Here are 61 books that The Circle fans have personally recommended if you like
The Circle.
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I’ve always been a creative, imaginative person, and I love creating exciting, fantastical worlds, either through my fine art or the stories I write. As such, I am always intrigued by creations by others that depict all the interesting possibilities of reality. I consume and create fantasy and science fiction tales, which take up the majority of my readings and viewings. But I also love comedy! I love to think and laugh, and when I come across a story that makes me do both, that’s a beautiful double whammy! And I particularly love sci-fi because it isn’t just about escapism, but this genre leads to real-world scientific advancements.
I love this book because out of all the time travel tales I’ve watched and read, this one seemed the most plausible. I mean the method of time travel that was used, if time travel to the past is ever possible, the method they use in the book would probably be the means to do it.
So it made me think about that, but it also enlightened me about other aspects of time travel back to the medieval period in England that I’d never considered before: like for instance, the English they spoke would be mostly indecipherable, and you’d need a translating device (which, sadly the movie version didn’t address). So, it had me thinking a lot about language and how it’s evolved over time.
In this thriller from the author of Jurassic Park, Sphere, and Congo, a group of young scientists travel back in time to medieval France on a daring rescue mission that becomes a struggle to stay alive.
#1 NEW YORK TIMES BESTSELLER
“Compulsive reading . . . brilliantly imagined.”—Los Angeles Times
In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are…
Killion is born several generations after the establishment of the Cities of Light which now sprinkle each continent of the world, places where God’s spirit produces a tangible presence felt by all who enter. Yet he is raised outside these cities, under the direction of Adar, who teaches his followers…
I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since.
This is my favorite portal fantasy series. It truly defined portal fantasy for me, on top of all of the other books/series that I’ve already mentioned.
Meghan is your average teen…until she discovers a portal to a parallel world, the world of the Fey. This series has Meghan, and creatures from the fey realm, traveling back and forth as Meghan seeks to discover her true identity and her role in both worlds.
I loved how this series was fantasy but intertwined traditional fairytale creatures, storylines, and elements with Kagawa’s own twist on the Fey, along with Shakespearean creatures and even Shakespearean humor.
The Iron Fey is always my foremost recommendation for anyone who enjoys a great portal fantasy series, with one foot grounded on Earth, in reality, and the other in the fantastical.
Meghan Chase has a secret destiny-one she could never have imagined
Something has always felt slightly off in Meghan's life, ever since her father disappeared before her eyes when she was six. She has never quite fit in at school...or at home.
When a dark stranger begins watching her from afar, and her prankster best friend becomes strangely protective of her, Meghan senses that everything she's known is about to change.
But she could never have guessed the truth-that she is the daughter of a mythical faery king and is a pawn in a deadly war. Now…
I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since.
This book is technically more ghost/time travel than strictly fantasy, but it was the book that opened my eyes to the idea of “portal fantasy.” It’s the story of a teenage girl in an old mansion who is able, with her horse, Candlelight, to travel through a portal and meet the girl who lived in the mansion many years before her. It was mysterious, slightly spooky, and used the idea of parallel worlds in such a unique way. I read hundreds of books as a teen, but this one really stuck with me.
Can I Get There by Candlelight? is Jean Slaughter Doty's story of a young girl and her closest friend-a pony named Candlelight.
Lonely and unhappy after her family moves to the East and with only her pony, Candlelight, for company, Gail meets Hilary who is later killed in a pony-cart accident.
Before the events of Holy Terror, there was a quickening. This prequel carries readers back to the dawn of creation, following Thumos - the last angel made by God, appointed as Heaven's right hand of vengeance - through the defining moments of Scripture.
I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since.
This was probably the next book that confirmed the concept of portal fantasy for me. It’s an allegorical story of a young woman’s fight against evil and evil forces, but starts out on Earth before moving to a parallel fantastical realm. I remember reading this as a teen and being fascinated by the idea of moving back and forth between worlds. At this time, I wasn’t even aware of the term “portal fantasy” or the subgenre, but Arenadeveloped my interest in it.
Callie Hayes is living a life of fear and disillusionment when she volunteers for a psychology experiment that promises to turn her life around. As her orientation proceeds, Callie becomes frightened by the secrecy and evasion she encounters. When she demands to be released from the program, she is suddenly dropped into a terrifying alien world and into a perilous battle between good and evil. With limited resources and only a few cryptic words to guide her, Callie embarks on a life-changing journey. Will she decipher the plans the Benefactor has established for…
When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.
In this series intro, Marc Cameron introduces us to Special Agent Jericho Quinn, an Air Force veteran, champion boxer, and trained assassin.
When three Middle Eastern terrorists are injected with a biological weapon and unleashed on American soil, Quinn is chosen for a new global task force. He works directly for the Director of National Intelligence and the U.S. President himself.
Quinn's methods, as he navigates the treacherous world of international espionage and terrorism, are simple and brutal. His Air Force OSI background proves to be an integral part of the way he thinks and operates. National Security is a page-turner and even better on audio. Great read!
Reading certain texts in the Bible growing up began my love for all things supernatural. The more I studied the subject and understood the worldview of the biblical authors and of other ancient cultures, the more I began to see these scenes in vivid color. With my passion for theological study (personally and as part of a master’s program), my work as a police officer, and my love for fantasy fiction perfectly positions me to write stories in which deep supernatural elements intersect with the gritty and real space of everyday life.
This was one of the first fiction books I read that set before me a world that is ordinary interrupted, and affected by another world that is supernatural.
In this book, when the main character goes to sleep, he wakes up in another world populated by mysterious beings and people.
Perhaps most interesting about this set up, is that events in this “dream world” affect events in the waking one.
While the main character only retains a passive ability (entering this other world and healing) the whole traveling between both spaces, his interactions with both divine and malevolent beings, and his race to stop his world from destruction all pulled me into the story in such a way that I could not put down.
Enter the adrenaline-laced story that started it all: the fate of two worlds hangs in the balance of one man's choices as dreams and reality collide.
Thomas Hunter narrowly escapes mysterious assailants only to encounter a silent bullet that clips his head . . . and his world goes black. He awakens in an alternate reality and soon finds himself pulled between two worlds. In one, Thomas is an average guy working in a coffeehouse. In the other, he's a battle-scarred general leading a band of warriors known as the Circle.
Every time Thomas falls asleep in one reality, he…
Across America, a wave of brutal, inexplicable killings leaves hardened detectives and desperate federal agents grasping for answers.
But what appears to be vigilante terror is something far more ancient - an invisible war between the forces of light and the agents of darkness, playing out on the streets of…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
I return over and over to Zulaika and Douglass’ book as the most important and valuable text in the field that has come to be called critical terrorism studies. They ask a simple question: How can terrorism, something that kills relatively so few Americans–less in a typical year than are killed by lightning or choke to death on dinner–come to be seen as a fundamental threat to the very foundation of our life?
They weave an answer out of history, media studies, and sociology that is jargon-free enough to be accessible to an educated reader but sophisticated enough to get you rethinking everything you thought you knew about terrorism. That’s what it did for me.
Terror and Taboo is about the mythology of terrorism; it is an exploration of the ways we talk about terrorism. It offers incontestable evidence to support the idea that we give power to terrorism by the way we write and talk about it. According to Zulaika and Douglass, we make terrorism worse by the way we represent it in the media and in everyday conversation. Through their examination of terrorism, they propose to remove the taboos surrounding terrorism. Terror and Taboo is full of examples to ground the authors premise, ranging from specific examples, such as tendency to talk more…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
This book turned the field of Terrorism Studies on its head. Historical sociologist Lisa Stampnitzky demonstrates that the legion of terrorism experts who rose to prominence in North America, Western Europe, and Israel in the 1970s were not neutral analysts of political violence. Rather, through their intellectual work, much of it funded with government grants, terrorism scholars helped construct the contemporary meaning of terrorism as a threat to society fundamentally different from other forms of violence, crime, and political activity. This book made it clear that we can’t understand the history of “terrorism” without analyzing the history of the term itself, and how the use of this term in law, academia, politics, international relations, and popular culture has shaped political power and violent conflicts between states and insurgents.
Since 9/11 we have been told that terrorists are pathological evildoers, beyond our comprehension. Before the 1970s, however, hijackings, assassinations, and other acts we now call 'terrorism' were considered the work of rational strategic actors. Disciplining Terror examines how political violence became 'terrorism', and how this transformation ultimately led to the current 'war on terror'. Drawing upon archival research and interviews with terrorism experts, Lisa Stampnitzky traces the political and academic struggles through which experts made terrorism, and terrorism made experts. She argues that the expert discourse on terrorism operates at the boundary - itself increasingly contested - between science…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
I have taught the history of terrorism for over twenty years, and I think this is the single best introduction to terrorism available. When people ask me for one book to read on the subject, this is my obvious choice.
Hoffman is one of the most respected scholars of terrorism. In this book he includes a brief survey of the history of terrorism as a springboard to examining how it manifests in the world today. The writing is accessible, and the takeaways are clear.
Bruce Hoffman's Inside Terrorism has remained the seminal work for understanding the historical evolution of terrorism and the terrorist mind-set. In this revised third edition of his classic text, Hoffman analyzes the latest developments in global terrorism, offering insight into new adversaries, motivations, strategies, and tactics. He focuses on the rise of ISIS and the resilience of al-Qaeda; terrorist exploitation of the Internet and embrace of social media; radicalization of foreign fighters; and potential future trends, including the repercussions of a post-caliphate ISIS. Hoffman examines the demographics of contemporary terrorist leaders and recruits; the continued use of suicide bombers; and…
I'm a scholar with a deep interest in the critical study of propaganda and its role in shaping public perceptions of terrorism, particularly in Spain. My passion for this topic stems from the recognition that propaganda is pervasive in today’s world and that accusations of terrorism are often deployed strategically to delegitimize a society’s political opponents.
By examining how groups are framed as “terrorists” and unlearning the biased narratives that surround them, we can begin to understand their true nature beyond superficial prejudice. This perspective drives my commitment to exploring media, political discourse, and historical context critically, making me well-positioned to recommend works that illuminate the complex interplay between propaganda, terrorism, and societal perception.
It offers a fresh, bold alternative to mainstream terrorism studies, challenging the dominant state-centric frameworks.
I appreciate how it gives voice to marginalized perspectives, particularly those critical of Western policies. Its interdisciplinary approach helped me link terrorism with issues like identity, language, and empire.
It’s not just a handbook—it’s a manifesto for rethinking security.
This new handbook is a comprehensive collection of cutting-edge essays that investigate the contribution of Critical Terrorism Studies to our understanding of contemporary terrorism and counterterrorism.
Terrorism remains one of the most important security and political issues of our time. After 9/11, Critical Terrorism Studies (CTS) emerged as an alternative approach to the mainstream study of terrorism and counterterrorism, one which combined innovative methods with a searching critique of the abuses of the war on terror. This volume explores the unique contribution of CTS to our understanding of contemporary non-state violence and the state's response to it. It draws together…
