100 Books Like The Castle

First published in Italy in 1972, it arrived in English two years later and is now regarded as a classic. It is based on a fiction journey by Kublai Khan to over fifty cities, each with particular features and qualities: they are all fictional. However, they all in some way reflect the character of Venice.

What makes it one of my favorite books is the way its evocative language animates a world of imagination. What unfolds is fantastic rather than fantasy. It has inspired my own writing, and I have recently written a companion work—Disappearing Cities. It also is a collection of short stories engaging around fifty imaginary cities. It is now with my publisher. Besides the influence of Calvino, it was also prompted by two books mentioned above: Amitav Ghosh fusion of climate change and fiction, and Ailton Krenak evocation of stories that postpone the end of… show more.

This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.

The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.

I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.

Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit. 

I grew up with and write horror stories, so it’s very difficult for a book to unnerve me; this is one of the only books I can think of that earns the honor. It is half an ecological text and half a horror story, with its romantic prose balanced by intense natural research to create a surreal, unnerving description of the natural world.

This book made me hyper-aware of everything from the grass outside my window to the cells that make up my body, and I love how it uses both existential horror and the real, biological horror of being a living creature to leave a lasting unease. Are you aware you’re breathing? Can you feel your tongue in your mouth? Your heart’s nonstop beating? You can, now.

This is a timeless visionary tale of the power of otherness.

Its hero, Moojie Littleman, struggles through life with physical handicaps that pale in comparison to the social handicaps of the grownups who are supposed to be caring for him. His is a hero’s journey about light and love, the power to heal, and the moral convictions that are only revealed in solitude.

Young Moojie, a disappointment even to himself, must look beyond his life circumstances for the answers he seeks. He must be open to new friends, new dimensions, and new possibilities. He must learn to employ his otherness as a tool, not only of survival, but of abundance.

The lyrical prose and unique voice of this tale enhance the strong character and storylines that are sure to inspire generations of young adults and older readers alike. Author, Robin Gregory, is an exceptional storyteller in the classical style… show more.

I recommend this book because it shook something loose in me, the idea that consciousness might not come from the universe, but might actually come before it.

That possibility filled me with wonder, and it stayed with me long after I closed the book. I loved how Lanza’s ideas didn’t fight against a God-based faith but seemed to sit comfortably beside it, almost whispering, “Why not? Consciousness could have been God’s.” This book inspired several of my own short stories, pieces that may find their way into my next book.

Readers who enjoy big questions about life, reality, and the unseen architecture of existence will feel right at home here. And it fits my theme because it explores the mystery behind everything, the same mystery I try to touch in my own writing.

I'm drawn to family stories and saw the author interviewed on a local TV station, so I knew I'd enjoy reading her book. It's a story that needed sharing, about sisters who immigrated from Germany. The much younger one (Bernadine) was so ambivalent about leaving Germany, about being left behind in Iowa when the older sister (Elizabeth) married and moved away. Even after marrying and having so many children of her own, then was widowed, Bernadine struggled.

Bernadine's life became even more fascinating after she married a man who wasn't really as she'd thought. And there were unpleasant surprises with two adult daughters. By then, I'd forgotten about the original secret, so when it was revealed, it came as a surprise.

I love this book because it problematizes a popular assumption among contemporary Anglo-American authors who like to call themselves “analytic philosophers” and who only care to acknowledge the existence of a few past philosophers, e.g., Russell and Ryle. The assumption is that philosophers, such as the latter two, tackled in an apolitical “noble” fashion metaphysical matters.

Akehurst, by his turn, indicates how the likes of Russell and Ryle aligned themselves with a right-wing British policy whose “vulgar” propaganda is echoed throughout works published by British philosophers in the first half of the 20th century.

Also, I appreciate Akehurst’s way of showing that while contributing to the creation of the so-called “analytic-continental gap,” this attitude helped to naturalize the attribution of the shortness of logos to German philosophers like Hegel, Marx, and Nietzsche. 

Thanks to my religious conservative upbringing, I grew up naive and innocent. I learned a lot about life really quick when I entered college. I partied and made mistakes and definitely have my fair share of shame and regret.

However, reading this book even as an adult was still eye-opening. Life of the Party follows Mia, a fashion student living in Milan who lives the most chaotic life imaginable. She parties hard. She drinks endlessly. She wears outfits I'd never dare try on.

Mia couldn't be anything like rigid careful me, but I still resonated with her choices. I empathized with her trauma. I reveled in every small victory she has. Mia helped me realize just how much of the female experience is universal.

A historical sapphic novella with women over 60? And they’re going to get revenge on a very bad man in very inventive ways? Do you really need me to sell this book harder to you?

Okay, fine: it’s Courtney Milan, whose wit, creativity, and compassion for humanity in general and her characters specifically always awe me. I’m pretty sure there’s nothing Courtney couldn’t do.