Here are 100 books that The Complete Arranger fans have personally recommended if you like
The Complete Arranger.
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I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it’s a fantastic reference book on basic techniques for arranging for brass, woodwinds, strings, and voices. There are numerous practical and professional music examples that illustrate the text. I used this book for years as my bible for practical arranging techniques and basic information on all the instruments.
I always kept a copy of it on my piano when writing for quick and easy reference. Don Sebesky was a seasoned and successful arranger with a talent for organizing the material in a manner that’s clear, musical, and easy to understand.
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it provides essential practical knowledge of jazz arranging techniques through an in-depth analysis of 8 familiar arrangements by three of the most successful jazz arrangers, Thad Jones, Sammy Nestico, and Bob Brookmeyer.
The musical analyses are particularly valuable because of the way the author presents the analyzed scores with a condensed, concert analysis of the form and structure of the music below the score. In addition to being a successful New York arranger, Ray Wright was an accomplished educator having spent many years directing the Jazz Studies and Contemporary Media Program at the Eastman School of Music.
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it provides not only specific techniques for film scoring but also an overview of the lifestyle and business considerations of the film composer. This book reads like a novel but still presents a multitude of valuable information in a well-organized and anecdotal manner. It’s not an exhaustive textbook, but is a great place to start to get a feel for what it means to be a film composer.
I read the whole thing (132 pages) on a 5-hour flight from LA to New York. I love the fact that there are appendices (film/music schools, professional societies, and organizations, suggested scores to study, suggested reading, and websites) as well as a glossary of technical terms.
Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn about the cast of professionals you’ll work with as a film composer. Find out how to meet people in the business, network, and create a promotional demo. Learn how to compose themes and battle writers’ block. Understand how to preview…
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it is a truly comprehensive textbook on contemporary film scoring, covering invaluable sections on musical techniques, the relation of music to film, the technology of film scoring, and the business and lifestyle of film composers. It features references to 150 films as well as interviews with many film composers.
The extensive practical information on musical techniques and technology, as well as the relation of music to picture and drama, are timeless and still valid in today’s world. I also love the way this book presents a wealth of information on the relation and interaction of the composer and filmmaker.
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Mancini wrote "Moon River," "Days of Wine and Roses," the Pink Panther theme and, for TV, music for Peter Gunn, Newhart, and The Thorn Birds.
He was the first film composer to become a household name in the 1960s and '70s. His cool jazz for Peter Gunn was so popular and influential that every cop and detective for the next 20 years was accompanied by "crime jazz," as it became known.
This is less about Mancini's personal life than about his career (the composer covered that already in his autobiography, Did They Mention the Music?), but I was captivated, particularly with Caps' ability to convey the essence of Mancini's music in descriptive words and phrases.
Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the…
I started buying records 70 years ago. I worked in a car factory for a decade, then landed a job in publishing, having written a couple of magazine articles, and finally got a chance to do what I was born to do: write about my favorite subject. Music has been the most important thing in the world to me ever since I heard the hits of the 1940s on the radio, playing on the kitchen floor while my mother did the ironing. I believe music is a mystery, more important than we can know, in every way: intellectual, psychological, emotional, philosophical. That is why it is such a big business, even if the business itself is often less than salubrious.
Back when jazz was popular and popular music was jazz, Andy Razaf was born in Washington DC, a member of the royal family of Madagascar: one source says his name was Andriamanantena Paul Rezafinkarefo, his father a nephew of Queen Ranavalona III. Andy became one of the most successful lyricists of his era. By the time he and Fats Waller co-wrote the black broadway show Hot Chocolates in 1929, Louis Armstrong singing "Ain't Misbehavin'" from the pit, he was at the top of his game. He and Waller wrote "Honeysuckle Rose", "Keepin' Out Of Mischief Now", "Blue, Turning Grey Over You", "The Joint Is Jumpin'", and more; in the early years, they would sell their lead sheets to as many publishers as they could, knowing that the publishers were cheats too. But Razaf also wrote with Eubie Blake ("You're Lucky To Me", "Memories Of You"), James P. Johnson ("A Porter's…
Chronicles the life and Prohibition-era times of the legendary songwriter whose lyrics include those for ""Honeysuckle Rose"" and ""Ain't Misbehavin'"" and whose musicals pioneered a distinctive African-American musical theater on Broadway.
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
This book opened up jazz music for me and changed how I viewed it. It is a history book, a storybook, and a narrative on social change, and the author is both knowledgeable and intuitive in his approach.
Insights into nearly all forms of jazz are given, along with their origins. Free jazz and improvised music are explored and in the final pages, Finkelstein gives some wonderful insights into what the future of jazz might look like from the American viewpoint. Masterful writing and a glorious journey into and through the jazz genre and its development.
I felt like Finkelstein was speaking directly to me in some places. An accessible and informative read.
Jazz: A People's Music is a comprehensive book written by Sidney Finkelstein that delves into the history, culture, and significance of jazz music. The book explores the origins of jazz in African American communities in New Orleans and traces its evolution through the 20th century. Finkelstein examines the key figures in jazz, including Louis Armstrong, Duke Ellington, and Charlie Parker, and explores the social and political contexts in which they created their music. The book also explores the influence of jazz on other genres of music, such as rock and roll and hip-hop. Jazz: A People's Music is a must-read…
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
Ellroy at his most avant-garde. The plot is familiar territory for Ellroy fans; murder and political corruption in 1950s LA. But the experimental prose style, including the most pared-down clipped sentences, started to alienate some of his readers. Personally, I regard the book as Ellroy’s masterpiece and the experimentation is justified as it helps to deliver a lightning-fast pace.
The internationally acclaimed author of the L.A. Quartet and The Underworld USA Trilogy, James Ellroy, presents another literary noir masterpiece of historical paranoia.
Los Angeles, 1958. Killings, beatings, bribes, shakedowns--it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer--a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire.
Klein's been hung out as bait, "a bad cop to draw the heat," and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins--all of them…
I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experimentsand the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.
In The Freedom Principle, Chicago music critic John Litweiler examines the AACM’s connections to the experimental styles of jazz that emerged in the late 1950s and early 1960s. Figures such as Ornette Coleman and John Coltrane were important early influences on the AACM, and Litweiler shows how their work became the foundation for the even more radical advances of AACM composers and improvisers. The Freedom Principle is also replete with wonderful stories from the AACM’s first two decades, including Henry Threadgill’s account of how he created the hubkaphone, a percussion instrument made from salvaged hubcaps.
}Ornette Coleman's discovery some thirty years ago that his band's music was indeed a "free thing" marked the beginning of a revolution in jazz. From the early free-form experiments, Coleman's dancing blues, and John Coltrane's saxophone cries and sheets of sound, to the brittle, melancholy modes of Miles Davis, vibrant, sophisticated new jazz idioms proliferated. In this critical and historical survey of today's jazz, noted critic John Litweiler traces the evolution of the new music through such artists as Coleman, Coltrane, Davis, Cecil Taylor, Eric Dolphy, Sun Ra, Albert Ayler, Anthony Braxton, and others. He also addresses questions such as:…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.
First of all, the compositions are incredibly beautiful. Kenny Dorham is the ultimate romantic. As an added bonus, Walter Davis arranges these often complex tunes in a way that is accessible for the intermediate pianist. The simple and economical voicings offer insights that you just can’t get from fake books.
Kenny Dorham: jazz legend, master composer, arranger and performer. His unique and compelling voice on trumpet is well documented on recordings. Now K.D.'s music is presented in print, through the eyes, ears and heart of pianist Walter Davis, Jr. All 30 compositions have been recorded by major jazz artists. Complete with recording credits, chord symbols and instructions for expanding the arrangements to include improvised solo choruses. Contents include: Escapade + The Fox + Karioka + La Mesha + Night Watch + An Oscar for Oscar + Philly Twist + Whistle Stop + Windmill + Una Mas + and 20 others.…