Books like The Bug in the Bog — picked by fans

I’ve been passionate about absurdist literature since my early youth when we read Kafka’s Metamorphosis in school. Later in life, friends recommended Irving, Vonnegut, Bellow, and Boyle to me. I discovered Murakami, Mendoza, and Niven. Films like Common Wealth or The Last Circus by Spanish filmmaker Alex De La Iglesia, which are equally entertaining and thought-provoking, gave me the spark to start writing myself. I hope you enjoy the books on this list as much as I have!

We are in a time where everything seems fraught, and cozies remind me that there are other paths. I write science fiction and fantasy, a genre known for making things worse. But secretly, I want my books to explore what happens when people talk to one another and make the kinder choice. It’s easy to escalate. But having a book with tension and interest and plot twists, while also making the reader feel secure is much harder. Watching characters in unexpected genres have cozy moments reminds me it’s possible. And also, sometimes you just want a hug from a book.

I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.

I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.

I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.

As a practicing clinical psychologist, teacher of psychotherapy theory and technique, and author (Barbarians at the PTA, Madmen on the Couch, Money Talks) who writes about the psychopathology of daily life for various online and print publications, I am a participant in/observer of mom culture. I love a juicy mother-child story. 

On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read. 

My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.

I’ve been an avid reader and a professional writer my entire life—from writing for newspapers, magazines, and television to developing, producing, and writing award-winning projects for TV and film and writing best-selling fiction and nonfiction. My experience as a journalist, author, screenwriter, and producer has always interested me in headline news, historical subjects, and modern-day topics and issues that resonate with humanity. In doing so, I’ve consciously decided to create projects and share stories that entertain, inspire, educate, and uplift with themes that revolve around faith, family, hope, healing, forgiveness, timeless friendships, enduring romances, and the wondrous mysteries of life.

If one of the main reasons we marry is to raise a family, what happens to the couple once the children grow up and no longer need daily care? 

A few years ago, I completed an MSc in Psychology, and my dissertation explored exactly this question. After interviewing many couples, it became clear that unless parents are emotionally prepared for life after children, the sense of loss can be overwhelming. That research raised deeper questions about why we commit—and what keeps us committed.