Here are 100 books that The Book of Human Emotions fans have personally recommended if you like
The Book of Human Emotions.
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I am a science journalist and broadcaster with a degree in Psychology and a deep passion and fascination for people, their behavior, and the workings of the human mind. For nine years, I produced and presented the popular Australian ABC radio program and podcast, All in the Mind, in which I explored a range of topics, including neuroscience, psychiatry, psychology, cognitive science, mental health, and human behavior. I’ve received numerous media awards and contributed to media award judging panels. All in the Mind - fascinating, inspiring, and transformative stories from the forefront of brain science is my first book. I continue to write and communicate about the topics I am inspired by.
I love this book because it explores a new way of understanding human emotions. When you laugh, cry, or scowl with anger, you often assume that the emotions you're feeling are the same as everyone else’s. Lisa Feldman Barrett explains that this is not necessarily the case, according to the new science of emotion.
She clearly describes the research, including her own, that shows that emotions are not hard-wired at birth but are constructed by our brains and our bodies as we go through life. It means that we can be the architects of our emotional lives, and the implications for society are profound. Reading this book has excited me and given me a great deal of hope and optimism about how we can have more agency over our emotional lives.
Preeminent psychologist Lisa Barrett lays out how the brain constructs emotions in a way that could revolutionize psychology, health care, the legal system, and our understanding of the human mind. “Fascinating . . . A thought-provoking journey into emotion science.”—The Wall Street Journal “A singular book, remarkable for the freshness of its ideas and the boldness and clarity with which they are presented.”—Scientific American “A brilliant and original book on the science of emotion, by the deepest thinker about this topic since Darwin.”—Daniel Gilbert, best-selling author of Stumbling on Happiness The science of emotion is in the midst of a…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
Indian thinkers writing in Sanskrit spent 1500 years theorizing and debating the nature of emotions and aesthetic experience as we experience them in literature and the performing arts. Pollock assembles, translates, and helps us interpret many of these debates. While not about emotions as such, these texts get at the finer shades of feeling as they relate to ways we relish the romantic, the tragic, the comic, the macabre, and so on.
While I am inspired by contemporary writing on emotions, the core of my imagination and intellectual life has been built by ideas from ancient and classical India. Sheldon Pollock is second to none in bringing the world of Sanskrit knowledge systems to a modern audience.
From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
I love beautiful things and have been able to share beautiful things with my students with the help of Martha Selby’s translations and discussions of love poetry in three languages: Sanskrit, Prakrit, and Tamil.
This book explores the subtle joys and sorrows of love–love shared and love thwarted, love enduring and love grown stale, love that is playful and love that is cruel. The women’s voices, in particular, leap off the page. Readers are invited to feel the ways that these ancient poems still resonate, as well as to discern the specificity and distinctiveness of these Indian conceptions.
This book presents new English translations of 150 erotic poems composed in India's three classical languages: Old Tamil, Maharastri Prakit, and Sanskrit. The poems are derived from large anthological collections that date from as early as the first centruy CE to as late as the eight century. In Martha Selby's masterful translations, the poems both stand on their own as poems in English and maintain the flavours of the original verses as reflected in idiom and structure. The poems are grouped according to themes, and annotated whenever a brief gloss is necessary. The book begins with several scholarly essays on…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
Though I am not an anthropologist, I devour ethnographies with a gusto that can only be attributed to disciplinary envy. There are several fascinating ethnographies of emotions and how they differ across cultures. Beatty’s book stands out among them for its rich ethnographic description as well as the sophistication with which he treats the relationship of emotion and culture.
He spots the limitations that lab experiments impose on studying emotions and suggests instead that we have to pay attention to the narratives in which emotions are situated, made, and deemed meaningful. And I rather like how he punctures “affect theory.”
Are emotions human universals? Is the concept of emotion an invention of Western tradition? If people in other cultures live radically different emotional lives how can we ever understand them? Using vivid, often dramatic, examples from around the world, and in dialogue with current work in psychology and philosophy, Andrew Beatty develops an anthropological perspective on the affective life, showing how emotions colour experience and transform situations; how, in turn, they are shaped by culture and history. In stark contrast with accounts that depend on lab simulations, interviews, and documentary reconstruction, he takes the reader into unfamiliar cultural worlds through…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
In the words of Joni Mitchell, you “don’t know what you got till it’s gone.” Only a person who has gone deaf partway through life knows what it means to live with and without sound. And music.
In this evocative book, British journalist Bella Bathurst chronicles her profound loss of hearing starting at age 27—and twelve years later, its dramatic return. The health reporter in me gave a thumbs-up to her skillful exploration of the lesser-known science of hearing.
She introduces expert lip readers, soldiers who accept deafness as an occupational hazard, and the copper “ear trumpets” used by Beethoven as his greatest joy ebbed. When Bathurst regains her hearing, I was awed by her description of hearing music anew: “It was a thousand volts of birdsong.”
In 1997, Bella Bathurst began to go deaf. Within a few months, she had lost half her hearing, and the rest was slipping away. She wasn't just missing punchlines, she was missing most of the conversation - and all of the jokes. For the next twelve years deafness shaped her life, until, in 2009, everything changed again.
Sound draws on this extraordinary experience, exploring what it is like to lose your hearing and - as Bella eventually did - to get it back, and what that teaches you about listening and silence, music and noise. She investigates the science behind…
As a children’s librarian and author, I am curious about all kinds of subjects. So, the arctic wilderness which appears to be barren tundra but teems with animal life, unique landforms, and aurora borealis glow intrigued me. Winter Solstice is an excellent theme to use for multicultural study and as an alternative topic for December when the completing holidays seem like overkill. I have been to Alaska to hear glaciers boom as they calf, see endless ice fields, and witness frolicking sea lions.
I appreciate the genuine Inuit voice of this story of creation, so I researched the author.
Rumolt is active in the Inuit community and teaches elementary school there, but her education was started by her grandmother’s traditional tales. The book is in spare text in the tradition of the storyteller. The art is primarily black and white with touches of color, all the more welcome as a surprise.
In the end the story is about compromise and friendship and a beautiful introduction to a unit or theme of creation, seasons, or mythology.
In this Inuit tale, the actions of a hare and a fox change the Arctic forever by creating day and night. In very early times, there was no night or day and words spoken by chance could become real. When a hare and a fox meet and express their longing for light and darkness, their words are too powerful to be denied. Passed orally from storyteller to storyteller for hundreds of years, this beautifully illustrated story weaves together elements of an origin story and a traditional animal tale, giving young readers a window into Inuit mythology.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I grew up in Los Angeles, California, which is frequently imagined as well as experienced. As a child, we lived by the beach and in the foothills of Angeles National Forest. The leaps of faith you make in this landscape were always clear: earthquakes, wildfires, and mudslides occur regularly. The question asked often about the Arctic: “why on earth do people live there?” applies also to California: life in beautiful landscapes and seascapes is risky. Then, I made my first trip to Iceland alone in 1995, and have now been to Iceland ten times, Greenland twice, and Nayan Mar, above the Russian Arctic Circle, each time with fascination.
This book is a history of American polar expeditions and their relationship with the Inuit who helped them survive the Arctic.
It is vividly written and balances both outsider and insider views of the Arctic, showing how different they can be, in an incredibly authentic way. It’s a sad book that stays with you for a long time.
Many Americans imagine the Arctic as harsh, freezing, and nearly uninhabitable. The living Arctic, however-the one experienced by native Inuit and others who work and travel there-is a diverse region shaped by much more than stereotype and mythology. Do You See Ice? presents a history of Arctic encounters from 1850 to 1920 based on Inuit and American accounts, revealing how people made sense of new or changing environments.
Routledge vividly depicts the experiences of American whalers and explorers in Inuit homelands. Conversely, she relates stories of Inuit who traveled to the northeastern United States and were similarly challenged by the…
I am a professor emeritus of History and Arctic & Northern Studies at the University of Alaska Fairbanks. A mostly lifelong Alaskan, my research interest has been northern, especially Alaska, history. I’m deeply interested in northern peoples and cultures and both their resilience and adaptation in the face of rapid socio-economic and cultural change. As I write, I strive to create a narrative that will fascinate and inspire; that will resonate deeply, so the reader continues to think about the book well after finishing it. Such narratives attract me as a reader.
Inuit leader Sheila Watt-Cloutier speaks with such authenticity as she calls for environmental justice that one can’t help but be moved. I found her story of growing up on the land in northern Quebec (Nunavik), raised by strong women, finding her voice, and becoming president of the Inuit Circumpolar Council (ICC) and later chair of the International Council deeply inspirational.
In those capacities, she focused on addressing both persistent organic pollutants (POPs) that become concentrated in the Arctic and global warming that threatens Inuit lives and lifeways by melting the ice. I also admire her use of her leadership role to call upon her people to reclaim their lives and destinies by drawing upon their traditional values to address the social problems that are threatening individual and community health.
Now in paperback, one of Canada's most passionate environmental and human rights activists addresses the global threat of climate change from the intimate perspective of her own Arctic childhood
The Arctic ice is receding each year, but just as irreplaceable is the culture, the wisdom that has allowed the Inuit to thrive in the Far North for so long. And it's not just the Arctic. The whole world is changing in dangerous, unpredictable ways. Sheila Watt-Cloutier has devoted her life to protecting what is threatened and nurturing what has been wounded. In this…
When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.
I was swept away by Gretel Ehrlich’s profound fascination with Greenland as expressed in this book; I read This Cold Heaven in great gulps over the course of a single weekend.
In its masterful weaving of natural history, Inuit lifeways, and personal experience, the book stands as a powerful, compelling testament to the far north and inspiration to me as a writer.
In addition to expressing a unique, deep love of the landscape, Ehrlich offers her experiences living with a community of Inuit Greenlanders, whose ancient and persevering culture lives and thrives in one of earth’s most stunning, and most overlooked, land- and sea-scapes.
In a tribute to the far latitudes, Gretel Ehrlich travels across Greenland, the largest island on earth. All but five per cent of the island is covered by a vast ice sheet, an enduring remnant of the last ice age. Despite a uniquely hostile environment, it has been inhabited continuously for thousands of years. Greenlanders retain many of their traditional practices: some still hunt on sleds made from whale and caribou with packs of dogs; others fashion harpoons from Narwhal tusks; and entranced shamans make soul fights under the ice. Ehrlich mixes stories of European anthropologists who have recorded the…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
As both a reader and mystery & thriller author, I’ve always been drawn to stories with a strong sense of place and “atmosphere." I love landscapes that can seduce and threaten in the same breath, and a setting so immersive that it feels like you once lived there. It’s what I always seek in the books I read and what I try to create in the stories I write. There’s no greater compliment than a fan saying they re-read your books just to revisit the world you created, because it’s my own reaction to the books I cherish. Here are some of my favourite reads where the beautiful setting is inseparable from the simmering suspense.
I have re-read this multiple times and still love the cold menace of this literary thriller set in Copenhagen and Greenland.
Høeg didn’t just bring the icy landscapes to life—he also opened up a whole new world of Inuit culture and life in the Arctic seas. I loved learning all these quirky facts, like the many names the Inuit have for the different types of snow.
I also adore his anti-heroine Smilla, who is a fascinating blend of contradictions: ruthless, analytical, and blunt to the point of rudeness, she is also noble, brilliant, and unexpectedly compassionate. One of my all-time favourite characters.
One snowy day in Copenhagen, six-year-old Isaiah falls to his death from a city rooftop.The police pronounce it an accident. But Isaiah's neighbour, Smilla, an expert in the ways of snow and ice, suspects murder. She embarks on a dangerous quest to find the truth, following a path of clues as clear to her as footsteps in the snow.
