Here are 100 books that The Boundless fans have personally recommended if you like
The Boundless.
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I'm a gay cartoonist and editor who lives and breathes graphic novels. As an editor at Graphix, Scholastic's graphic novel imprint, I've worked with Dav Pilkey, Jamar Nicholas, Angeli Rafer, Kane Lynch, and many others. As a cartoonist, I'm the author and illustrator of Out of Left Field, which is based on my experiences as a closeted kid on the high school baseball team. So many wonderful books have influenced my journey and career, but these are some of my favorites: groundbreaking graphic novels that helped make Out of Left Field possible.
To put this on a list of gay coming-of-age graphic novels feels potentially like a spoiler, but in the hopes that I’ll convince at least one other person to read this near-perfect book, I’ll take the risk!
A decade after its publication, few, if any, graphic novelists have managed to match the quality of this brilliantly written, elegantly drawn, subtly rendered, and wonderfully atmospheric book about two girls whose sexualities start to manifest during a summer vacation with their families.
Mariko and Jillian Tamaki are always brilliant, but this book remains, in my opinion, their best work.
Every summer, Rose goes with her mum and dad to a lake house in Awago Beach. It's their getaway, their refuge. Rosie's friend Windy is always there, too, like the little sister she never had. But this summer is different. Rose's mum and dad won't stop fighting, and when Rose and Windy seek a distraction from the drama, they find themselves with a whole new set of problems. It's a summer of secrets and sorrow and growing up, and it's a good thing Rose and Windy have each other.
Did you know you can survive being swallowed by a whale? Or that octopus wrestling used to be an actual sport? Or, that once a town in Oregon didn't know what to do with a whale carcass that washed up on their beaches, so they...BLEW IT UP?
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
Okay, okay, I realize that using webbing isn’t an actual way to get around, but neither is my digger. And I wouldn’t be a reader, writer, or artist today if it hadn’t been for Spider-Man. Young Kevin spent every day imagining the freedom of spinning a web and flying through the air. Even though I grew up in a small town with two steeples and a three-story inn, it was a captivating idea.
And wow does this version of the story kick things up a notch. I mean, I already love the Miles Morales version of Spidey, but Reynolds kicks it all up a notch or five. He has such a deft hand as a storyteller with a message. Never preachy, but deeply felt and funny (sort of like a super-hero version of Jerry Kraft’s New Kid) this was a ride.
“Everyone gets mad at hustlers, especially if you’re on the victim side of the hustle. And Miles knew hustling was in his veins.”
Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He’s even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he’s Spider Man.
But lately, Miles’s spidey-sense has been on the fritz. When a misunderstanding leads to his suspension from school, Miles begins to question his abilities. After all, his dad and…
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
One of my kid-lit heroes, and clearly a writer/illustrator who grew up (like me) with a love for the vehicles we saw in science fiction. He has Eva Nine and her pals (and enemies) flying around in ships that are clearly inspired by pod-racers, x-wing fighters, the Millennium Falcon, and Flash Gordon. (Then, as the series goes on, we even get airships!)
But the thing that anchors the series is the wonderfully drawn characters. Eva Nine is all of us as kids… eager to break away but also tied to the adults around us. That tension between knowing when to hold on and knowing when it’s time to say goodbye is what really kept me with her on her journey.
Eva Nine was raised by the robot Muthr. But when a marauder destroys the underground sanctuary she called home, twelve-year-old Eva is forced to flee aboveground. Eva Nine is searching for anyone else like her. She knows that other humans exist because of a very special item she treasures ~ a scrap of cardboard on which is depicted a young girl, an adult, and a robot along with the strange word "WondLa".
Tony DiTerlizzi honours traditional children's literature in this totally original space age adventure: one that is as complex as an alien planet, but as simple as a child's…
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
I stumbled upon an article about Zippy Chippy and knew, right out of the starting gate, that I needed to share his fascinating tale with young readers. I’m the author of a quintet of hilarious rhyming picture books, including the classic The Butt Book and my “number two” picture book, Poopendous! But this was a horse of a different color for me. It’s my first picture-book biography in prose. When I was a lad, my father would take me, on occasion, to Aqueduct Racetrack. I watched in awe as the horses would thunder by. These boyhood experiences surely planted the seeds. I fell in love with Zippy Chippy, and I know you will, too.
I wear two hats. In addition to being a children’s book writer, I’m also the executive copy editor at Random House Books for Young Readers. I had the good fortune recently to work on a new novel from R. J. Palacio, of Wonderfame. It’s a one-of-a-kind Western that seamlessly and skillfully melds the material and the supernatural worlds. And it’s beautifully written and filled with heart-stopping suspense and iconic characters. Pony, a mysterious horse, leads a boy, Silas, on an epic quest to rescue his father from desperadoes. This haunting, deeply moving coming-of-age tale stayed with me long past its completion.
2
authors picked
Pony
as one of their favorite books, and they share
why you should read it.
This book is for kids age
10,
11,
12, and
13.
What is this book about?
The highly anticipated, unforgettable new story from the internationally bestselling, multi-award-winning author of WONDER.
'Thrillingly told . . . Palacio is a fantastic writer' The Times
'Perfection . . . A beautiful, funny, heart-twisting wonder of a book . . . A brilliant story of love and courage' Wall Street Journal
When Silas Bird wakes in the dead of night, he watches powerlessly as three strangers take his father away. Silas is left shaken, scared and alone, except for the presence of his companion, Mittenwool . . . who happens to be a ghost. But then a mysterious pony shows…
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
The gold standard source for what life was like for the hardy souls arriving in Upper Canada in the early 19th century. Although writing from a position of relative privilege, Moodie writes of hardships and deprivations that make the modern reader blanch. We wonder whether we could have survived what she and her family endure. She writes with richness and great humanity so that we can vividly imagine what it must have been like for her to be taken from the relatively comfortable life she’d known and to make a life in the bush. Despite her trials and tribulations, she comes to have a great love for the beauty and wildness of her adopted home.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I’ve been fascinated by borders since I was a child. I would run my finger along lines on maps in the worn pages of a world atlas, wondering what strange stories the people in those places would tell. As a writer, I look for compelling stories and odd characters at borders. The latest is Bob Boulé, the larger-than-life figure that Greg Boos and I describe in Smuggler. The books on this list were important for me to learn about the reality of the US-Canada border, and I hope you—and Donald Trump—enjoy them as much as I did.
I think a lot of people just assume that the majority of irregular migration at the US-Canada border consists of people entering the United States. That’s wrong historically and today.
British Loyalists during the US Revolution, people fleeing slavery on the Underground Railroad, and conscientious objectors to the Vietnam War have all sought protection north of the border. The same holds true today with thousands of people leaving the United States every year in search of asylum in Canada.
However, as Clark-Kazar’s book shows, they do not always receive a generous welcome, and Canada has tightened rules and put in place new restrictions for decades. I loved this book because it paints a complete picture of Canada’s partial and uneven embrace of refugees from around the world.
Forced migration shaped the creation of Canada as a settler state and is a defining feature of our contemporary national and global contexts. Many people in Canada have direct or indirect experiences of refugee resettlement and protection, trafficking, and environmental displacement.
Offering a comprehensive resource in the growing field of migration studies, Forced Migration in/to Canada is a critical primer from multiple disciplinary perspectives. Researchers, practitioners, and knowledge keepers draw on documentary evidence and analysis to foreground lived experiences of displacement and migration policies at the municipal, provincial, territorial, and federal levels. From the earliest instances of Indigenous displacement and…
With my debut comedic travel memoir having come out in April, I read every humorous travel book I could get my hands on both as part of my education for inspiration on how to write my book and before I even knew I was going to write a book because I simply love reading these types of stories. From my own experience, travel has made me grow so much as a person, and all of these authors beautifully capture their own journeys and how travel helped them find their way.
I love how this book weaves in discovering who she is, a humorous element, and winding hilarious stories where you never know what's going to happen next. It also talks honestly about being frustrated as a woman and trying to date, the expectations put on us as women, and how these discourage us from taking our own path.
Now writing on Only Murders in the Building, Newman has a lovely, comedic voice.
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
You’re fifteen years old, living unhappily with your feckless parents and unstable older sister in a small town in Montana. And then your family implodes: your parents are arrested for bank robbery and your sister flees to parts unknown. As troubling as the premise is, Canada becomes even darker and more ominous as young Dell Parsons travels alone to Saskatchewan to live with erstwhile family friends, but in fact enters a whole new world of intrigue and violence. Dell is a stoic character, and you desperately want to see his life take a turn for the better. What you get instead is a case study in resiliency and survival. Ford’s prose is powerful; every word counts, every sentence pulls you deeper into the story.
First, I'll tell about the robbery our parents committed. Then the murders, which happened later.
In 1956, Dell Parsons' family came to a stop in Great Falls, Montana, the way many military families did following the war. His father, Bev, was a talkative, plank-shouldered man, an airman from Alabama with an optimistic and easy-scheming nature. Dell and his twin sister, Berner, could easily see why their mother might have been attracted to him. But their mother Neeva - from an educated, immigrant, Jewish family - was shy, artistic and alienated from their father's small-town world of money scrapes and living…
A satisfying story of rediscovering friendship after time spent apart.
For many years, Hazel and Mabel were inseparable. The two friends made up stories, spent the night together, and shared their snacks. Then, Mabel moved away. As time passes, Hazel and Mabel think of each other often, but they also…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Our elders are maps to our history and lands. My grandmother taught me how to navigate America with grit and care and inspired my work in community.
This book narrates how to learn by honoring our ancestors, using the example of the Anishinaabeg tribes in Canada: how to draw maps and re-envision the world from the perspective of people without PhDs but who hold centuries of knowledge.
As an academic, I was taught that people outside of the university were sources of data that we could use to generate theory. I had to learn that everyday people hold powerful theories of the world that PhDs would do well to honor and uplift, especially if we want our knowledge to make the world a better place.
When was the last time you asked an elder the history of where you live and come from: the good, the bad, and the uncomfortable?
Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017
Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking.
