Here are 100 books that The Complete Arranger fans have personally recommended if you like
The Complete Arranger.
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I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it’s a fantastic reference book on basic techniques for arranging for brass, woodwinds, strings, and voices. There are numerous practical and professional music examples that illustrate the text. I used this book for years as my bible for practical arranging techniques and basic information on all the instruments.
I always kept a copy of it on my piano when writing for quick and easy reference. Don Sebesky was a seasoned and successful arranger with a talent for organizing the material in a manner that’s clear, musical, and easy to understand.
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it provides essential practical knowledge of jazz arranging techniques through an in-depth analysis of 8 familiar arrangements by three of the most successful jazz arrangers, Thad Jones, Sammy Nestico, and Bob Brookmeyer.
The musical analyses are particularly valuable because of the way the author presents the analyzed scores with a condensed, concert analysis of the form and structure of the music below the score. In addition to being a successful New York arranger, Ray Wright was an accomplished educator having spent many years directing the Jazz Studies and Contemporary Media Program at the Eastman School of Music.
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it provides not only specific techniques for film scoring but also an overview of the lifestyle and business considerations of the film composer. This book reads like a novel but still presents a multitude of valuable information in a well-organized and anecdotal manner. It’s not an exhaustive textbook, but is a great place to start to get a feel for what it means to be a film composer.
I read the whole thing (132 pages) on a 5-hour flight from LA to New York. I love the fact that there are appendices (film/music schools, professional societies, and organizations, suggested scores to study, suggested reading, and websites) as well as a glossary of technical terms.
Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn about the cast of professionals you’ll work with as a film composer. Find out how to meet people in the business, network, and create a promotional demo. Learn how to compose themes and battle writers’ block. Understand how to preview…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it is a truly comprehensive textbook on contemporary film scoring, covering invaluable sections on musical techniques, the relation of music to film, the technology of film scoring, and the business and lifestyle of film composers. It features references to 150 films as well as interviews with many film composers.
The extensive practical information on musical techniques and technology, as well as the relation of music to picture and drama, are timeless and still valid in today’s world. I also love the way this book presents a wealth of information on the relation and interaction of the composer and filmmaker.
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Mancini wrote "Moon River," "Days of Wine and Roses," the Pink Panther theme and, for TV, music for Peter Gunn, Newhart, and The Thorn Birds.
He was the first film composer to become a household name in the 1960s and '70s. His cool jazz for Peter Gunn was so popular and influential that every cop and detective for the next 20 years was accompanied by "crime jazz," as it became known.
This is less about Mancini's personal life than about his career (the composer covered that already in his autobiography, Did They Mention the Music?), but I was captivated, particularly with Caps' ability to convey the essence of Mancini's music in descriptive words and phrases.
Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the…
I have a sophisticated education, including a Ph.D. in History from the University of Massachusetts. I have had a career, if that’s precisely the word, in the music business as the publicist for the Grateful Dead. I spent ten years researching what became On Highway 61. I have been a close observer of America’s racial politics at least since 1962, when the head of the Hollywood NAACP, James Tolbert, and his family, moved in next door to my family’s home in the white working-class neighborhood of Pacoima in the San Fernando Valley. Mr. Tolbert instructed me in music among other things, and I’ve been studying ever since.
When I began my book I’d been out of graduate school for 25 years. I read deeply to see what I’d missed and discovered what is now called cultural history. It seems to me that a great deal of it is written to a template rather than directly from the facts as discovered. Even though DeVeaux comes out of the academic world, I get no such sense from Bop. It’s brilliant. Immaculately researched and nicely written, it addresses the extraordinary transition of Black music from entertainment-driven (however artful) to art (however entertaining). It’s an important story, and DeVeaux tells it beautifully.
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz - the birth of bebop - and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
This book opened up jazz music for me and changed how I viewed it. It is a history book, a storybook, and a narrative on social change, and the author is both knowledgeable and intuitive in his approach.
Insights into nearly all forms of jazz are given, along with their origins. Free jazz and improvised music are explored and in the final pages, Finkelstein gives some wonderful insights into what the future of jazz might look like from the American viewpoint. Masterful writing and a glorious journey into and through the jazz genre and its development.
I felt like Finkelstein was speaking directly to me in some places. An accessible and informative read.
Jazz: A People's Music is a comprehensive book written by Sidney Finkelstein that delves into the history, culture, and significance of jazz music. The book explores the origins of jazz in African American communities in New Orleans and traces its evolution through the 20th century. Finkelstein examines the key figures in jazz, including Louis Armstrong, Duke Ellington, and Charlie Parker, and explores the social and political contexts in which they created their music. The book also explores the influence of jazz on other genres of music, such as rock and roll and hip-hop. Jazz: A People's Music is a must-read…
I am a former history major and teacher who has always loved to read histories and mysteries and then went on to write them as well. I have two mystery series of four books each (so far), the Mainely Mysteryand Clay Wolfe/Port Essex series.I’ve also written three historical fiction books about the diverse topics of Fidel Castro and the Cuban Revolution, Joshua Chamberlain and the Civil War, and New Orleans during Reconstruction. I’ve decided to combine my passion for histories and mysteries into a historical PI mystery set in 1923 Brooklyn,Velma Gone Awry.
This is a fun-filled mystery set in 1920s London. Cozies are not usually my thing, but I recently gave this a go as I am also writing a series in that exact time period and thought I’d see how Kinsey set about it. The historical beautifully captures the exuberance of the time period after World War I. Women have emerged from behind closed doors to interact on equal status as men, jazz music parades the pages with wild abandon, and the slang of the characters is spot on. The twists, turns, and action are blended in with the rich description to make this a delightful read.
Missing diamonds. Mysterious deaths. And all that jazz.
London, 1925. With their band the Dizzy Heights, jazz musicians Ivor 'Skins' Maloney and Bartholomew 'Barty' Dunn are used to improvising as they play the Charleston for flappers and toffs, but things are about to take a surprising turn.
Superintendent Sunderland has had word that a deserter who stole a fortune in diamonds as he fled the war is a member of the Aristippus private members' club in Mayfair-where the Dizzy Heights have a residency. And the thief is planning to steal a hoard of jewels hidden there under the cover of…
My prime credential for writing these books is my own humanity, as someone who's felt the deep power of music on the human spirit since childhood. The stories I tell in these books are about musicians and artists, people who had a passion for creating something out of thin air with patience and many years of hard work. I highlight their lives to give kids (and adults) examples of passion coupled with persistence because Life is often very challenging.
Deservedly, this book received 6 starred reviews for a superb pairing of text and artwork recounting the story of a historic photograph. Taken in 1958 for Esquire Magazine, A Great Day in Harlem captured the gathering of outstanding jazz musicians on a city street, and Orgill's book brings the magic of that summer day to life for young readers. How I wish this idea had been mine! ;]
What happens when you invite as many jazz musicians as you can to pose for a photo in 1950s Harlem? Playful verse and glorious artwork capture an iconic moment for American jazz.
When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn’t own a good camera, didn’t know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.
First of all, the compositions are incredibly beautiful. Kenny Dorham is the ultimate romantic. As an added bonus, Walter Davis arranges these often complex tunes in a way that is accessible for the intermediate pianist. The simple and economical voicings offer insights that you just can’t get from fake books.
Kenny Dorham: jazz legend, master composer, arranger and performer. His unique and compelling voice on trumpet is well documented on recordings. Now K.D.'s music is presented in print, through the eyes, ears and heart of pianist Walter Davis, Jr. All 30 compositions have been recorded by major jazz artists. Complete with recording credits, chord symbols and instructions for expanding the arrangements to include improvised solo choruses. Contents include: Escapade + The Fox + Karioka + La Mesha + Night Watch + An Oscar for Oscar + Philly Twist + Whistle Stop + Windmill + Una Mas + and 20 others.…