Here are 67 books that The Castle fans have personally recommended if you like
The Castle.
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Like some other things Iâve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, itâs the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella formânot novel, not short storyâseemed to work best for it. Itâs been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
Iâve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
The Scottish author Muriel Sparkâs specialty was short, mordant, corrosive novels, the best known being, of course, The Prime of Miss Jean Brodie. This one, published in 1970, was among her most striking.
A repressed womanâs vacation during the free-loving sixties turns out to be a date with death she may have initiated: the question lingers after you finish.
It became a flawed yet fascinating 1974 film with Elizabeth Taylor at her mostâliterally and figurativelyâexposed.
Driven mad by an office job, Lise flies south on holiday - in search of passionate adventure and sex. In this metaphysical shocker, infinity and eternity attend Lise's last terrible day in the unnamed southern city that is her final destination.
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the deadâletters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.Â
I find the experience of being at large in the world without a definite goal or obligationâthat is, the state of driftingâto be a profound and intense way of communing with yourself and the place youâre in. If youâre hurrying someplace, or caught up in internal worries, you miss something about the world that only becomes clear if you let yourself drift, no matter how scary that can be.
There are several Beckett books that belong on my list, as Beckett I think is one of the great authors about vagrants and castoffs, but Molloy is ground zero for me in terms of my relation to Beckett's work. The strangeness of Molloy's solitary relation to the world, and to the room he's confined in, was a big influence on my books as well.
Molloy, the first of the three masterpieces which constitute Samuel Beckettâs famous trilogy, appeared in French in 1951, followed seven months later by Malone Dies (Malone meurt) and two years later by The Unnamable (LâInnommable). Few works of contemporary literature have been so universally acclaimed as central to their time and to our understanding of the human experience.
I am an avid reader of fantasy novels and a Nigerian. Born and raised in southern Nigeria, I grew up during a time when Nigerian culture closely resembled that of a century ago. Since the 1980s, my country has undergone significant cultural changes, and I am drawn to stories that remind me of a simpler time, before I started adulting. I am also deeply fascinated with history. I have delved into anthropological articles and textbooks dating back to the eighteenth century to gain a better understanding of my heritage and people. These readings have greatly influenced my own writing, allowing me to paint the vivid historical pictures that captivate me.
The novel is a portrait of the harsh realities of post-colonial life and a reflection on the complexities of African culture and history. I find that I can relate to the book's exploration of identity and the struggle between tradition and modernity.
Okri's protagonist, Azaro, navigates the physical and spiritual realms in a way that lines up with the Nigerian superstitions which shaped my life from a young age. His journey is believable and familiar in a unique blend of the fantastical with the real.
The lyrical prose and vivid imagery take me home, back to a world where the supernatural is a natural part of life and a cornerstone of the spirituality inherent in Nigerian culture.
Winner of the Man Booker Prize: âOkri shares with GarcĂa MĂĄrquez a vision of the world as one of infinite possibility. . . . A masterpieceâ (The Boston Sunday Globe).
Azaro is a spirit child, an abiku, existing, according to the African tradition, between life and death. Born into the human world, he must experience its joys and tragedies. His spirit companions come to him often, hounding him to leave his mortal world and join them in their idyllic one. Azaro foresees a trying life ahead, but he is born smiling. This is his story.  When President Bill Clinton firstâŠ
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the deadâletters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.Â
Iâm a philosopher with a voracious appetite for literature. I inhabit a world of abstract ideas but always return to fiction because it vividly portrays the real-world consequences of our beliefs and reminds us that ideas also move us irrationally: theyâre comforting or disturbing, audacious or dull, seductive or repellant. I prefer world literature because it plants us in new times and places, helping us, like philosophy, see beyond our blinders. Deprived of the assumptions that prop up our everyday arrogance, we can clear a mental and emotional path to what weâve ignored or covered up, as well as rediscover and reaffirm shared values, arrived at from new directions.
Nietzscheâs greatest admirers often distort his views. Mishima is no exception. Considering his nationalism, militarism, and ritualistic suicide, itâs little surprise he endorses the popular misconception of Nietzsche as a champion of egoism and power.Â
In this fascinating, disturbing story, adolescent boys create a club devoted to an amoral, pseudo-Nietzschean ideal. When they encounter a mysterious sailor, they worship him as a living embodiment of their values until he defies the image theyâve created.Â
Mishima misinterprets Nietzsche but in a critically illuminating way. The boysâ ultimate reaction to their disappointing demi-god proves their hypocrisy, revealing that they idolize precisely the qualities they lack. So Mishima inadvertently debunks the stereotypical image of the âoverman,â a cartoonishly impossible superhero, a fantasy who attracts only his polar opposites: the insecure, resentful, conformist, and childish.
A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.
For more than twenty years I was the Editor in Chief of the French magazine Citizen K. Iâve been dedicating myself to more personal projects. Iâm keen on connecting words and pictures. Fond about Architecture and History I did after long investigations in the former Soviet Union, a book dedicated to the late Soviet Architecture. CCCP was published in 2011 by Taschen. Through my text and photographs I featured in it a set of extraordinary and ignored buildings. Luckily, this achievement having met with success, it brought me to a new photographic project. With Stone Age, published in 2021, I gathered through 400 pages more than 200 primitive castles selected all around Europe.
âWhen K looked at the castle he sometimes thought he saw someone sitting quietly there, looking into space, (âŠ) as if he were alone and no one was observing himâŠâ
It seems that castles are watching us, with some kind of emotional detachment. This impression is described in this famous Kafka novel featuring a traveler stranded in a remote Mitteleuropa village who despite his tenacity fails to reach the castle that overlooks the place. Apart from the usual kafkaesque absurdity, this unfinished novel brings to mind the feeling of oddness that someone often goes through when approaching a castle, facing its uncanny presence. Even more, it conveys the strange fact that the path that leads to them, probably because of their unusual scale, seems always endless.
Franz Kafka - Das SchlossDas Schloss ist einer der drei unvollendeten Romane von Franz Kafka. Die Hauptfigur K. trifft in einem Dorf ein und gibt an, der bestellte Landvermesser zu sein. K versucht nun, zum Schloss vorzudringen, welches als undurchschaubarer, bĂŒrokratischer Verwaltungsapparat das Leben des Dorfes regelt. Kafkas Roman begleitet K. dabei, wie er an der BĂŒrokratie und der Undurchschaubarkeit des Systems kontinuierlich scheitert und zunehmend verzweifelt.
It took me far too long to realize that I, childhood absorber of all things fantastical, countedas an SFF fan; all the books I saw listed as âpopularâ or âclassicâ SFF were cis/het white dude parties. But SFF at its best uses the fantastical as metaphor for the mundane; imagines better (or worse) worlds; does something different, in screaming color! Who can do that better than the books lost on the fringes? To that end, Iâve organized this list based on rough reverse popularity, so if you donât find something new by the beginning, youâll almost certainly get it by the end. Happy reading!
With her singular art style and effortless storytelling skill, Emily Carroll has long been a favorite of mine. When I Arrived at the Castle is a tour de force in erotic horror, comic artistry, and, yes, a very complicated catgirl x vampiress relationship. This is one of those books I am shocked even exists, so thoroughly does it cater to my deepest desires: lush shots of catgirls in bathtubs, peeks at vampiresses through their bedroom keyholes, metaphors so subtle I always find something new when I reread. Carroll outdoes herself with suspense, sexuality, and a sexy red-black-and-grey limited color palette.
Like many before her that have never come back, sheâs made it to the Countessâ castle determined to snuff out the horror, but she could never be prepared for what hides within its turrets; what unfurls under its fluttering flags. Emily Carroll has fashioned a rich gothic horror charged with eroticism that doesnât just make your skin crawl, it crawls into it.
Being a childrenâs illustrator and writer, I have built up a well-loved collection of childenâs books over the years. They must have great drawings and imaginative concepts. They are books I can come back to again and again. The books I have chosen are ones where you can lose yourself in their intricate detailed worlds and forget about day-to-day troubles for a while. These books can also help reluctant readers by enticing them into a visual world first and then into appreciating the written word.Â
This book describes and shows what life was like in a 14th-century castle. If you have ever wondered how hundreds of people lived and worked in a castle then this is the book. The mind-boggling detail in the illustrations keeps me poring over them for ages. Each page reveals a cut-away of the castle interior from turrets to dungeons! All the books in this series are incredible in their detail and knowledge.
History comes alive in this incredible children's illustrated book about castles. Slicing through different areas of a medieval fortress, extraordinary views reveal the people busy inside, and preparing for battle as an enemy army approaches.
Packed with facts, you'll find out what it takes to build a massive 14th-century castle, dress a knight in armour, or prepare a feast fit for a king or queen. From the drawbridge to the dungeon, Cross-sections Castle swarms with the people who keep the castle ticking over - the workers, craftsmen, and servants. And, as you pore over every page, look out for theâŠ
I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly donât understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority arenât, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.
Mysterious victorian missionaries with dark secrets in the land of the fae.I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way thatâs knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this bookâit deserves it.
Winner of the John W Campbell Award for Best New Writer, Jeannette Ng brings a stunningly different Victorian fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Victorian missionaries travel into the heart of the newly discovered lands of the Fae, in a stunningly different fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Catherine Helstone's brother, Laon, has disappeared in Arcadia, legendary land of the magical fae. Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last thereâŠ
I have loved books where the main character goes from his/her own ordinary existence into another world, with inspiration from The Lion, The Witch, and the Wardrobe by C.S. Lewis, who was a tutor in English Literature. Since I love history, thereâs nothing more fun for me than historical time travel, and I wonder how difficult it might be for a modern woman or man, well-versed in the history and literature of the time, to navigate the customs, etiquette, language, clothing, and politics in 1344.
This book is essential to understanding the feudal system, and how life revolved around the myriad castles dotted throughout the countryside of England and Wales.
They focus on one castle in particular, but the structure of the society around the castle was somewhat universal, with the lord and lady of the castle, to the workers in the castle, the village that was nearby that would take refuge inside the castle walls if necessary during battles.
I found this an essential book when I was researching my book, which features a castle named Wodesley. What would meals be like there, entertainment, daily life?
"Some particular books I found useful for A Game of Thrones and its sequels deserve mention...Life in a Medieval Castle and Life in a Medieval City, both by Joseph and Frances Gies." -George R.R. Martin, author of the series A Song of Ice and Fire Medieval history comes alive in Joseph and Frances Gies's Life in a Medieval Castle, used as a research resource by George R. R. Martin in creating the world of A Game of Thrones. Newly reissued for the first time in decades, Life in a Medieval Castle is the bestselling classic that has introduced countless readersâŠ
For The Dire Days of Willowweep Manor, artist Christopher Baldwin and I tried to create a Gothic manor with all the trappings: winding stairs, secret passageways, towers, crypts, and, above all, mysteries. Above all, it had to feel real enough that readers might want to visit. Chris created a 3D computer model of Willowweep Manor and used it as the basis for his background art. I filled the manor and its grounds with everything Iâd want in my own manor, using these books and many others for inspiration. As it turns out, Willowweep is not exactly what it seems, but what Gothic setting is?
A pregnant noblewoman fleeing a less than happy happily-ever-after finds her way to Castle Waiting, an overgrown castle thatâs become a haven for forgotten figures from fairy tales, folklore, and myth. Much of this unbelievably absorbing comic is spent simply exploring the castle and following the residents in their day-to-day lives. And what better way is there to spend oneâs time? Linda Medleyâs immersive artwork, with its flavor of old-fashioned woodcuts and classical book illustrations, makes Castle Waiting look like the perfect place to rest between adventures, or maybe stay and become one of the long-term residents.
This (wildly popular) graphic novel, a feminist fairy tale, is now in paperback.
Castle Waiting is the story of an isolated, abandoned castle, and the eccentric inhabitants who bring it back to life. A fable for modern times, it is a fairy tale thatâs not about rescuing the princess, saving the kingdom, or fighting the ultimate war between Good and Evil â but about being a hero in your own home. The opening chapter tells the origin of the castle itself, which is abandoned by its princess in a comic twist on âSleeping Beautyâ when she rides off into theâŠ