83 Books Like The Crimes of Jordan Wise

I think The Hot Spot is perhaps the best of several noir novels by Charles Williams, a writer who deserves to be better known. 

Originally published as Hell Hath No Fury, The Hot Spot, well filmed under that title in 1990, chillingly illustrates the claimed truth of the proverb about a woman scorned. As readers, we cannot help but like Harry Madox, a clever but semi-sleazy used-car salesman who robs a bank in a small Texas town and sleeps with his boss’s boozy wife before falling in love with a younger, more innocent woman.

Then Harry learns to his dismay that the boss’s wife is determined to keep him from having the things he now realizes he really wants. Re-reading this novel, I always root for Harry to escape from the deep pit he has dug for himself, and I keep turning the pages, hoping he will.

I have loved this novel since first reading it in college—probably when I should have been studying for exams! 

Double Indemnity is one of the first and best American noir novels and served as the basis for the 1944 film by the same name. The novel taught me about the classic noir trap: a basically good but flawed man helps a basically bad but attractive woman in an effort to murder her husband, the good/flawed man hoping to end up with both the woman and the money.

But things seem fated to go wrong, and what starts out as a bleak tale ends up even bleaker—at the dark end of a one-way street. Since reading this powerful novel—and seeing the equally powerful film with its crackling dialogue by famed hardboiled crime writer Raymond Chandler—I have never looked at life quite the same way again.

Most people know this book due to its film adaptation, with Robert Mitchum in the title role. To me, it is a splendid book because, like all great fiction, it tells the truth. More than a great many nonfiction books, it tells the truth about the actual nature of organized crime.

It strips away the phony glamour and describes the actual nature of the mob—treacherous, violent, and unforgiving. And the dialogue is amazing! What you see in this book is not the Mafia but Irish gangsters, and they are tired blue-collar men who are just scraping by. That is what organized crime is all about today, just as it was in the 1970s.

I admire this novel for its seamless blend of classic noir themes and, in an unusual aspect of such a novel, racial issues.

I find the narrator to be a near-perfect blend of intelligence, determination, and the fatal flaws of lust and greed.  The femme fatale shares those qualities but adds more than a touch of ruthlessness. The novel features a number of compelling, even frightening scenes—for example, a late night burial, or re-burial, in a pet cemetery.

The plot is beautifully crafted, with a number of twists and turns that on my first read I did not see coming. And the ending is pitch perfect, a satisfying mix of death, sadness, and justice but with a glimmer of hope that contrasts effectively with the noir themes and at least partially resolves the racial issues.    

I love the concept of the main character, Marion Palm. She's a sort of anti-hero, exactly the sort of woman society expects us not to celebrate: she commits crimes, and then abandons her family when she's been found out. She goes on the run, like the characters in The Last Flight but for different reasons. And yet I found myself rooting for her. Her crime is almost victimless (or rather, the victims are mostly stuck-up rich people we are not exactly encouraged to sympathize with), and her motives are not selfish. In the end, I took this as a book about a woman unapologetically seeing her own worth and looking for people who will appreciate her for it, albeit in bracingly unconventional ways.

Did you know that women excel when it comes to embezzlement?

It’s the one type of fraud that is more likely to be committed by a woman than a man. That’s why embezzlement is often referred to as pink-collar crime. But, as Paxton points out, the crime has more to do with position rather than gender as most embezzlement is committed by lower-level employees, such as the bookkeeper who runs the accounting and finance side of an office.

This is especially true in smaller businesses. Packed with numerous real-life stories, Paxton shares tips every organization should use to ensure this type of crime does not happen on their watch. She also is known for creating fraud-related hashtags, my favorite being #trustisnotaninternalcontrol.

Looking for a touch of fiction with your finance: The Millionaires is not only fun, it’s a great look at how easy (and tempting) it can be when working in finance to cross the line and act for personal gain.

As someone who has worked in the finance industry for decades, I’ve become all too accustomed to moving millions, sometimes tens of millions with the touch of a button. What happens when an average guy has that authority? What if that average guy is actually innocent?

Read The Millionaires for an entertaining look at the possibilities.

Do you like some romance with your murder mystery? Then you will love Getting Rid of Bradley by Jennifer Crusie. Better known for her many bestselling romantic comedies, twice RITA winner Crusie had been writing laugh out loud love scenes for years before she turned to murder mystery. And boy does it show!

The pace is lightning fast, the dialogue a delight, the snazzy sister talk and keep your hair on cop talk metamorphose swiftly into a laugh-a-minute embezzlement and attempted murder romp. Does true love win? Ask Jake or Lucy. Or perhaps Lucy’s sister Tina, who will always take the opposite view. A well-plotted story that satisfies yet still leaves you wanting more!

McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst  Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.

I’ve always felt the story of my book was more parable than anything else. And Steinbeck’s The Pearl is one of the best.

“Be careful what you wish for” is a powerful theme, and The Pearl answers it with a moral wallop in less than a hundred pages. This is a constant reminder that not only is less more, but in the hands of a master, a parable can be a complete, compelling, and life-changing experience. Something I aspire to every day.