100 Books Like The City and Its Uncertain Walls

I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T. 

I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T. 

I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T. 

I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T. 

I'm sure you’ve heard of method acting. A technique by which an actor embodies the character they're portraying 24/7. I'm a method writer. I embody the world of the novels that I write. However, when the time came to write a novel inspired by graffiti, I faced a particular frustration. Graffiti is illegal. I felt a strong desire to grab a spray paint can to decorate public spaces. And yet the fear of a jail cell prevented me from acting on the impulse. I had to find a different outlet for that desire. I poured over every book and movie on the subject. I believe I became a bit of an expert.

I'm a “storyseeker” as much as a storyteller. I love hearing people’s ordinary and extraordinary stories; they inspire and motivate me and make me feel hopeful. I think our stories are the most precious things we have, and our greatest legacy. They help us understand each other better and connect us to people we may otherwise never get to meet. That’s why I wrote a book of personal stories called 30 Days: Stories of Gratitude, Traditions, and Wisdom and a 30 Days Journal that helps people record their own stories, by answering a prompt each day for a month. For a nonprofit I help lead called KindWorks, my title is CIO—Chief Inspiration Officer!

I have a little secret. I was late to the romance table. Though I grew up with a romance reading mother, my initial interests lay in the fantastical worlds of Paulo Coelho, Anne Rice, and David Gemmel. Romance seemed forbidden, and I didn’t touch the genre until my late twenties, when a nasty breakup sent my disillusioned heart looking for more. And what a revelation! Romance taught me to expect more from myself and my relationships. At the close of one creative career, it lit an unstoppable passion to become a contemporary romance author. And here I am, a decade on, writing romance and sharing my book recommendations with you!

These books attempt to describe the indescribable, pointing to the unknowable, only the living of which makes living living. What they have in common is that they invite us to practice along with the author, not giving any answers, but inviting us to look. I fell in love with Awareness Practice in my youth and through the decades that love has only deepened. I continue to love this journey of exploration and I hope the books that I have written contribute to that same experience for others. There is nothing more magical than having a direct experience of encountering who we really are, beyond ego’s dualistic world of opposites.

I'm a novelist, born and raised in New York City. To train myself to write realistic fiction, I started working in journalism first. I worked for New York magazine for a decade, writing about crime, politics, and other forms of anti-social behavior. Later, I wrote for television shows like Law & Order and Blue Bloods. But writing novels is what it's all about for me. I have nine of them so far. The audience is obviously quite small compared to the number of people who watch TV shows. But that doesn't matter. Nothing else allows you to communicate so directly from the studio in your mind to the theater in someone's else mind.

I lost my marriage. I lost my dad to cancer, and my mom to Alzheimer’s Disease (and wrote a memoir about it). Along the way, I lost my sense of superiority and entitlement. I gained the ability to laugh at myself and trust God for everything. I found that I was not as important as I had tacitly assumed. I’ve learned Jesus’s words are true: “Whoever loses his life for My sake will find it.” When I see this depicted well in a book, I think, “Thank God for writers who will tell me the truth.” Today, I’m a fiction book coach with a goal of helping writers tell the whole awful, glorious truth.