Books like The Cannibal Galaxy — picked by fans

The book is genius and totally bonkers in the best way.

When a would-be hermit, a 60something playwright named Charles Arrowby, retreats to a house by the sea to write his memoirs in solitude, he’s besieged by uninvited visitors and interpersonal trouble, much of it of his own making.

The titular sea is ever-present throughout, almost alive in all its changing moods, and there is a lot of food and drink amid the constant conversations. What follows is a masterpiece of self-delusion and nostalgia, obsession and regret, a very British kind of comic madness that resolves into philosophical calm. 

This is the book that forever changed how superheroes were written.  

In Watchmen, masked vigilantes started as a craze in the 1930s, and history got slightly bent in the process. We won the Vietnam War, Nixon stayed president, and...you'll have fun picking out all the bits of altered history in the background.

The heart of the book is its unforgettable characters - slightly over-the-hill superheroes brought out of retirement by the murder of one of their own, to face an ever-deepening mystery and their own midlife crises.

Morrison’s most ambitious and most underrated novel, Paradise (1997) tells the story of Ruby, a town founded by a group of African-Americans turned away after slavery from other black townships because of their darker skin color. Ruby’s male leaders accordingly establish a patriarchal community devoted to keeping bloodlines pure and youth in line. This stern society inevitably clashes with the inhabitants of a former convent on its fringes where a multiracial group of fugitive women come together amid the tumult of the 1960s. In this intensely written and kaleidoscopically structured violent epic, Morrison rewrites the Biblical Exodus and the American myth of westward settlement, she sets Christianity against Gnosticism, and she strives to do nothing less than reinvent religion for the postmodern world. Reading this as a teenager in the late ‘90s showed me that contemporary fiction could aspire to be as grand and world-changing as the classics.

In 2021’s most widely-discussed literary novel, Lin, the former enfant terrible of the early 2000s alt-lit scene, rejects that movement’s terse and affectless style in favor of a more startlingly inventive prose alive to everyday experience’s strangeness. This autobiographical novel recounts its narrator’s attempt to wean himself from the toxic habits and substances of our “dominator” society and, through natural foods and psychedelic drugs, to return to a matriarchal cooperative tradition he describes at length. Whatever we think of Lin’s potentially sentimental historiography, he embeds it in a gentle family comedy that effloresces into a tender romance. I appreciate Lin’s countercultural commitment to rejecting fashionable pessimism and unthinking science-worship, and I respect his evolving ethic of personal kindness. It would be preachy if issued as a proclamation, but becomes a practice we can all learn to share when shown in a novel.

It’s hard to understand why people often don’t like well-educated leaders. When leaders in public or high-profile roles use research, evidence, and facts to guide their work, people often criticize them for acting like “know it alls.”

But great school leaders are well-read and should be interested in evidence and facts. In Anti-Intellectualism in American Life, Hofstadter argues that anti-intellectualism—hostility toward intellectualism, academic theories, and science—is a core American value that applies to politics, religion, and not just education.

Given that the current US politics deemphasizes the importance of reading, studying, and facts, this book helps us understand why many parents and communities don’t value the people who lead schools. This book will help readers understand the current conditions of our country.

Reading Hofstadter’s essays can be an eerie experience. Yes, he was writing in the early 1960s, and often about historical phenomena (although the recent antics and influence of Senator McCarthy were clearly at the front of his mind). But many of his observations about status anxiety and conspiracy theories feel spookily relevant today. With typical eloquence, Hofstadter wrote that McCarthy was buoyed by Americans who were revolting against the “tormenting manifestations of our modern predicament”; I saw something similar in fascist sympathizers in the interwar years. This edition contains both of Hofstadter’s famous essays on “anti-intellectualism” and “the paranoid style,” along with fifteen other essays. 

An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.

I came across this remarkable contemporary memoir, written by a Jewish journalist between 1943 and 1945 when researching a specific village in the Dordogne. Scheyer's family happened to have been hidden first in the village and then in a local convent.

This was only part of the extraordinary experiences of the writer during the Second World War when he was forced to flee Vienna and ended up in rural France, having been incarcerated twice. I do not think any other writer could recount their experiences in such simple yet powerful prose. It is one of only a handful of memoirs that have left me so full of admiration. A unique document.

Jamila Gavin is best known for Coram Boy, which enjoyed huge success and went on to become a stage production. Her latest book is an incredibly moving story of four schoolfriends who go on to take very different and equally demanding roles during World War Two. The character of Noor is based on the real-life SOE agent Noor Inayat Khan, an Indian princess who served as a wireless operator in Nazi-occupied Paris. This is a beautifully written, emotionally engaging story of women barely in their twenties, and a harrowing insight into life in Paris for Jewish families and those working to help them. 

This fascinating book follows 230 women, some more in-depth than others, who were imprisoned outside Paris for crimes of resistance activities. I began reading it as research and became captivated by the stories, especially the devotion the women developed for one another. I felt a deep connection to each of the prisoners as I climbed into their shoes, cheering for them to survive while fearing they would not. (The Appendix lists the 49 who survived if you want to know in advance. I didn’t.) It’s difficult to grasp what they endured over an unimaginable period of time. Just the sheer depth of their hunger is something I’ve never come close to experiencing. Moorehead keeps the tone intimate and compassionate. Yes, their suffering could be hard to read, but at the same time, I found inspiration as if they spoke to me from the past of the power of mutual dependency-… show more.