Here are 32 books that The Complete Works of George Herbert fans have personally recommended if you like
The Complete Works of George Herbert.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart. Shortly after watching the movie The Song of Bernadettein Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.”
I absolutely love Flannery O’Connor’s short stories; they are like shining gems of literary perfection. She sees through all the meaningless masks and artifices that people put up to mislead and distract, and she describes the motivations at the heart of the conflict.
No two of her characters are the same, and she brings a clarity of thought and vision like few other authors can. Often, the characters within her short stories make jaw-dropping pronouncements about either themselves or issues of faith or morality. For example, in A Good Man is Hard to Find, the sudden turn of events can be shocking, but there is always a great value to every word she painstakingly wrote in her short life.
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction.
There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.
O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death―is a…
LeeAnn Pickrell’s love affair with punctuation began in a tenth-grade English class.
Punctuated is a playful book of punctuation poems inspired by her years as an editor. Frustrated by the misuse of the semicolon, she wrote a poem to illustrate its correct use. From there she realized the other marks…
Time travel has always been my favorite genre of storytelling. Devouring every time travel book, movie, TV series, or comic strip I’ve come across in my life got me thinking a lot about cause and effect, chicken and egg, before and after. I eventually came to realize the literary world of prequels and sequels with multiple book series didn’t always have to be read in the order of release, especially if, as a reader, you had a late start that was still “new to you.”
Sequel/prequel/sidequel/timequel: reading a series out of order is a whole new type of adventure.
Like many kids, I devoured The Chronicles of Narnia in grade school.
I loved each story equally, but The Magician’s Nephew blew my pre-teen mind while introducing me to the concept of a prequel. It comes both after and before the other books?!?!?
Years later, a change in publisher controversially re-sequenced the series chronologically and “officially” moved this novel from sixth to first. I’m not going to definitively say you should read this one before the rest, but under the spirit of this list’s theme, you certainly can do so without ruining your enjoyment of the rest of the series.
(This is also the chronicle I’ve re-read the most.)
A beautiful paperback edition of The Magician's Nephew, book one in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes.
On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan's song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible.
The Magician's Nephew is the first book in C. S. Lewis's classic fantasy…
As an author for both adults (Eli) and children (McGee and Me), I’ve sold over 8 million books and videos. My passion is to strip away the religious varnish we’ve coated God in and reveal him as the loving friend and father he longs to be. My first agenda is to entertain, and I never want to get caught preaching. Instead, I use humor and page-turning stories to present his love in ways without ever getting caught.
I love this book because it discusses how we can experience God more deeply in everyday language. It’s not preachy and not “religious.” In fact, one of my favorite quotes from it is: “Religion as a dull habit is not what Christ lived and died for.” The essays are simple, profound and life changing.
Since its first publication in 1941, A Testament of Devotion, by the renowned Quaker teacher Thomas Kelly, has been universally embraced as a truly enduring spiritual classic. Plainspoken and deeply inspirational, it gathers together five compelling essays that urge us to center our lives on God's presence, to find quiet and stillness within modern life, and to discover the deeply satisfying and lasting peace of the inner spiritual journey. As relevant today as it was a half-century ago, A Testament of Devotion is the ideal companion to that highest of all human arts-the lifelong conversation between God and his creatures.…
LeeAnn Pickrell’s love affair with punctuation began in a tenth-grade English class.
Punctuated is a playful book of punctuation poems inspired by her years as an editor. Frustrated by the misuse of the semicolon, she wrote a poem to illustrate its correct use. From there she realized the other marks…
As an author for both adults (Eli) and children (McGee and Me), I’ve sold over 8 million books and videos. My passion is to strip away the religious varnish we’ve coated God in and reveal him as the loving friend and father he longs to be. My first agenda is to entertain, and I never want to get caught preaching. Instead, I use humor and page-turning stories to present his love in ways without ever getting caught.
I love laughing, particularly at our own human foibles. In this book of essays, in fact, in all of Brian Dole’s essays, he captures with both love and humor the peculiarities of what makes us human. His essays celebrate moments of everyday living that help me see profoundly and humorously what a joyful, profound, and mysterious thing this creation we call life can be.
“Brian Doyle is an extraordinary writer whose tales will endure.” —Cynthia Ozick, National Book Critics Circle Award-winning author of Quarrel and Quandary
This is a guided tour through the mind of one of the most acclaimed voices in contemporary Catholic writing. Brian Doyle effortlessly connects the everyday with the inexpressible and consistently marries searingly honest prose with interruptions of humor and humanity.
These essays bear Doyle’s trademark depth and deliver with eloquence his piercing observations on mohawks and miracles, vigils and velociraptors, syntax and scapulars, jail and jihad, and mercy beyond sense.
A 2018 Catholic Press Association Book Award winner.…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a sparklingly funny play. I love its contemporary freshness, its fleetness of foot, and its irreverence. It satirizes the fashion for all things French among London’s social climbers. It sugars the pill of all that satire by bringing a fast-paced plot to a comic ending of marriage and reconciliation. It taught me that writers in seventeenth-century England like the play’s author, John Dryden, were importing words and ideas from France as they sought to trace a middle way between a servile mimicry of French culture and an insular rejection of it.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
In the Restoration and the eighteenth century, the mark of a true poet was to see things—to describe the visible and invisible worlds so vividly that everyone could see them too.
Most modern readers are blind to this. But Jean Hagstrum teaches us how to see with eighteenth-century eyes. The pictures that poets make, and the paintings that inspire those visions, come alive in thoughtful readings that focus on the workshops of art: the schools where artists learn the craft of making what is imagined into something that seems real.
I studied retellings as I prepared to write my own take on The Secret Garden. Retelling a classic story can not only usher something like The Secret Garden or Peter Pan into our current time and place in history, but it can also awaken the wonder and magic many of us experienced when reading these tales for the first time in a new generation. It’s been so fun for me to see how modern authors put their own spin on these stories, and I hope you will enjoy them too.
This contemporary retelling of The Secret Garden sets the story in a closed-down tuberculosis sanitarium. Roo's journey to uncover the mysteries of the house and bring life to the garden tucked away inside it unfolds beautifully on the page. With well-developed characters, a deeply haunting revelation, and a setting that springs to life with vivid detail, this was a great take on a classic.
Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.
As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she…
I grew up exploring the worlds of the Brontës, Dickens, Braddon, Hardy, and more. So, for my Master’s in literature from the University of Oxford, it was the 1800-1914 period I focused on. When I started writing fiction, I chose the nineteenth century as my setting and a scandal that rocked the lives of the Bronte siblings as my topic. I hold myself to a high standard of historical accuracy when writing about real people (e.g. I cut moonlight from a scene in Brontë’sMistress when I realized it would have been a new moon that night!). And I love discovering and sharing other novelists who take the same approach.
Stephen Crane is most famous for his 1893 novel, Maggie: A Girl of the Streets, but it is his lost companion novel, about a male sex worker in late nineteenth-century New York, which is the focus of Edmund White’s Hotel de Dream. White moves between a frame story about Crane’s last days with his “wife” Cora and the story of Elliott, the supposed inspiration for the manuscript. I’m a New Yorker by choice so love reading books set in the city and I very much enjoyed this gritty portrayal of love and sex between men in the past. Crane isn’t the only writer who makes an appearance here—there’s a cameo from Henry James too!
Stephen Crane is writing a new story, and it may be his last. The year is 1900. The famous author of The Red Badge of Courage is travelling to a Black Forest clinic in search of a cure for the tuberculosis that threatens his life. He dictates to his wife, Cora, the story of 'The Painted Boy', inspired by a real-life encounter with a fifteen-year-old newsboy, Elliott, one wintry day in the Bowery. In the story Elliott is both impressionable and elusive. He finds himself the object of the hopeless affections of Theodore, the staid middle-aged banker who sets him…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
Life Beside Itself is a startling book not only because of what it reveals about the history of settler-colonial government care imposed upon Arctic communities during the tuberculosis crisis (1940-60s) and the suicide crisis (1980s onwards) but for the raw emotional proximity that it provides to the individuals whose lives were changed by policies that, ironically, were derived from care itself.
It is a well-researched book that unnerved me with the haunting emotional intimacies its ethnographic and imagistic approach brought through the pages. The intractable longing of a young man waiting each year at the harbour for the ship, the C.D. Howe, that took his grandmother away to a southern hospital is just one of the things in this book that wounds its readers by recounting different forms of care.
In Life Beside Itself, Lisa Stevenson takes us on a haunting ethnographic journey through two historical moments when life for the Canadian Inuit has hung in the balance: the tuberculosis epidemic (1940s to the early 1960s) and the subsequent suicide epidemic (1980s to the present). Along the way, Stevenson troubles our commonsense understanding of what life is and what it means to care for the life of another. Through close attention to the images in which we think and dream and through which we understand the world, Stevenson describes a world in which life is beside itself: the name-soul of…
