Books like The Concise Srimad Bhagavatam

Peter Adamson’s fantastic and long-running podcast A History of Philosophy Without Any Gaps is also a book series.

My favourite is the introduction to Indian thought, a subject that badly needed an accessible overview. Each chapter is a short taster on a major thinker or aspect of Indian philosophy, laced with Adamson’s trademark drollery. It begins with the ancient Vedas and encompasses Jain and Buddhist thought going up to the sixth century AD.

As someone brought up in the Western philosophical tradition, I found the explanations of Indian ideas thought-provoking and fascinating. 

What I like best about this book is that it is particularly well edited by one of the best scholars of religion today (Martin Marty), and that it is very unbiased, not favoring any one religion over others, simply stating what believers in each faith tradition generally believe and do. It is a little light on indigenous religions but gives a good overview of and introduction to the major faith traditions, covering the Abrahamic, Vedic, and other major traditions in adequate, appropriate detail. Highly recommended.

As the great Asian renaissance gathers momentum in the 21st century, many young Asians will begin to rediscover their own cultures and civilizations, just as the West did in its first cultural renaissance in the 15th century. Few understand classical Indian civilization as well as Amartya Sen does.

Since Asian cultures are associated with despotism and Western cultures with individual liberties, Sen says, “The claim that the basic ideas underlying freedom and tolerance have been central to Western culture over the millennia and are somehow alien to Asia is, I believe, entirely rejectable.” Living up to the spirit of the title of his book, Sen demonstrates in this book that he’s an argumentative Indian and Asian. Argumentative Asians will eventually win the argument with the West. 

This book examines the function and representation of religion in Indian cinema and demonstrates that the interplay between the modern and the traditional in modern India is a natural aspect of daily existence. It discusses India's various cinemas while focusing on Bollywood, the Hindi film industry in Mumbai.

The devotional genre, which peaked during the height of the nationalist movement in the 1930s and 1940s, the mythological genre, which carries on India's long tradition of retelling Hindu myths and legends by drawing from sources like the national epics of the Mahabharata and the Ramayana, and Bombay-produced films that portray India's Islamicate culture, including historical, courtesan, and "Muslim social" genres, are all covered in Rachel Dwyer's engaging conversation.

"India will sing like a bird out of its cage when she is free," says one of the characters in this wonderfully engaging book. Times of transition interest me and this book is set during the early part of Indian Independence, when everyone was trying to find a new identity and way of living, especially Victoria, one of the three main characters who is Eurasian, or as we would now say, mixed race. She is torn between the two sides of her heritage. Some of the language is shocking in our times but it is a fascinating story of people caught up in a country’s re-birth. It is also a tender love story. It’s a great way to get a feel of that period of upheaval.

This book connects the latest environmental research with Hinduism, one of the most ancient religious traditions of India.

It has well-researched chapters by top-notch experts in Asian Studies and Environmental Studies that touch various natural resources such as the mountains, rivers, oceans, and land, as well as their consumption and reverence by Hindus in India and beyond. 

There are times when we think that we have successfully buried something in our past and it suddenly resurfaces and shocks us. But what if this ‘thing’ wreaks havoc with our lives and turns it topsy turvy? Only the Good Die Young is a taut and gripping sequel to Akash Verma’s thriller, You Never Know. The book unravels beautifully, quite like a web series playing out between the craftily stitched words.

Who among us has not looked at our published academic paper and felt that tinge of sadness at so much left unsaid? This book is about all that is left unsaid—an entertaining account of the many stories behind the data collected for research that does not make it into our sanitised published papers. Traversing different parts of North India, two young women carrying out conservation research encounter not just nature but also opinionated men, corrupt officials, and a bureaucracy that worked at a frustrating snail’s pace. The accounts in the book are hilarious and relatable to anyone who has done field research, ecological or otherwise in India, where data collection is interspersed with memorable and amusing everyday conversations with a range of people. This is a book I would have loved to write myself. And I hope I still can someday, in my own way.

We started in the snow-capped peaks of Davos and end in the sun-baked forested hills of Niyamgiri in Odisha, where Adivasis (India’s “tribals” or indigenous groups) are fighting land seizures by multinational mining companies like Vedanta. This remarkable book, co-authored by anthropologist and regional expert Felix Padel (who happens to be Charles Darwin’s grandson) and activist and filmmaker Samarendra Das, shows how such distant spaces are connected. It brings attention to the commodity chain of aluminum, from the bauxite in the ground to the finished industrial and consumer products all around us, and faithfully captures both corporate strategies and indigenous perspectives (a rare feat). Now in its second edition, Out of this Earth continues to inspire a deeper understanding of capitalism as a total system and provides hope to those challenging it. 

This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.