100 Books Like The Comanche Kid

I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.

Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.

I’ll never forget my first Jiu-Jitsu competition in front of a screaming crowd. I barely remember the actual fight, but what sticks in my head is the buildup to it—the warm-ups, the waiting, the bizarre cocktail of fear and boredom. It all felt weirdly familiar, thanks to the famous knife fight scene from this book, which I’ve read at least a dozen times.

The protagonist, John Grady Cole, is stuck in a Mexican prison when he learns that another prisoner is planning an attempt on his life. What follows is an excruciating waiting game. McCarthy nails the details—the sharpening of the senses, the undercurrent of dread, the way your perception of time slows and accelerates in unpredictable ways when the moment finally arrives. 

The Outlander is a gripping historical fiction novel set in the Canadian Rockies.

The story follows Mary Boulton, a young woman on the run from her dangerous husband. As Mary navigates the rugged wilderness, she encounters a cast of memorable characters and faces numerous trials.

I loved its evocative and atmospheric writing, transporting me to the untamed Rocky Mountains in the early 20th century. Adamson's portrayal of Mary as a strong and resourceful protagonist captivated me. The land is brutal and beautiful at one, as are the characters she encounters.

The Outlander is a compelling tale of survival, filled with suspense, surprising twists and turns, and a captivating exploration of the human spirit. I could not put this down.

This is what I wrote when, as a judge in 2020, I recommended All God’s Children win the prestigious Spur Award for Best Traditional Western:

“From the opening sentence, the opening paragraph, and page, Aaron Gwyn sweeps us into an early nineteenth-century America bursting at the seams. He tells the tale of two very different folks, a young man disowned by his family in Kentucky, and a young slave girl from Virginia who refuses to accept her lot in life. Both their paths lead them to Texas. For Duncan, to fight in the revolution and serve heroically with the Texas Rangers, yet can never have true love; for Cecelia, to know freedom and love on the frontier, only to have both brutally snatched away in an instant. Beautifully written in simple, classic prose, Gwyn offers us a fresh, yet timeless glimpse into two American lives that finally find, in themselves… show more.

Generations of students like me learned of this classic from a classic in her own right, English teacher Betsy Tapia of St. Michael’s High School in Santa Fe, New Mexico.

The book is set in eastern New Mexico, outside the more studied Santa Fe and Taos, in a fictionalized version of Pastura, Anaya’s hometown. The story resonated with those of us who knew atole as a favorite dish when ill or who had seen our grandmothers or neighbors’ grandmothers sprinkle dust devils with holy water on dry, windy, spring days.

Written with insight from those like Tapia, the novel captures a place and a time that feels real to me, even if it’s fiction.

This novel follows the journey of Mattie Spenser, a young bride who leaves her comfortable city life behind to settle in the harsh and unforgiving Colorado frontier.

As she faces numerous challenges, including isolation and the demands of homesteading, Mattie's inner strength and resilience shine through. Mattie's determination, the vivid depiction of frontier life, and the exploration of women's roles in the Old West pulled me right into her world.

A truly unique voice that absolutely enthralled me.

Buffalo Calf Road Woman is a riveting historical account based on true events.

This compelling narrative portrays the remarkable Cheyenne woman known for her valor in both the Battle of the Little Bighorn and the Battle of the Rosebud. Buffalo Calf Road Woman's courage shines through as she fearlessly charges into chaos, rescuing her brother from certain death.

The book immerses readers in the harsh realities of pioneer migration, showcasing the devastating consequences to the native tribes. I was captivated by the raw power of the storytelling and inspired by the unwavering bravery of Buffalo Calf Road Woman.

And these opening lines! “The end of the world began that day. Not slowly or quietly, not piece by piece or by degrees, but as a calamity that brings another and another and another." A powerful, thought-provoking novel. 

This one tells the true tale of the last Chief of the Comanches, Quanah Parker. His mother was a white woman who had been captured as a teenager by the Comanche in a raid and raised from then on in the tribe. Parker develops into a powerful warrior and a great leader at a time when the white man was making life almost impossible for the Comanche.

The second part of his life is quite different from the first part, and both are equally fascinating. It's another one that I am always sad to finish, but I have listened to it at least five times so far. It never gets old and is an amazing listen. 

The Comanche Empire turns imperial history on its head. I like how Hämäläinen puts the spotlight on Comanche Indians instead of European colonizers. Indigenous people were powerful empire builders too.

I love how the book is also a story of horses, bison and how Indigenous people harnessed the resources of their environment. Horse riding and bison hunting, as much as Indigenous adaptability, were the foundation of the Comanche Empire.

I’ve been hearing about Cynthia Ann Parker since I was a child growing up in the part of northern Texas once ruled by her Comanche captors–and her Comanche compatriots! Captured as a child by Comanche raiders at the Parker family’s frontier compound at the time of the Texas Revolution, Cynthia Ann fully became a Comanche. She married a warrior, Peta Nocona, and together they had a son, “Quanah Parker,” who eventually became the most famous “Indian” in America.

I was amazed by the authors’ ability to penetrate the myths surrounding Cynthia’s recapture by Texas Rangers. Speaking virtually no English, she was desperate to return with her infant daughter to her Comanche family, but both of them died in captivity, being held now as sad, unwilling captives of the Texans.