70 Books Like The Colony of Unrequited Dreams

During my 45 years of practicing law, I've learned that everyone has flaws, but we all still struggle to be recognized and accepted. I always ask my law clients why things have gone sideways because understanding the personalities involved and why they are in conflict is essential. This depth of understanding is equally necessary in the process of writing believable fiction. Characters and their conflicts must resonate with the reader. For me, as a writer, this is the essential challenge for writing good fiction. I can have imaginary conversations with any of my characters because they become very real personalities in my mind.

I’m obsessed with the exploration of what it means to be a human being. We’re coming into an era where we see more characters who aren’t good or evil but both—they possess the potential to save someone from jumping off a bridge one day and beating someone the next. We’re all capable of the greatest acts of kindness and the most abominable atrocities imaginable. I believe we need to be reminded of that fact so that when there comes a time when we can decide whether to hurt or to help someone, we become the better version of ourselves and make the right decision.

I was born and raised on the rugged island of Newfoundland and am enthralled by the ocean, its rhythm, its power. The setting of The Kerrigan Chronicles is the setting for my early life: same area, different era. As a child, I was unaware of the sacrifices and struggles of my ancestors. During cross-country telephone conversations with my aging father, I heard stories of poverty, illness, and war. When Dad described the earthquake and tsunami of 1929, I was hooked. I have written other novels, modern-day suspense that could quite frankly have been written by other people but The Kerrigan Chronicles are mine and mine alone.

I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.  

I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.

I have written all my life. This includes freelance writing as well as reporter jobs at small, weekly newspapers in the DC/VA area. I have also taught writing (creative and technical writing) to students as diverse as jail inmates, residents of homeless shelters, military officers at the Pentagon, CIA employees, and firefighters at Ronald Reagan National Airport. Both of my published novels are works of historical fiction set in my native Iceland: Seal Woman and Sigga of Reykjavik. These novels cover the time 1908 to 1955, a period when Iceland was a little-known island. I have always been drawn to novels about isolated, cold-weather places where unusual characters and mannerisms flourish. 

I’ve had a passion for northern places ever since I was a kid. I prefer locales that boast plenty of nature and not very many human beings. I’ve been to Greenland 15 times, but only once to Paris and never to Rome (Rome in New York State once). The more remote the locale, the better. Which is why I’ve only once been to Nuuk, Greenland’s capital, but several times to almost never visited villages in East Greenland.

Since I was a little boy, I’ve been fascinated by all things ‘creatures’–from massive Grizzly bears that roam the mountains to Kraken that swim in the depths of the oceans to massive Anaconda that are worshiped in the Amazon rainforest. Having discovered The Weekly World News tabloids at my grandma’s, I couldn’t get enough of what makes us question what lurks in the trees or swim in the waters around us. I’ve taken that love of all things cryptid and used those moments of awe and fear that I had while discovering these creatures all those years ago and placed them into the novels I write.

I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.

I spent most of my youth playing sports, and so was forced into being a closet reader, only sissies read books. I never watched TV as a kid. I was always buried in a book that transported me somewhere. These were the days when I had to read with a flashlight under the covers until I was caught and told to shut my darn book and go to sleep. This led to a degree in creative writing and a first career stint teaching the subject. Then, after retiring from founding a financial planning company, I started writing and hope I can transport others.