politics' MAX HASTINGS, SUNDAY TIMES
A Spectator Book of the Year
The extraordinary story of the courageous women who spearheaded the Italian Resistance during the Second World War
In the late summer of 1943, when Italy changed sides in the War and the Germans - now their enemies - occupied the north of the country, an Italian Resistance was born. Ada, Frida, Silvia and Bianca…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Unlike those of Richard Matheson, the stories of Italo Calvino are rarely adapted for stage or screen, his estate holding a heavy hand on the rights (I know—I’ve tried).
One of my favorite writers, Calvino specializes in eccentric, surreal stories as funny as they are moving.
Cosmicomics is a linked collection, each tale an imaginative fiction about the origins of a scientific idea, from the Big Bang (the narrator lives in a crazily cramped space with his family during the explosion) to evolution (his embarrassing old uncle still lives in the sea and refuses to make the trip to land). These stories combine whimsicality and gravity as few others do.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature,…
I am an author, attorney, artist, and entrepreneur. My experience as a litigator for over forty years, as well as my experience as a painter and an investor, has inspired and influenced me to write the Chance Cormac legal thrillers series.
Elmore Leonard is the master of the dialogue-driven novel.
In Pronto, the US Marshal Raylan Givens, who wears a cowboy hat and is a quick draw, defends a former bookie who is on the run in Italy. It’s the basis of the TV show Justified, which is also a great legal thriller.
Leonard always gives an authentic voice to his characters, whether they are a bookmaker on the run or a Marshal from Kentucky.
“Speedy, exhilarating, and smooth. Nobody does it better.” —Washington Post
“The man knows how to grab you—and Pronto is one of the best grabbers in years.” —Entertainment Weekly
Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career…
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2015 WINNER OF THE GOLDSMITHS PRIZE 2014 WINNER OF THE 2014 COSTA NOVEL AWARD
'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless,…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I wanted to include this book because it focuses not only on women in the Renaissance but on the particular experience of a Jewish woman living and writing in seventeenth-century Venice.
Even though the Venetian republic proclaimed justice and equality, those ideals did not extend to women nor to the thousands of Jews and other non-Christians who made their home in the city. As a Jewish woman, Sarra Copia Sulam had to navigate prejudice and suspicion on two fronts, yet she courageously defended herself and her faith in print.
The book does a wonderful job of showing how Sulam used her dexterous pen to take on her critics, and Westwater’s account reveals new biographical information about Sulam, her family, and Jewish life in the Renaissance.
For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums for Jewish-Christian interaction in early modern Venice. Though Copia Sulam built a powerful intellectual network, published a popular work on the immortality of the soul, and gained fame for her erudition, her literary career foundered under the weight of slanderous charges against her sexual, professional, and religious integrity.
This first biography of Copia Sulam examines the explosive…
