Books like The Complete Practical Guide to Card-Making — picked by fans

I am a children’s author and have written over 100 picture book texts for young children, including the best-selling Aliens Love Underpants series. I also enjoy making beautiful things for my home and garden, and for friends and family. Whilst writing is hard work, this other creative side is pure relaxation and ‘switch off’ time. But any projects have to be easily achievable within snatched moments in a busy work life. So here are my top crafting books for people who love creating things but, like me, don’t have much time...

I am a children’s author and have written over 100 picture book texts for young children, including the best-selling Aliens Love Underpants series. I also enjoy making beautiful things for my home and garden, and for friends and family. Whilst writing is hard work, this other creative side is pure relaxation and ‘switch off’ time. But any projects have to be easily achievable within snatched moments in a busy work life. So here are my top crafting books for people who love creating things but, like me, don’t have much time...

I am a children’s author and have written over 100 picture book texts for young children, including the best-selling Aliens Love Underpants series. I also enjoy making beautiful things for my home and garden, and for friends and family. Whilst writing is hard work, this other creative side is pure relaxation and ‘switch off’ time. But any projects have to be easily achievable within snatched moments in a busy work life. So here are my top crafting books for people who love creating things but, like me, don’t have much time...

I am a children’s author and have written over 100 picture book texts for young children, including the best-selling Aliens Love Underpants series. I also enjoy making beautiful things for my home and garden, and for friends and family. Whilst writing is hard work, this other creative side is pure relaxation and ‘switch off’ time. But any projects have to be easily achievable within snatched moments in a busy work life. So here are my top crafting books for people who love creating things but, like me, don’t have much time...

When I was in middle school, I’d spend much of my time in class daydreaming. Imagining myself in, say, a debate with someone I disagree with and going through a litany of scenarios where I’d try to convince that other person to change their mind. It’s a lot of fun. (My teachers would likely disagree.) When I grew older, I did more of that on my daily walks, and then about 11 years ago, I decided to start writing about creative ways to teach someone something they’re vehemently opposed to or just ambivalent about. I’ve published four books since then on this topic.

 AO: I have been intrigued by the Adam and smith (a play on Adam Smith’s name due to K. Boulding) of social sciences ever since, as a graduate student, I was given the privilege to teach a history-of-thought course. I found a lot of wisdom in Smith’s works and continue to find it with every new read. BW: I first met Adam Smith when I was studying for my master’s degree in economics almost twenty years ago. Since then, I have enjoyed rereading him, always finding new sources of fascination and insights. For me, Smith's work is endlessly rich and remains astonishingly topical, three centuries after his birth. 

Andrew Curran is passionate about books and ideas related to the eighteenth century. His writing on the Enlightenment has appeared in The New York Times, The Guardian, Newsweek, Time Magazine, The Paris Review, El Païs, and The Wall Street Journal. Curran is also the author of three books and numerous scholarly articles on the French Enlightenment. He is currently writing a new multi-person biography that chronicles the birth of the concept of race for Other Press. Curran teaches at Wesleyan University in Middletown, CT, where he is a Professor of French and the William Armstrong Professor of the Humanities.

I’m a political theorist at Syracuse University’s Maxwell School of Citizenship and Public Affairs. I spent the first fifteen years or so of my career working on the Scottish and French Enlightenments (Adam Smith, David Hume, Jean-Jacques Rousseau, Montesquieu, Voltaire), but in recent years I’ve been drawn more and more to the American founding. In addition to Fears of a Setting Sun, I’m also the author of The Constitution’s Penman: Gouverneur Morris and the Creation of America’s Basic Charter, which explores the constitutional vision of the immensely colorful individual who—unbeknownst to most Americans—wrote the US Constitution.

I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.

I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity.  It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.