Here are 100 books that The Book of Human Emotions fans have personally recommended if you like
The Book of Human Emotions.
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I am a science journalist and broadcaster with a degree in Psychology and a deep passion and fascination for people, their behavior, and the workings of the human mind. For nine years, I produced and presented the popular Australian ABC radio program and podcast, All in the Mind, in which I explored a range of topics, including neuroscience, psychiatry, psychology, cognitive science, mental health, and human behavior. I’ve received numerous media awards and contributed to media award judging panels. All in the Mind - fascinating, inspiring, and transformative stories from the forefront of brain science is my first book. I continue to write and communicate about the topics I am inspired by.
I love this book because it explores a new way of understanding human emotions. When you laugh, cry, or scowl with anger, you often assume that the emotions you're feeling are the same as everyone else’s. Lisa Feldman Barrett explains that this is not necessarily the case, according to the new science of emotion.
She clearly describes the research, including her own, that shows that emotions are not hard-wired at birth but are constructed by our brains and our bodies as we go through life. It means that we can be the architects of our emotional lives, and the implications for society are profound. Reading this book has excited me and given me a great deal of hope and optimism about how we can have more agency over our emotional lives.
Preeminent psychologist Lisa Barrett lays out how the brain constructs emotions in a way that could revolutionize psychology, health care, the legal system, and our understanding of the human mind. “Fascinating . . . A thought-provoking journey into emotion science.”—The Wall Street Journal “A singular book, remarkable for the freshness of its ideas and the boldness and clarity with which they are presented.”—Scientific American “A brilliant and original book on the science of emotion, by the deepest thinker about this topic since Darwin.”—Daniel Gilbert, best-selling author of Stumbling on Happiness The science of emotion is in the midst of a…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
Indian thinkers writing in Sanskrit spent 1500 years theorizing and debating the nature of emotions and aesthetic experience as we experience them in literature and the performing arts. Pollock assembles, translates, and helps us interpret many of these debates. While not about emotions as such, these texts get at the finer shades of feeling as they relate to ways we relish the romantic, the tragic, the comic, the macabre, and so on.
While I am inspired by contemporary writing on emotions, the core of my imagination and intellectual life has been built by ideas from ancient and classical India. Sheldon Pollock is second to none in bringing the world of Sanskrit knowledge systems to a modern audience.
From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
I love beautiful things and have been able to share beautiful things with my students with the help of Martha Selby’s translations and discussions of love poetry in three languages: Sanskrit, Prakrit, and Tamil.
This book explores the subtle joys and sorrows of love–love shared and love thwarted, love enduring and love grown stale, love that is playful and love that is cruel. The women’s voices, in particular, leap off the page. Readers are invited to feel the ways that these ancient poems still resonate, as well as to discern the specificity and distinctiveness of these Indian conceptions.
This book presents new English translations of 150 erotic poems composed in India's three classical languages: Old Tamil, Maharastri Prakit, and Sanskrit. The poems are derived from large anthological collections that date from as early as the first centruy CE to as late as the eight century. In Martha Selby's masterful translations, the poems both stand on their own as poems in English and maintain the flavours of the original verses as reflected in idiom and structure. The poems are grouped according to themes, and annotated whenever a brief gloss is necessary. The book begins with several scholarly essays on…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
Though I am not an anthropologist, I devour ethnographies with a gusto that can only be attributed to disciplinary envy. There are several fascinating ethnographies of emotions and how they differ across cultures. Beatty’s book stands out among them for its rich ethnographic description as well as the sophistication with which he treats the relationship of emotion and culture.
He spots the limitations that lab experiments impose on studying emotions and suggests instead that we have to pay attention to the narratives in which emotions are situated, made, and deemed meaningful. And I rather like how he punctures “affect theory.”
Are emotions human universals? Is the concept of emotion an invention of Western tradition? If people in other cultures live radically different emotional lives how can we ever understand them? Using vivid, often dramatic, examples from around the world, and in dialogue with current work in psychology and philosophy, Andrew Beatty develops an anthropological perspective on the affective life, showing how emotions colour experience and transform situations; how, in turn, they are shaped by culture and history. In stark contrast with accounts that depend on lab simulations, interviews, and documentary reconstruction, he takes the reader into unfamiliar cultural worlds through…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
In the words of Joni Mitchell, you “don’t know what you got till it’s gone.” Only a person who has gone deaf partway through life knows what it means to live with and without sound. And music.
In this evocative book, British journalist Bella Bathurst chronicles her profound loss of hearing starting at age 27—and twelve years later, its dramatic return. The health reporter in me gave a thumbs-up to her skillful exploration of the lesser-known science of hearing.
She introduces expert lip readers, soldiers who accept deafness as an occupational hazard, and the copper “ear trumpets” used by Beethoven as his greatest joy ebbed. When Bathurst regains her hearing, I was awed by her description of hearing music anew: “It was a thousand volts of birdsong.”
In 1997, Bella Bathurst began to go deaf. Within a few months, she had lost half her hearing, and the rest was slipping away. She wasn't just missing punchlines, she was missing most of the conversation - and all of the jokes. For the next twelve years deafness shaped her life, until, in 2009, everything changed again.
Sound draws on this extraordinary experience, exploring what it is like to lose your hearing and - as Bella eventually did - to get it back, and what that teaches you about listening and silence, music and noise. She investigates the science behind…
It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.
Perseverance, and an unwitting courage against all odds; that’s the essence of Farley Mowat’s People of the Deer.
Mowat’s book immortalizes a small band of Inuit as they traverse the barrens of Canada’s eastern Arctic, enduring starvation, punishing winter conditions, and a sociopolitical system bent on eradicating their five-thousand-year-old culture. This book shattered my perception about how I see myself as a Canadian, and injustices inflicted on indigenous peoples.
Written over seventy years ago, People of the Deer is testament to Mowat’s insight into a travesty that continues to this today, and tells me we still have a long way to go.
In 1886, the Ihalmiut people of northern Canada numbered seven thousand by 1946, when Farley Mowat began his two-year stay in the Arctic, the population had fallen to just forty. With them, he observed for the first time the phenomenon that would inspire him for the rest of his life: the millennia-old migration of the Arctic's caribou herds. He also endured bleak, interminable winters, suffered agonizing shortages of food, and witnessed the continual, devastating intrusions of outsiders bent on exploitation. Here, in this classic and first book to demonstrate the mammoth literary talent that would produce some of the most…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
As a children’s librarian and author, I am curious about all kinds of subjects. So, the arctic wilderness which appears to be barren tundra but teems with animal life, unique landforms, and aurora borealis glow intrigued me. Winter Solstice is an excellent theme to use for multicultural study and as an alternative topic for December when the completing holidays seem like overkill. I have been to Alaska to hear glaciers boom as they calf, see endless ice fields, and witness frolicking sea lions.
I appreciate the genuine Inuit voice of this story of creation, so I researched the author.
Rumolt is active in the Inuit community and teaches elementary school there, but her education was started by her grandmother’s traditional tales. The book is in spare text in the tradition of the storyteller. The art is primarily black and white with touches of color, all the more welcome as a surprise.
In the end the story is about compromise and friendship and a beautiful introduction to a unit or theme of creation, seasons, or mythology.
In this Inuit tale, the actions of a hare and a fox change the Arctic forever by creating day and night. In very early times, there was no night or day and words spoken by chance could become real. When a hare and a fox meet and express their longing for light and darkness, their words are too powerful to be denied. Passed orally from storyteller to storyteller for hundreds of years, this beautifully illustrated story weaves together elements of an origin story and a traditional animal tale, giving young readers a window into Inuit mythology.
The environment and how we treat it has always been important to me since I was a child. My passion for storytelling morphed into writing, but the underlying spark came through environmental activism. I got a university degree in aquatic ecology, published numerous papers, and now write eco-fiction that is grounded in accurate science with a focus on human ingenuity and compassion. The most meaningful and satisfying eco-fiction is ultimately optimistic literature that explores serious issues with heroic triumph. Each of these favourites intimately connects human to environment. Each moved me to cry, think, and deeply care.
What struck me most was the use of simple language to portray powerful intimacy and connection between human and animal, and by extension, environment. Murphy’s humorous dialogue, together with sparing, often ironic, descriptions, struck deep into my heart. The play starts in 1535 on an ice shelf up north—when an Inuk widow risks her life to save a lost one-eared polar bear cub on an ice floe, and adopts him. In the last scene five hundred years later in the oily waters of the Northwest Passage, the same bear—starving and cruelly injured by eco-tourists on a cruise ship—struggles to keep from drowning. No one on the ship cares. No one weeps for him. But I did. I wept for him and for his world destroyed by apathy.
In 1535, Hummiktuq, an Inuit widow, has a strange dream about the future. The next day, she discovers a bear cub floating on a piece of ice near a breathing hole. Despite the concerns of her community, she adopts him as her own and names him Angu’řuaq. In 1845, Angu’řuaq and his mate Panik wander into a chance meeting between Inuit hunters and explorers from the Franklin Expedition. By 2029, when surveyors and entrepreneurs examine the now-melting land for future opportunities, Angu’řuaq encounters the passengers and crew of a luxury cruise ship as it slinks through the oily waters of…
I am a professor emeritus of History and Arctic & Northern Studies at the University of Alaska Fairbanks. A mostly lifelong Alaskan, my research interest has been northern, especially Alaska, history. I’m deeply interested in northern peoples and cultures and both their resilience and adaptation in the face of rapid socio-economic and cultural change. As I write, I strive to create a narrative that will fascinate and inspire; that will resonate deeply, so the reader continues to think about the book well after finishing it. Such narratives attract me as a reader.
Inuit leader Sheila Watt-Cloutier speaks with such authenticity as she calls for environmental justice that one can’t help but be moved. I found her story of growing up on the land in northern Quebec (Nunavik), raised by strong women, finding her voice, and becoming president of the Inuit Circumpolar Council (ICC) and later chair of the International Council deeply inspirational.
In those capacities, she focused on addressing both persistent organic pollutants (POPs) that become concentrated in the Arctic and global warming that threatens Inuit lives and lifeways by melting the ice. I also admire her use of her leadership role to call upon her people to reclaim their lives and destinies by drawing upon their traditional values to address the social problems that are threatening individual and community health.
Now in paperback, one of Canada's most passionate environmental and human rights activists addresses the global threat of climate change from the intimate perspective of her own Arctic childhood
The Arctic ice is receding each year, but just as irreplaceable is the culture, the wisdom that has allowed the Inuit to thrive in the Far North for so long. And it's not just the Arctic. The whole world is changing in dangerous, unpredictable ways. Sheila Watt-Cloutier has devoted her life to protecting what is threatened and nurturing what has been wounded. In this…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I grew up in Los Angeles, California, which is frequently imagined as well as experienced. As a child, we lived by the beach and in the foothills of Angeles National Forest. The leaps of faith you make in this landscape were always clear: earthquakes, wildfires, and mudslides occur regularly. The question asked often about the Arctic: “why on earth do people live there?” applies also to California: life in beautiful landscapes and seascapes is risky. Then, I made my first trip to Iceland alone in 1995, and have now been to Iceland ten times, Greenland twice, and Nayan Mar, above the Russian Arctic Circle, each time with fascination.
This book is a history of American polar expeditions and their relationship with the Inuit who helped them survive the Arctic.
It is vividly written and balances both outsider and insider views of the Arctic, showing how different they can be, in an incredibly authentic way. It’s a sad book that stays with you for a long time.
Many Americans imagine the Arctic as harsh, freezing, and nearly uninhabitable. The living Arctic, however-the one experienced by native Inuit and others who work and travel there-is a diverse region shaped by much more than stereotype and mythology. Do You See Ice? presents a history of Arctic encounters from 1850 to 1920 based on Inuit and American accounts, revealing how people made sense of new or changing environments.
Routledge vividly depicts the experiences of American whalers and explorers in Inuit homelands. Conversely, she relates stories of Inuit who traveled to the northeastern United States and were similarly challenged by the…
