Here are 100 books that The Bus Driver Who Wanted To Be God & Other Stories fans have personally recommended if you like
The Bus Driver Who Wanted To Be God & Other Stories.
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My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Take the bleakest setting you can imagine–such as a Palestinian refugee camp in Lebanon –quadruple the population, encircle it, populate it with militias, then turn yourself into an absurdist or a surrealist to describe it. This seems to be the task that Maarouf has set himself with this collection of short stories, which are as funny and surprising as they are somber and sobering.
He is a poet and a comedian. The poet in him stops, dwells, absorbs, and is porous to the unfolding loss around him before the comedian kicks in with his will to survive. A quirky, uncanny collection.
LONGLISTED FOR THE INTERNATIONAL MAN BOOKER PRIZE 2019
A brilliant collection of fictions in the vein of Roald Dahl, Etgar Keret and Amy Hempel. These are stories of what the world looks like from a child's pure but sometimes vengeful or muddled perspective. These are stories of life in a war zone, life peppered by surreal mistakes, tragic accidents and painful encounters. These are stories of fantasist matadors, lost limbs and perplexed voyeurs. This is a collection about sex, death and the all-important skill of making life into a joke. These are unexpected stories by a very fresh voice. These…
These introspective tales feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events – like searching for a lost key, watching late…
My interest in Islam was kindled when I lived in Eritrea, East Africa as a teenager, and in my youth fell in love with the mystical Sufi tradition. I went on to live in the Muslim world for over a decade, making many dear friends whose kindness overwhelmed me. I studied the Qur’an in Cairo and exploring various corners of Muslim civilization, including in India. I have taught Islam and Middle East History for nearly 40 years at the University of Michigan and devoted myself to writing several books and many essays on Islam. For geopolitical reasons, the subject often gets a bad rap these days, but it is an impressive religion that produced a beautiful, intricate civilization. I hope you enjoy these books about it.
Aslan writes engagingly and urgently about Islamic history from a contemporary Muslim-American perspective. He grounds his account in academic scholarship but does not let it overshadow the excitement of the rise of a new world civilization. Aslan attends to the potential within Islam for democracy and for greater rights for women and rejects the bigotted “clash of civilizations” model that sees Muslims as always outsiders in Western society.
Much of the Muslim faith remains largely unknown and misunderstood in the West. To many in the west, Islam means jihad, veiled women and suicide bombers. Yet these represent only fringe elements of the world's fastest growing religion. While there have been a number of successful books on the topic of Islamic history - from Karen Armstrong's Islam: A Brief History to Bernard Lewis's The Crises of Islam, there is surprisingly no book for a popular audience about Islam as a religion, let alone one by an author from an Islamic background. No God But God fills that gap, addressing…
I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.
Carl is an unhealthy old man who gets the break of a lifetime when a strange accident enables him to upgrade his DNA. Not only is it like taking a sip from the fountain of youth, but Carl can also adopt some of the sensory super powers that animals have. But rather than this turning into another boring superhero story, Biomedical Self-Engineering is the story of a nice guy whose positivity brushes off on almost everyone he encounters. Carl’s not out to save the world. He’s just out to make each day a little better for himself and others.
Divorced and working as a security guard in Portland, 73 year old Carl is attacked by an unknown creature before he is able to taser it to death. After being released from the hospital, he discovers by accident that he is unwittingly acquiring DNA samples from other people he touches. He discovers a number of shocking facts about himself when a blue box appears in his right eye, Most importantly, he discovers that his health is nowhere near to what he assumed it would be. Can he reverse the negative aspects of his health using these blue boxes somehow? And…
These introspective tales feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events – like searching for a lost key, watching late…
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
This is an uplifting family drama about technology that could – and possibly is (if we think about AI and smartphones) – already happening.
It’s a social comment about a brain surgery that improves the functions of thinking. The implant proves so popular, it begins to bias society to favour those who have the implant and sideline those who don’t. The story is told from the viewpoints of a lesbian couple and their two children, demonstrating how easily divided we can be, enough to threaten the breakdown of society.
It’s a wonderful story with very real characters, commenting on mega technology and exploitative commercial enterprise yet is also at its heart, about the importance of the family unit.
From award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them.
Get one - or get left behind.
Val and Julie just want what's best for their kids, David and Sophie. So when David comes home from school begging for a new brain implant to help with his studies, they're torn. Julie grew up poor and knows what it's like to be the only kid in school without the new technology, but Val is terrified by the risks and the implications.
Soon, everyone at Julie's work has the implant and she's struggling to keep…
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
This book does one of my favorite things: deconstructing and reconstructing tropes. It goes ahead and uses Jin, the main character, to critique everything that doesn’t quite make sense in the cultivation subgenre, and then it later uses other characters to validate the same tropes it earlier poked fun at.
On top of that, the contrast between a relaxed Canadian farmer and his ultra-chuuni “death before dishonor” rooster never fails to be delightful.
A laugh-out-loud, slice-of-life martial-arts fantasy about . . . farming????
Jin Rou wanted to be a cultivator. A man powerful enough to defy the heavens. A master of martial arts. A lord of spiritual power. Unfortunately for him, he died, and now I’m stuck in his body.
Arrogant Masters? Heavenly Tribulations? All that violence and bloodshed? Yeah, no thanks. I’m getting out of here.
Farm life sounds pretty great. Tilling a field by hand is fun when you’ve got the strength of ten men—though maybe I shouldn’t have fed those Spirit Herbs to my pet rooster. I’m not used to…
I was a passionate elementary school teacher for thirty-five years. Now retired, I am grateful that my writing allows me to continue communicating with children. I am always working to improve my craft, help other writers, and embrace my author life.When I am not in a critique group or at my computer I might be doing yoga or biking.
Simple beautiful language with lovely bright colored art tells the story of a dad getting up very early to go to his job at the bakery. The dad's arms are heavily tattooed and from the first wordless spread before the title page, we understand because of the author's note, that this was probably a dad who has returned from being incarcerated. The loving relationship between father and daughter is evident. It's a sweet slice-of-life story.
Dad wakes early every morning before the sun, heading off to work at the bakery. He kneads, rolls and bakes, and as the sun rises and the world starts its day, Dad heads home to his young daughter. Together they play, read, garden and-most importantly-they bake.
This lovely, resonant picture book was inspired by muralist Katie Yamasaki's work with formerly incarcerated people. With subtle, uncluttered storytelling amplified by her monumental and heartfelt paintings, she has created a powerful story of love, of family and of reclaiming a life with joy.
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
I loved being immersed in this story, where I could potentially be the protagonist myself and walk in her shoes. The book grabbed me from the start, as I felt the pain and pleasure of the protagonist’s life situation. The imagery was vivid, and the characters' dialogue was very believable.
This book captured a slice of life and brought me along with it in a palpable ride of a bewitching come-on. Along the way, the climax beckoned beyond belief until the stunning conclusion. Just wow.
A new, twisting thriller from the #1 New York Times bestselling author of The Teacher and The Housemaid!
She's looking for the perfect man. He's looking for the perfect victim.
Sydney Shaw, like every single woman in New York, has terrible luck with dating. She's seen it all: men who lie in their dating profile, men who stick her with the dinner bill, and worst of all, men who can't shut up about their mothers. But finally, she hits the jackpot.
Her new boyfriend is utterly perfect. He's charming, handsome, and works as a doctor at a local hospital. Sydney…
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
I love this one, a graphic novel. Vampire hunting stories, set in a world emerging from three hundred years of vampiric rule. Our hero, D, is a Damphir (it’s not so easy to find good Damphir characters in media. Lore accuracy is basically impossible, but if it was, it would be D.) A vampire hunter, weighing his humanity against the value of vampire life.
Lots of fighting, lasers, robot horses, and wide-brimmed hats, and did I mention it was illustrated by Yoshitaka Amano? So it’s just visually stunning. I’ve honestly loved this since I heard of it as a teenager. Made it so much more fun that I recognised Yoshitaka Amano’s artwork from the Final Fantasy 9 games, which I also love.
12,090 A.D. It is a dark time for the world. Humanity is just crawling out from under three hundred years of domination by the race of vampires known as the Nobility. The war against the vampires has taken its toll; cities lie in ruin, the countryside is fragmented into small villages and fiefdoms that still struggle against nightly raids by the fallen vampires - and the remnants of their genetically manufactured demons and werewolves. Every village wants a Hunter - one of the warriors who have pledged their laser guns and their swords to the eradication of the Nobility. But…
I’ve always been intrigued by monsters. I grew up watching or reading anything that had a monster in it, much to the chagrin of my monster-hating mother. Over time, I grew bored with the same monsters in the same historical settings. It wasn’t until I discovered some of the books on this list that I found writers doing new, fun, and inventive things that reinvigorated my own love for them. I’m always going to be a monster junky, but I always hope to find authors that can bring these classic terrors into the modern world.
I was hooked after meeting the characters and seeing them interact with one another. I could easily imagine these people as real and the town of Hettford felt like a slice of life. The comedic tone caught me off-guard, but I quickly grew to want to spend more time with the loveable losers that form the Hettford Witch Hunt group.