Here are 100 books that The Cornish Wedding Murder fans have personally recommended if you like
The Cornish Wedding Murder.
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Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
Bridget turns private humiliation into public comedy without ever giving up on her bruised heart.
I like to kid on that I read the classics, and Fielding's book is a true modern classic. Bridget Jones is the uber-loser turned winner. I remember reading this and feeling that delicious shock of recognition: my terrible choices, my doomed self-improvement plans, the way one bad decision always blossomed into five.
What I still love is how Fielding catches the gap between who Bridget thinks she ought to be and first-rate hopeful hot mess.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I spent my twenties mostly devouring women’s fiction and romance novels with female leads, but I also stepped outside my preferred genre. Being a strong lead doesn’t necessarily mean saving the world or doing something heroic (though obviously that helps!), it’s about strength of character, being real, and being able to fight on when things get difficult. I always dreamt of being an author, but only started writing properly when I developed a debilitating long-term health condition. I used writing to support my rehabilitation and this led to me finally achieving that dream – so in a way, I see myself as a strong female lead in my own story.
That Night in Paris is the second book in Sandy Barker’s Holiday Romance Series, which is packed with beautifully described holiday destinations and the will-they-won’t-they moments we romance readers love. In That Night in Paris, Cat books an impromptu European coach trip in desperation after she has a few too many wines and sleeps with her flatmate. And what a decision that turns out to be when she bumps into her long-lost teenage crush in Paris.
Cat’s on my dinner guest list because she’s feisty, fun, and oozes sass, while at the same time having a more vulnerable side that would get the deeper conversations going by dessert. Sometimes strong women who are confident and outspoken (in a good way) can be criticised and labelled negatively, but women like Cat should be applauded for being real.
Note to self: don't sleep with your flatmate after a curry and three bottles of wine... especially if he's secretly in love with you and wants you to meet his mum.
Cat Parsons is on the run. She doesn't do relationships. After ten years of singlehood even the hint of the 'L' word is enough to get Cat packing her bags and booking herself onto a two-week holiday.
A European bus tour feels like a stroke of genius to dodge awkward conversations at home. But little does Cat realise that the first stop will be Paris, the city…
I spent my twenties mostly devouring women’s fiction and romance novels with female leads, but I also stepped outside my preferred genre. Being a strong lead doesn’t necessarily mean saving the world or doing something heroic (though obviously that helps!), it’s about strength of character, being real, and being able to fight on when things get difficult. I always dreamt of being an author, but only started writing properly when I developed a debilitating long-term health condition. I used writing to support my rehabilitation and this led to me finally achieving that dream – so in a way, I see myself as a strong female lead in my own story.
This is so much more than the cosy romance the cover and title promise. It’s a wonderful story bursting with friendship, office politics, drama, and mystery. When Anna’s loser of a fiancé gets cold feet, focusing on her career as a project manager seems a safe way to move on. But when two unwelcome faces join her workplace, Anna’s suddenly got a lot on her plate – and that’s before the mysterious texts start appearing from a guy who calls himself C.
Anna would be a guest at my dinner table because she feels like a kindred spirit. Like me, she’s driven and ambitious, as well as someone who doesn’t take any nonsense – and she’s good fun. I could definitely see us sharing and comparing office horror stories over a few G&Ts.
A Walk in Wildflower Park was originally published as a four-part serial. This is the complete story in one package.
'Pure escapism - full of wit, warmth, humour, and a moving look at the friendships and relationships that make us all tick.' Debbie Johnson, bestselling author of The Comfort Food Cafe series
Life's not always a walk in the park...
Anna thought she'd found The One - until he broke off their engagement exactly a year before their wedding day. Hoping new surroundings will do her the world of good, she moves in to a place of her own…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I spent my twenties mostly devouring women’s fiction and romance novels with female leads, but I also stepped outside my preferred genre. Being a strong lead doesn’t necessarily mean saving the world or doing something heroic (though obviously that helps!), it’s about strength of character, being real, and being able to fight on when things get difficult. I always dreamt of being an author, but only started writing properly when I developed a debilitating long-term health condition. I used writing to support my rehabilitation and this led to me finally achieving that dream – so in a way, I see myself as a strong female lead in my own story.
Andie Newton writes historical fiction with strong female leads, set during World War II. In The Girls from the Beach, Kit, an American nurse, is sent behind enemy lines to infiltrate the Reich and steal something critical to the outcome of the war. It’s a gripping, edge-of-your-seat story that’s guaranteed to have you bawling by the end.
Obviously, I’d need a time machine to have dinner with Kit as a young woman, but she could still be around today, recounting heroic tales from that awful time. Kit is super brave and she’s persevered through unimaginable circumstances. Even if she didn’t want to share her stories, I’d invite her as a thank you for the sacrifices she and all service people made so we have the freedom we have today.
'We'd heard stories about the nurses in tent seven. A secret mission, stolen money, and spies...'
In 1944, four American nurses disappeared for five days. No one knew what happened to them. Until now.
When Kit and Red set foot on French soil during the Normandy landings, they know they have to rely on each other. As they head for the battlefield, their aim is simple: save lives. But when they're called away on a top-secret mission to patch up a few men behind enemy lines, everything changes.
Alongside fellow nurses, Roxy and Gail, they're told to…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
The funniest memoir I’ve ever read about being Australian and growing up in Sydney. It had me in tears throughout, with belly laughs and nostalgia.
Like Robert Hughes, Clive James was a stylish writer with a wonderful facility for words who sadly is no longer with us. He wrote a bunch of sequels (Falling Towards England, May Week Was in June, et al), and his poems are bloody good, too. He’s sadly missed.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon
In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
If you were suddenly awarded 8.5 million pounds, what would you do with it? Would you take the advice of the financial consultants and invest it sensibly? How boring. If you were a visionary you might create a sensual paradise of your imagination. But if you are just an ordinary young working-class Londoner? You might remember an instant—on holiday, or at a party—when you felt happy and content, and decide to recreate it.
This time the writing is sparse and matter-of-fact. I hardly noticed as the hero’s project proceeds gradually, logically into realms of absurdity, told with deadpan humour. For me, speculative fiction involves a world that is recognisable and familiar—but which gradually becomes ‘curiouser and curiouser’.
It’s a story that makes you think—though without telling you what to think.
Traumatised by an accident that involves something falling from the sky and leaves him eight and a half million pounds richer, our hero spends his time and money obsessively reconstructing and re-enacting memories and situations from his past: a large building with piano music in the distance, the familiar smells and sounds of liver frying and spluttering, lethargic cats lounging on roofs until they tumble off them...But, when this fails to quench his thirst for authenticity, he starts reconstructing more and more violent events, including hold-ups and shoot-outs.
I hold a Master of Fine Arts in Writing for Children and Young Adults. In addition to the usual two-year program, I studied an extra semester, where I read all the best children’s books about friendship. I wanted to learn how the great authors such as A. A. Milne, James Marshall, and Arnold Lobel wrote stories full of so much heart and humor. My love of friendship stories burgeoned from there. And now, it’s with great delight that I offer you my Best Children’s Books About Friendship—and, of course, my very own friendship story, Big Bear and Little Fish.
Frank and Bean opens with Frank, who visits the great outdoors to find peace and quiet. Then, Bean shows up. He is literally a one bean band, with a drum, trumpet, triangle and more. Needless to say, they don’t initially hit it off. But then it gets dark, and fears bring them together. Before you know it, they are making beautiful music together. The text is full of wry humor presented with a wink for adults, while the illustrations are pitched perfectly to make five- to eight-year-old readers giggle along. I love this friendship story because it’s so much fun to read out loud.
When the introspective Frank meets the gregarious Bean, can they find a way to make beautiful music together? Dry wit and hilarious illustrations introduce a new unlikely pair.
Frank likes peace and quiet. He likes his tent, his pencil, and writing in his secret notebook. Bean likes noise. He likes his bus, his trumpet — toot, toot! — and making music. Loud music. But Bean is missing something: he does not have words. What will happen if Frank shares his words with Bean? With a laugh-out-loud narrative by Jamie Michalak, author of the Joe and Sparky series, and Bob Kolar’s…
I’ve always written funny, rhyming poems so, when I began reading picture books to my kids, I decided to give writing one a try. I now have seven published books (six are in rhyme). I love creating humorous, alliterative stanzas – I think that’s what makes rhyming picture books so much fun to read aloud! Here's an example from my book Cock-a-Doodle Oops: “I know that I’m quiet, but I’d like to try it. Here goes said a shy little sheep. / Her cock-a-doodle baaaa didn’t travel too faaaa. In fact, she made barely a peep.” I hope you enjoy reading the books I’ve listed and other humorous, rhyming picture books!
I Was Born a Baby is my favorite Meg Fleming book – and that’s saying a lot! The rhyme and meter are wonderful! “I was born a baby. I was born a colt. / I was born a piglet. I’m a billy goat.”
The illustrations are so adorable and add to the humor! Not only will kids love listening to the rollicking rhyme, but they’ll also learn the names of animal babies! It’s the kind of book you love reading again and again and again!
Don't miss this irresistible read-aloud in the vein of Chicka Chicka Boom Boom-with catchy rhymes and bold, silly art about baby animals and the names they share!
I was born a baby and grew into a kid...
Soon all the other baby animals can't help but share what they are called and what they grew up into! Readers will learn about owlettes, pufflings, and more. But when the chick, calf, cub, and pup realize they share their names with several other species, they can't believe it. "No way! No how! That can't be true!" becomes a catchy, energetic refrain readers…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
I loved the cleverness and comedy of this book, as Terry Pratchett creates a story that’s both absolutely sweet and beautifully dark. The whimsical way Terry Pratchett puts Hollywood in a carnival mirror not only creates a cheesy fantasy world where cameras are full of fast-painting imps but one with a darker side—a darker side that includes some fun Lovecraftian references and other Easter eggs.
A hilarious take on the movie industry and all its foibles. Moving Pictures is filled to the brim with Sir Terry Pratchett's signature wit and cutting humour
'An enduring, endearing presence in comic literature' Guardian
The alchemists of the Discworld have discovered the magic of the silver screen. But what is the dark secret of Holy Wood hill?
It's up to Victor Tugelbend ('Can't sing. Can't dance. Can handle a sword a little') and Theda Withel ('I come from a little town you've probably never heard of') to find out...
MOVING PICTURES, THE TENTH DISCWORLD NOVEL IS A GLORIOUSLY FUNNY…