Books like The Cautious Traveller's Guide to the Wastelands — picked by fans

I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.

I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.

I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.

Don't panic.

Science fiction can be hilarious without becoming merely ridiculous. It can bend the genre’s conventions without losing its way, and unleash its imagination while still taking sharp aim at human arrogance.

I read this book before it was widely recognized as a classic, and immediately loved its mixture of adventure, unforgettable characters, and jokes so brilliant that they became cultural touchstones around the world.

Most of all, I loved never being able to imagine what would happen on the next page. Few books offer the same combination of speed, adventure, unpredictability, and genuine laughter. Ever since I finished it, I have kept a small towel nearby, just in case the world ends.

A short story compilation, within which the title ‘Uncle Einar’ made such an impression that I still, to this day, remember what it was about, who wrote it, and when I read it. I found it on my dad’s nightstand 65 years ago. That’s how much I liked it. Although the collection falls mostly into the fantasy genre, the title Uncle Einar is something of a crossover (Mutants!) and heartwarming to boot.

Many of these stories were first published in the pulp magazine Weird Tales, but keep in mind we’re talking about the 1940s and 50s. They called it ‘macabre fiction’. These days, we call it YA.

But this is, first and foremost, a work of literature, a timeless classic upon which the author made a splendid reputation, replete with lyrical prose, imaginative concepts, surprise endings, and persuasive dialogue. Also, an example of Magical Realism, a literary approach I… show more.

I recommend this book because it was one of the first books that made me feel like the world was bigger than anything I’d known.

When I read it, I remember feeling that rush, that sense of being lifted out of my own life and dropped into a place where courage mattered, and strange new landscapes waited around every corner. It wasn’t just adventure; it was escape, wonder, possibility. 

Readers who love getting lost in another world will understand that feeling immediately. And it fits my theme because it reminds me that stepping into the unknown, whether on Mars or in an ancient story, can change the way you see everything.

I fell deeply in love with Unsworth’s prose style and the striking use of “the play’s the thing” twist as Nicholas Barber and his travelling troupe try to solve a mystery.

As a medievalist, I was impressed with the depth of research that went into the production of the work. Nicholas is a wonderfully flawed character, and I found myself cheering as he left his tedious role to join the troupe.

I always enjoy Unsworth’s work because the plot, while tight and well-focused, is really an excuse to examine social issues and group dynamics.

This is another book I come back to again and again. 

I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.

This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.

This book is eerie and unnerving, from its first few pages to the alarming revelations that ensue. I started reading this late one night and couldn’t resist the urge to stay up and finish it! Claire Fuller’s detailed prose will entice, grip, and haunt you well beyond the final scene. 

I enjoyed this memoir, lived by a solo female traveler exploring the former Soviet states. Her journey, driven by a search for meaning after profound loss, was inspiring. Many people are unfamiliar with the "Five Stans," better known as the Silk Road.

This book brought the region to life, highlighting its rich history and culture while detailing the challenges of securing visas and navigating remote areas. Her perseverance and vivid storytelling kept me turning the pages, and I now plan to visit the region next year.

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

How do witch hunts start? How do they keep? Who keeps them churning until all parties involved are dizzy, and only the accusers are innocent?

A group of girls in 1692 are caught dancing around a fire in the woods, trying to conjure spirits or cast spells. They discover they can escape retribution by blaming the slave, Tituba, which starts a slew of false accusations. Whenever the so-called prosecution comes close to the truth, whenever evidence is about to expose the girls’ elaborate lie, they scream, fall to hysterics amidst befuddled men, as if some witch is tormenting them, and so point out a fresh victim for the witch hounds to pursue. The biggest lark is that none of them are witches, and the only craft the girls weaved was condemning innocent lives to torture and eventually death. You have to wonder who’s to blame here: Abigail… show more.